- It’s not online but “The Boy Who Had Never Seen The Sea” by newly named Nobel laureate Jean-Marie Gustave Le Clézio appears in this week’s New Yorker. See our recent guest post about publishing Le Clézio.
- In last week’s New Yorker, Malcolm Gladwell was back, this time talking about “genius.” His guinea pigs were Ben Fountain and Jonathan Safran Foer.
- The headline says it all: “Karl Marx’s book sells as Germany economy sinks.”
- “The _______of________“
- The fall issue of The Quarterly Conversation has arrived.
Andrew Fitzgerald wants to write “extremely timely fiction, nearly ephemeral.” He wants to write “a story not just set in the present, but set in this very week.” However in order to do that, he’s going to need our help. Check out his full write-up of A March Story on Medium, and then participate via Twitter.
The most depressing favorable review of a TV show you'll read this year, LA Review of Books shares why "Catfish: The TV Show" is so poignant and so very sad.
Courtney Traub talks with Kevin Begos, Jr, publisher of Agrippa, a Book of the Dead, a 1992 book that contains an encrypted poem by William Gibson set to self-erase after a single reading. Begos explains his intentions when creating the book, and Traub recounts the difficulties Oxford recently had when deciding how to archive a work that deliberately resists preservation. Gibson's newest book, Distrust That Particular Flavor, made our list of the most anticipated releases of 2012. Also don't forget to read our review of Gibson's 2010 novel, Zero History.
“There’s this sense of guilt that my writing career is going well because black people are being killed. I’ve reached a point where I don’t know if I have anything new to say. It’s the same narrative over and over.” Debut novelist Brit Bennett gets profiled for The New York Times about The Mothers, which we included in the list of October book releases we're most excited about.
“As everyday existence becomes more punitive for all but the monied few, more and more frustrated, volatile individuals will seek each other out online, aggravate whatever lethal fairy tale suits their pathology, and, ultimately, transfer their rage from the screen world to the real one.” Gary Indiana reviews Masha Gessen’s The Brothers: The Road to an American Tragedy for the London Review of Books.