- Author Elaine Dundy died last week. Terry Teachout excerpted his introduction to her book, The Dud Avocado. Edan mentioned the book not long ago in a “staff picks” post.
- “The One-Room M.F.A. Program“
- For John O’Brien, “Three” is not the magic number.
- Car names deemed “too academic:” Dodge Dissertation Defense V8, Chrysler Course Calendar Convertible, etc.
- AbeBooks’ online symposium on book burning.
You may have heard that Joshua Cohen has a new book out this week. The Harper’s columnist’s fourth novel tells the story of a ghostwriter producing a tech wizard’s memoirs. In BOMB Magazine, Dan Duray sits down with Cohen, who talks about the book, the Bay Area and the cultural production of autism. Related: Johannes Lichtman on Cohen’s Four New Messages.
Vintage International released Cormac McCarthy’s screenplay for The Counselor, the new Ridley Scott film which our own Nick Moran wrote about on Saturday. Also out: Quiet Dell by Jayne Anne Phillips; Identical by Scott Turow; The Last Animal by Abby Geni and The Luminaries by Booker Prize shortlister Eleanor Catton, which Martha Anne Toll reviewed for us on Monday. (For more on these and other new titles, go read our Great Second-half 2013 Book Preview.)
Have novels about love lost their gravitas as women’s liberation and divorce culture have taken over? Adelle Waldman doesn’t think so. In The New Yorker, she defends the timelessness of the marriage plot. “As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface.” Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman’s essay.