Harold Bloom turns eighty-five this year, which makes it all the more impressive that his forty-fifth book, The Daemon Knows, comes out this week. At Vulture, Amy Bloom (no relation) has tea and scones with the Yale professor, who talks about Emily Dickinson, Walt Whitman and why a critic called his new book “an invectorium.” You could also read Matt Hanson on his last volume of criticism.
Theoretically, it pays to get a novel on Amazon’s best seller list. In reality, though, a bestselling novel doesn’t make as much in cold hard cash as you’d think.
The New York Review of Books gets into the blog game with…well, it’s not a blog, exactly, but then I guess neither are we these days. With The Daily Beast and The Huffington Post also clamoring for the attention of bookish web-surfers, there’s more book-focused content online than ever. So why do I find most of it gives me a headache?
The Guardian has put together an extensive section called “How to Write” with tips from the pros like Robert Harris, Antonia Fraser, and Catherine Tate on writing fiction, poetry, comedy, screenplays, memoirs, journalism, and books for children.David Foster Wallace links: DFW’s Pomona syllabus (via) and “The last days of David Foster Wallace” in Salon (via). Very sad.Adjust your bookmarks. Pinky’s Paperhaus has moved (and gotten a new name).Former Millions blogger Patrick Brown got a mention in an LA Times piece about Herman Wouk a couple weeks back.
“Over the years, I’ve come to realize that sometimes a ghost isn’t always a ghost. Sometimes, telling a ghost story is a way to talk about something else present in the air, taking up space beside you. It can also be a manifestation of intuition, or something you’ve known in your bones but haven’t yet been able to accept.” Jenna Wortham on the ghost stories of her youth.