Spoiler Alert: neojapansme, a provider (along with our own Ben Dooley) of quite a bit of insight into Murakami’s new (and untranslated) novel 1Q84 has published a review of the book.
Last November, the University of Southern California announced that it would stop offering a Masters in Professional Writing, ending a program that counts Richard Yates and Hubert Selby, Jr. among its faculty alumni. At The Nervous Breakdown, Aram Saroyan (son of William) looks back on his time as an instructor.
Some folks were abuzz this week about the release of all 47 endings to Ernest Hemingway’s novel A Farewell to Arms. That kind of commitment to a single story is impressive, and illustrates the author’s dedication to his work, but as Andrew O’Hagan points out in the London Review of Books, Big Papa loved no story so much as his own.
With the preliminaries out of the way, The Morning News Tournament of books unveils its first head-to-head matchup today, Teddy Wayne’s Kapitoil versus Jonathan Franzen’s Freedom. Don’t miss the commentary that accompanies each judgment (some say it’s the best part of the whole thing.)
“How had no one ever told me about (Othello‘s) Emilia, who, in only a couple of lines, brings down one of the most conniving, merciless villains in all of Western literature? How had no one told me about this fantastic female character who defies not one but two sword-wielding men in order to make sure Desdemona, her mistress and friend, receives justice? I wanted to rip up my diploma. I wanted to start over as a freshman and devote my entire undergraduate career to the Gospel of Emilia.” On Othello’s Emilia and her refusal to be silenced.