At the Guardian, Brian Dillon writes about great creative minds who had fertile imaginations for the maladies that befell them.
The Table 4 Writers Foundation was founded in memory of Elaine Kaufman, a larger-than-life literary personality and hostess who supported NYC writers at her restaurant for many years, and awards grants to promising writers for unpublished work. The 2014 winners have just been released, and their prizewinning work can be read online. There will also be a gala in honor of the winners on April 30 in NYC, and tickets can be purchased here.
Don’t bother looking for that book you need, a robot will do it for you. Will browsing disappear as robots take over libraries?Mad Max Perkins, “currently a senior executive for a major New York publisher,” has entered the world of blogs. Who is this masked man?Moleskine, maker of the world’s greatest notebooks, has added the Story Board Notebook to its ever expanding line of notebook products. “Advertising creatives, graphic designers, filmmakers, and cartoonists” rejoice!I enjoyed reading an excerpt of Maximum City: Bombay Lost and Found by Suketu Mehta. A good pick for anyone with an interest in the subcontinent.
“‘What I want,’ a young Luis Buñuel announced to the audience at an early screening of his first film, Un Chien Andalou (1929), ‘is for you not to like the film … I’d be sorry if it pleased you.’ The film’s opening scene, which culminates in a close-up of a straight-edge razor being drawn through a woman’s eyeball, is often taken as the epitome of cinema’s potential to do violence to its audience…Horror movies frighten us; violent thrillers agitate us; sentimental stories make us cry. Suffering is often part of our enjoyment. Within limits, however: we are not to be so displeased that we are not pleased. Buñuel deliberately went beyond the limits of permissible displeasure. And so, in his own way, does the Austrian filmmaker Michael Haneke.”