Pulitzer winner Junot Díaz talks with his fellow “Year in Reading” contributor Meghan O’Rourke in the debut episode of the online video series Open Book, co-sponsored by Slate and my alma mater. I’m thrilled that the producers elected to keep the same zany voice-over guy who reads Slate’s audio podcasts. Future interviews, we’re told, will include John Ashbery, Charles Simic, and Jonathan Safran Foer.
In his contribution to our Year in Reading series last year, Joseph O'Neill, author of Netherland, began, "Prompted by a writing assignment, I've been re-reading the novels and stories of Saul Bellow for the first time in years - and I'm completely smitten all over again, only more deeply." I was curious to know what that assignment was, but my digging at the time turned nothing up. Now, however, I have an answer. The new edition, coming in November, of Bellow's 1997 novella The Actual will include an introduction by O'Neill.
In December, we noticed the slimness of the New Yorker's year-end Fiction Issue, and more recently Gawker has been on the case. Now, the Anniversary Issue hitting newsstands last week, though chock-full of goodies, also felt much lighter than normal. As it turns out, at 122 pages, it was 38 pages lighter than a year ago.While I have been taking advantage of the freed up reading schedule that a shorter New Yorker affords, I do hope that this is as short as it gets.(Hopefully Not) Related: Culture and Vigilance: Look for the Whimper, Not the Bang
Not too many David Mitchell blurbs out there, and some of them are quite brief - cropped for maximum impact by editors, I suspect. Note as well the extremely British use of the term "wrong-footed."For Strangers by Taichi Yamada: "Highly recommended. A cerebral and haunting ghost story, which completely wrong-footed me."For The Memory Artists by Jeffrey Moore: "combines smartness and wisdom"For Book of Voices: "A treasures box"For Silence by Shusaku Endo: "One of the finest historical novels written by anyone, anywhere... Flawless"For Maps for Lost Lovers by Nadeem Aslam: "It depicts an extraordinary panorama of life within a Muslim community... Thoughtful, revealing, lushly written and painful, this timely book deserves the widest audience."See also: Jonathan Safran Foer: The Collected Blurbs
There used to be a time when my story might have been: ‘I saw her enter the room and I was terrified that she would recognize me and so I crouched down.’ Which is actually sort of boring. But now you can tell that as: ‘I saw her, and I was like, oh my god! I was like, what if she sees me? I was like, oh my god, I’ve gotta hide. I was like, what am I supposed to say to her?’
I've been a bit under the weather lately, but I think I'm starting to get better. I'm well enough to post here anyway. Which is good, because I noticed a couple of books that I thought people might be interested in. Remember a few years ago when everyone was suddenly talking about "string theory?" This was because of a book by Brian Greene called The Elegant Universe, which somehow managed to solve a longstanding dilemma in the world of physics, that "general relativity and quantum mechanics cannot both be right," in a book readable enough to become a best seller. Greene proved to be one of those remarkable writers, of which there are very few, who have the ability to make a very boring and difficult topic interesting for everyone. And now he has a new book out: The Fabric of the Cosmos : Space, Time, and the Texture of Reality, in which he continues to unwind scientific complexities with a combination of analogy and wit.My friend Edan pointed out another interesting, new book to me other day. Dancing with Cuba: A Memoir of the Revolution by the remarkably named, Alma Guillermoprieto. Edan and I both read an excerpt of this book in the New Yorker a while back. I enjoyed the way Guillermoprieto's fierce Latin personality was tempered by her lyrical love of dance. This book seems perfect for anyone enamored by ballet and/or Cuba.A NoteFrom the book I just finished: "From his windows at MacGregor Road, he watched the President Polk leave the harbour. He knew nothing of President Polk, but assumed that the shipping company would have checked the record, beforehand, for anything scandalous. Then he did miss Audrey, with whom he could have spoken of such things."