In light of the epidemic of violence and political repression in Zimbabwe – and South Africa’s African National Congress’s insistence (until much of the damage had been done) that interference from “outsiders” was not welcome – avid fiction readers may want to revisit a sub-Saharan perspective on political misrule: Ngugi wa Thiong’o’s Wizard of the Crow. Writing here a couple years back, I gave the book a mixed review, finding some fault with the breadth of the satire. But, much as magical realism is said to just be called “realism” in Columbia, broad satire starts to seem awfully pointed the more one learns about the tactics of strongmen like Robert Mugabe. Which is to say, Mugabe’s decision to proceed with the election runoff in Zimbabwe borders on farce. As Ngugi shows, these antics can make for rich fiction. In life, of course, they are merely infuriating.
Ms. Millions and I embarked upon a whirlwind trip to the East Coast this weekend for equal parts partying and wedding planning, and although Jet Blue’s inflight television distracted me from my reading, I managed to get some done, as did several other folks that I spotted in airports and on the planes. Lots of folks had their noses in the usual, low impact airport reading, but I also noticed quite a few people diverting themselves with some pretty literary fare. Off the top of my head I can remember spotting Family History by Dani Shapiro and Genius: A Mosaic of One Hundred Exemplary Creative Minds by America’s super intellectual, Harold Bloom, but there were others as well. It was good to see people getting some reading in on their way to their far flung destinations, which reminded me about an award I heard about last week that celebrates books that take place in far flung destinations. The Kiriyama Prize recognizes books “that will contribute to greater understanding of and among the peoples and nations of the Pacific Rim and South Asia” in two categories, fiction and non-fiction. Here’s their map of the Pacific Rim. The fiction finalists are Brick Lane by Monica Ali, My Life as a Fake by Peter Carey, The Great Fire by Shirley Hazzard, The Girl Who Played Go by Shan Sa, and The Guru of Love by Samrat Upadhyay: five highly regarded books from last year. It’s interesting to see an award that groups books by subject matter and setting rather than the location, nationality, or gender of the author. Here are the non-fiction finalists.
Among the few movies I’ve seen in recent months, Sideways was one of the best. The director, Alexander Payne, has made a career out of bringing quirky, character driven novels to the screen. This time, the source material was a novel by the unknown and struggling Rex Pickett. According to this article from the Guardian, Rejected by 15 publishers, Sideways was still without a home when Payne happened to read the manuscript and liked it. Even with the possibility of a movie in the works, Pickett had to work hard to get it published. St Martin’s initial reluctance turned out to be quite lucrative:Then, finally, a publisher bit. “A lot of people think the book was only sold because it got made into a movie,” Pickett says. “That’s not true. It was bought when there was no guarantee it was going to be a movie. So that rankles me a little bit.” Apart from anything else, the film’s uncertain status meant that the book deal wasn’t worth much money up front. “St Martin’s Press paid me almost nothing. But that did mean my advance, what little it was, was earned out very quickly. Now I get a dollar for every copy sold!” He still sounds slightly giddy at the thought.I haven’t read this book, and I’ve heard that it’s just so-so, but I love the Rex Pickett rags to riches story.
Cholodenko, Cholodenko…. Cholodenko. It really rolls off the tongue. I saw a movie directed by Ms. Cholodenko this evening. She didn’t direct it this evening, I saw it this evening, at the Vista in Los Feliz. I had enjoyed her previous movie, High Art. In Laurel Canyon she continues her riffs on sexual predators, sexual innocents, and the curiosity of all those folks thrown together at once. It was light and entertaining, but also pretty invigorating. Frances McDormand plays a “seen it all” record producer. Her life is fun and free of the usual drudgery, and those around her don’t know whether to fear or envy the life she leads while surrounded by rapscallion British rocker types. Like High Art, Laurel Canyon is a coming of age story, but without so much psychological trauma and none of the admonishments about the scary drugs.
The long-awaited Iraq Study Group Report has been making headlines for months as Americans, weary of the war and our continuing struggles in Iraq, look for some fresh angles on this seemingly intractable mess. It should come as no surprise then that the book version of the report, which hit stores today, is shaping up to be a bestseller, as the Amazon ranking makes clear (and as has been discussed in a couple of wire stories today).In this respect, it follows in the footsteps another report by an independent bipartisan group that turned out to be a hit in stores, The 9/11 Commission Report, which was deemed sufficiently well-crafted to be named a National Book Award finalist. Not only that, a Graphic Adaptation of the book was created as well. The (salacious) granddaddy of this genre, of course, was the Starr Report, which sold approximately one million copies in book form but is now more or less out of print. (It will interesting to see if the two books mentioned above are still in print eight years from now. I suspect they will be.)Americans are often derided here and abroad for not being readers and for being disengaged with current events, but I think the success of these books goes a long way toward suggesting otherwise.Update: If you’d prefer to read the whole Iraq Study Group Report online (or print off a copy) you can get it at the United States Institute of Peace Web site, where, according to a Washington Post article (which has a lot of great tidbits about the report and how popular its been bookstores) “400,000 people downloaded the report within hours” of its release.