For the Class of 2013, salsa has always outsold ketchup. For these and other wry conjectures, see the latest edition Beloit College’s annual “Mindset List.” (N.B.: For the class of 2013, “mindset” is not a clunky neologism.)
Inside the Hive-Mind of the Class of 2013
Google Books: Embargo Breaker
At The Washington Post, Craig Fehrman points out that FSG inadvertently broke its own embargo on Jimmy Carter’s White House Diary when a preview of the book showed up on Google Books.
On Reading and Re-Reading Autoportrait
When our own Mark O’Connell reviewed Edouard Levé’s Autoportrait, he wrote that the book compels you to keep reading because “the more Levé says, the more facts he sets down, the more you realize he hasn’t said.” But what if at the end, you’re meant to reread the book, too? Over at Words Without Borders, Jan Steyn says “the only way to get a better idea of how [these sentences] fit together is to keep reading, and reading, until the end, and then perhaps to read the book again.”
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No Longer Science Fiction
“Set in the 2020s and 2030s in a collapsing and crashed America, the Parables books have always seemed incredibly and disturbingly prescient—and in the wake of November 8, 2016 they now seem downright spooky, the actual and accurate history of the future.” How Octavia Butler predicted the present. See also: our consideration of Butler’s novel Kindred.
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Archer as Animated Comix
Charles Bock traces the lineage of FX’s Archer past fellow animated shows like The Simpsons and all the way back to comics. Or, more specifically, Bock traces the lineage back to comix, “cartoons for adults — or, rather, for those above the age of consent.”
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Still Kicking
How often do journalists unfairly stereotype the Rust Belt? All the time, says Jim Russell. In a piece for Pacific Standard, he argues that much of the reporting on Dayton, Flint and other industrial towns falls prey to hyperbole and generalization. (Related: Darryl Campbell on the recession and Rust Belt fiction.)
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The Fifth Borough
Enlightenment comes in many guises, and though we usually think of it as arriving in a koi pond or a distant mountaintop, we can also find it, as the protagonist of Year in Reading alum Tom McCarthy’s new novel attempts to do, on Staten Island. In The New Republic, David Marcus reads the book.
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No Humans, Please
Richard Adams might be the only prominent author to make his name with a novel in which all of the main characters were rabbits. In The Guardian, he talks with Alison Flood about his classic Watership Down, explaining that he first came up with the plot while telling his children a story on a car ride.
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