Pulitzer winner Junot Díaz talks with his fellow “Year in Reading” contributor Meghan O’Rourke in the debut episode of the online video series Open Book, co-sponsored by Slate and my alma mater. I’m thrilled that the producers elected to keep the same zany voice-over guy who reads Slate’s audio podcasts. Future interviews, we’re told, will include John Ashbery, Charles Simic, and Jonathan Safran Foer.
I got a real kick out of this story about Edward P. Jones doing a reading at a Volvo dealership near Washington, DC.The reading at the car dealership may have been one of the stranger marriages of highbrow art and the mass market. Even Jones said afterward that when he got the invitation, he figured that he’d be appearing at a school or in a conference room. “I’ve never been in a car dealership before, not having a car,” he mused. “But I used to pass by here on the bus.” Classic. And, by the way, is this the sort of thing we all talk about when we wish that literary fiction got more exposure? I think maybe it is.
Rick Atkinson, sometime reporter for the Washington Post and author of several books, most recently An Army at Dawn and In the Company of Soldiers, stopped by school today and gave a brief talk to a gathering of students and faculty. Atkinson describes himself as a narrative non-fiction writer and “recovering journalist,” and he divided his writing into three categories: journalism, instant history and true history – or history’s first, second and third drafts. He also said that great events like World War II are “bottomless” and thus can have no final draft. Atkinson called journalists “paid eyewitnesses.”During the talk, he listed a series of books that are examples of first-hand accounts of war, several of which he encountered researching An Army at Dawn, which is about the Allied liberation of North Africa. Atkinson’s list fits into that second category, instant history in the form of the battle memoir:The Battle is the Pay-Off by Ralph Ingersoll – WWII, North AfricaRoad to Tunis by David Rame – WWII, North AfricaBrave Men by Ernie Pyle – WWII, EuropeSlightly Out of Focus by Robert Capa (the famous war photographer) – WWII, North Africa and EuropeThe Road Back to Paris by A.J. Liebling (writing for the New Yorker) WWII, EuropeThe End in Africa by Alan Moorhead – WWII, North AfricaMartyr’s Day: Chronicle of a Small War by Michael Kelly (who died in a humvee accident in Iraq in 2003) – Persian Gulf War
You can’t swing your arms around in a general interest bookstore without hitting three or four “theme” cookbooks, which collect recipes related to a certain motif. This trend explains books like The Book Lover’s Cookbook, Dinner Dates: A Cookbook for Couples Cooking Together, and The Sopranos Family Cookbook. These are books you buy as gifts for people you don’t know that well.But as with every rule there is an exception, which brings me to I Like Food, Food Tastes Good: In the Kitchen with Your Favorite Bands, which collects recipes culled from bands like Death Cab for Cutie, They Might Be Giants, and Belle & Sebastian. My old friends The Walkmen are in it too, which is fitting because they used to have recipe section on their web site. That’s where I first learned about their “Foreign Chicken Dinner,” the recipe they’ve contributed to the book. They don’t have the recipe on their site any more, and I can’t remember exactly what was in it, but I seem to recall it involved tomato sauce.
Genevieve Tucker, the blogger behind Reeling and Writhing (formerly known as You Cried for Night) has penned an article for The Australian about book blogs that covers briefly the medium’s numerous squabbles and scuffles (have there really been that many? I blame Ed) in what amounts to a history of the nascent “litblogosphere.” A handy sidebar of prominent litblogs is included, though, sadly, The Millions has been left off. (Perhaps that will serve as fodder yet another litblog battle? Nah, I’m used to it.)
I had such a good time reading the Count of Monte Cristo that it made me wonder why I don’t read more so-called “classics.” So many times I have wandered into a book store or browsed through Amazon fruitlessly, when I might have gone for the known quantity that is the classic. First, let me define what I’m talking about here. People shy away from classics for two reasons: because they are old. You worry that the book will seem moldy and out of touch. And a classic is the sort of book that is assigned in middle school and high school, and therefore it doesn’t seem like the sort of book you’d want to read for fun (it might bring back bad memories, after all). But again and again I find that this is the wrong way to look at it. I am almost never disappointed when I read a classic novel. So, for all you casual readers out there, consider the classic.But classics aren’t just great for us grown ups, they’re perfect for precocious young readers. When I worked at the book store, I would often encounter parents trying to find books for kids who had read all the kids books. These young readers had read all the Harry Potter, all the Lemony Snicket, and the parents were looking for more of the same. I realized that classic novels are the perfect way to graduate these young readers to the next level of reading. Sure they may get assigned some of these books in school, but I know that when I was young, I found reading books for fun to be far more gratifying than reading for school. Here’s a quick list of classics that I like to recommend to precocious young readers (I’m only recommending books that I have read, so if you’ve got any ideas please share – there are so many more!):The Adventures of Huckleberry Finn by Mark TwainThe Scarlet Letter by Nathaniel HawthornePride and Prejudice by Jane AustenGreat Expectations by Charles DickensGulliver’s Travels by Jonathan SwiftFrankenstein by Mary ShelleyOr you could just get ALL of themUpdate: From the comments:Awakening by Kate Chopin (suggested by edan)Madame Bovary by Gustave Flaubert (suggested by edan)Wuthering Heights by Emily Bronte (suggested by erin)The Brothers Karamazov by Fyodor Dostoevsky (suggested by The Happy Booker)Related: Ask a Book Question: The 27th in a Series (Classifying Classics)Related: Giving Kids the Classics
“A lot of the book business is timing,” editor Buzz Poole remarked Monday night. If that’s true, the launch party for CBGB: Decades of Graffiti represented some kind of weird cosmic collision. On one side of a wall, in CB’s 313 Gallery, ex-Voidoid (and novelist) Richard Hell, who penned the introduction, held court for friends and book-buyers and for the camera crew that’s been following him around for a week. On the other side, in the original CBGB, legendary hardcore act Bad Brains was warming up for a blistering reunion set.Through what Hell calls the “stunning and stunningly effective inertia” of club owner Hilly Kristal, CBGB has lately become a kind of meta-club: both itself and a tribute to itself. This week, Mark Batty Publisher releases a handsome document of the CBGB’s densely inked walls; next week, rumor has it, those walls get dismantled and shipped to Vegas, where Kristal plans to reopen the dump. Punk is dead. Long live punk.