Spoiler Alert: neojapansme, a provider (along with our own Ben Dooley) of quite a bit of insight into Murakami’s new (and untranslated) novel 1Q84 has published a review of the book.
“The findings revealed that across the board, nearly 80 percent of those surveyed who worked in publishing self-identified as white. In Marketing and Publicity, 77 percent were white. These are people who make decisions on how to position books to the press and to consumers, and if and where to send authors on tour — critical considerations in the successful launching of any publication. For writers of color, the lack of diversity in book publicity departments can feel like a death knell.” On the lack of representation in book publishing and publicity campaigns.
Ta-Nehisi Coates wants to make America less stupid about the Civil War. He recommends five books we should all read to gain a better understanding of American history during this war and assures us that "I’ve tried to think very hard about readability, and to offer books you might actually complete." So no excuses, start here
Maria Popova, who recently wrote a Year In Reading post for our series, has teamed up with artist Lisa Congdon on a new project concerning notable women working in art, science and literature. For each week in 2013, The Reconstructionists will present an illustrated portrait of one “trailblazing woman, along with a hand-lettered quote that captures her spirit.” Updates will also feature a “sort micro-essay about her life and legacy.” Up first in the series are Anaïs Nin, Gertrude Stein, Agnes Martin, and Hedy Lamarr.
In the Chicago Tribune, Julia Keller explains why all the year-end lists are a tiresome exercise: "What annoys and disappoints me, though, is the chilly retrospective nature of such lists. They drain all of the blood from the critic's job. They require a cold, methodical calculation of passions long past. They're about yesterday's yearning. Compiling them is a bit like trying to remember why you used to be in love with so-and-so." (Thanks, Laurie)
DeAndre McCullough died last week at the age of 35. McCullough was famously portrayed as the young protagonist in David Simon and Edward Burns’s book The Corner, which went on to become its own HBO miniseries. The Wire later adopted aspects from both the book and the miniseries. The obituary Simon wrote is not to be missed.
Could it be for the best that Lisbeth Salander outlived her creator? Do writers own the rights to their own superstar characters, or do the rights belong to the readers? These questions and more are explored in a fascinating essay from The Atlantic. Here’s a Millions piece in which Pippi Longstocking is touted as Salander’s literary forebear.