Spend too long in Screenplay Fantasy Land, and you’ll incur Screenplay Fantasy Debt.
New in fiction this week: Benediction by Kent Haruf and Ten White Geese by past IMPAC winner Gerbrand Bakker. In non-fiction: Salt Sugar Fat: How the Food Giants Hooked Us, Michael Moss’s food industry exposé excerpted in the recent Times Magazine. From the other side of the food spectrum is Issue 6 of Lucky Peach. And it’s a big day for baseball fans: the 2013 Baseball Prospectus is here.
The October 15 Boston Book Festival boasts a lot of wonders, but one event you shouldn’t miss is “The Wire” writer and producer George Pelecanos alongside series cast members. They’ll discuss “issues of race, class, and institutional failure as portrayed by the most critically-acclaimed series in television history.” Last month, a similar event was held at Housing Works Bookstore Cafe to launch the issue of Criticism dedicated to “Why The Wire (Still) Matters“.
HBO turned down the television adaptation of Jonathan Franzen’s The Corrections, despite an all-star crew: Franzen himself adapted the novel to television, Noah Baumbach promised to direct the series, and Ewan McGregor and Maggie Gyllenhaal were cast as leads. Novelist A-J Aronstein can now breath a sigh of relief; they won’t be filming The Corrections at anyone’s house.
Out this week: Lucky Boy by Shanthi Sekaran; A Mother’s Tale by Phillip Lopate; Huck Out West by Robert Coover; Fever Dream by Samanta Schweblin; The Midnight Cool by Lydia Peelle; The Antiques by Kris D’Agostino; Lotus by Lijia Zhang; and Collected Stories by E.L. Doctorow. For more on these and other new titles, go read our latest book preview.