Spend too long in Screenplay Fantasy Land, and you’ll incur Screenplay Fantasy Debt.
Didn't get a chance to show off your Tolstoy and sexy frames at the last I Like Your Glasses: Literary Speed Dating? Don't worry because CoverSpy and Housing Works Bookstore Cafe will be hosting another event on October 23 at the store. This time bookworms are restricted to ages 21-39. Tickets are $15 (including a free drink), but to encourage more gents, Millions men can get their tickets for $12 if they use the promotional code "MILLIONS." Pair with: our essay on attending the first I Like Your Glasses.
In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach's The Art of Fielding, John Darnielle's National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg's upcoming City on Fire, about "The Art of Agenting." Pair with our own Edan Lepucki's conversation with her agent, "Don't Ever Do It for the Money," and with the opening lines of City on Fire, a Millions exclusive.
A new study says that book readers live two years longer than their non-reading counterparts. As they explain it, “While most sedentary behaviors are well-established risk factors for mortality in older individuals, previous studies of a behavior that is often sedentary, reading… have not compared the health benefits of reading-material type.” Pair with this Millions essay on private libraries and what books reveal about their readers.
“We might then see the bear, and judge it best to run, receive the insult and deem it right to strike, but we could not actually feel afraid or angry.” Let’s hope you never get approached by a bear while hiking in the woods with trailblazing psychologist William James, who had some complicated ideas about feelings.
The Harry Ransom Center in Austin, Texas made headlines when it acquired the David Foster Wallace archives. Now it's added another high profile author to its collection: J. M. Coetzee.
"Women writers and writers of color don’t really have the luxury of being known simply as writers. There’s always a qualification," Roxane Gay writes for The Nation. She ponders what it means to be a "black woman writer" and concludes that we should view diversity as a search for "urgent, unheard stories."
"Still, what he captured with genius was the ontological unease of a world in which the human and the abhuman, the real and the fake, blur together." An essay in the Boston Review argues the importance of Philip K. Dick's literature— where the real and fake intersect and collide — and the world we live in today. From our archive: on the pleasures of Dick's sometimes awful prose.