For the Class of 2013, salsa has always outsold ketchup. For these and other wry conjectures, see the latest edition Beloit College’s annual “Mindset List.” (N.B.: For the class of 2013, “mindset” is not a clunky neologism.)
William Carlos Williams‘s birthday was this last week, and Adam Kirsch writes about the poet for New York Review of Books. Though he argues that “today it would be hard to find a reader of poetry who would not acknowledge William Carlos Williams as one of the major American modernists” Kirsch still has to face the question, “why is it, then, that almost fifty years after his death, the reputation of [Williams] still seems to be haunted by a ghost of uncertainty?”
“Romatic realist” painter Bo Bartlett, born in Columbus, Georgia, is renowned for his epic tableaus depicting a “Hopper-like sense of longing and mystery combined with a Lynchian-cocktail of menace, beauty, and stranger-than-fiction reality.” He was also a protégé and life-long friend of Andrew Wyeth. In Oxford American‘s most recent SoLost installment, the crew checks out Bartlett’s surprising and endearing winter workspace.
Last April, our own Bill Morris bemoaned the current state of America’s higher education system. At the same time, Malcolm Harris derided the unreasonable cost of that same system. Now Benjamin Ginsberg, author of The Fall of the Faculty, places blame for both criticisms on the shoulders of universities’ expanding administrative staff.
Out this week: New Boy by Tracy Chevalier; Kintu by Jennifer Nansubuga Makumbi; The Awkward Age by Francesca Segal; The Australian by Emma Smith-Stevens; Evensong by Kate Southwood; Behind the Moon by Madison Smartt Bell; and Bad Dreams and Other Stories by Tessa Hadley. For more on these and other new titles, go read our most recent book preview.