“Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can’t do that because you sort of know what’s going to happen. Because you’re the character.” – Gary Shteyngart
Penny PerkinsinterviewsSons and Daughters of Ease and Plenty author Ramona Ausubel at The Rumpus. “I realized that this book I was writing about money had to be about race and it had to be about class and it had to be about privilege, and which of those things we are able to see and which we are blind to.” Pair with Ausubel’s writing at The Millions.
“I love you, in its formal semantic meaning, is at once fetishized and sacrosanct; our familiarity with it as a speech-act is equally uneasy. Type ‘using I love you’ into Google and the first autocomplete result is ‘too much’; the second is ‘as a weapon.’” Google’s recently unveiled Smart Reply feature is saying “I love you” too much. Or is it just the right amount?