Millions contributor Garth takes a “Second Glance” at Helen DeWitt’s The Last Samurai in the most recent installment of Open Letters Monthly. The Last Samurai landed on Garth’s “Year in Reading” list last year.
I happened upon The American Heritage Book of English Usage Pronunciation Challenges page the other day. On the Pronunciation Challenges page, one can find a list of 191 commonly mispronounced words (or word types.) The page starts with a sentence that – though it doesn’t make any sense – is made up of words that can be pronounced in “at least two distinctly different ways”: The affluent and choleric comptroller heinously inveigled herbs from the impious valet who often harasses the dour governor with aplomb.
On the eve of the release of the final Harry Potter, I offer Millions readers a few brief intuitions – alas, grounded more in literary convention than in second sight – about the events to come in The Deathly Hallows.My chief intuition, based largely on the over-determined association of Dumbledore with the phoenix throughout the series, is that everyone’s favorite headmaster is not dead (X-Men, anyone?). Recall that Harry “thinks he sees” a phoenix emerge from the smoke of Dumbledore’s funeral pyre. Based on this intuition, I also maintain that Snape is not, in fact, a Death Eater, and that he and Dumbledore staged a fake murder with Harry as witness. This will allow Snape to become more deeply embedded in Voldemort’s ranks. Dumbledore’s wisdom would be too seriously undermined if Snape really and truly betrayed him. Regardless of the rightness or wrongness of this particular tea-leaf vision, more must emerge about how Snape gained Dumbledore’s trust. This will be one of the central revelations of the new book.Of lesser intuitions:R.A.B., the initials on the note found in the locket that was supposed to be a horcrux, belong to Sirius’ brother, Regulus Black, whom we have heard vaguely was a follower of Voldemort and then attempted to leave the ranks of the Death Eaters, only to be killed by them for his betrayal. This may mean that Slytherin’s locket is concealed somewhere in the Black family house that Sirius left to Harry.As to whether Hogwarts will remain open during this seventh year with Harry, I suspect that it will remain open in some capacity – if only as a larger and better fortified headquarters for the Order of the Phoenix and their allies.I hope that, in the less than illustrious cooking-sherry-drinking tradition of Professor Trelawney, I am wrong about all of these things. I think The Deathly Hallows would be a better book for it.
Adonal Foyle, the former basketball standout at Colgate who has had a long career with the Golden State Warriors, has an impressive Web site that includes his very own book club. The club’s current pick, The Da Vinci Code isn’t terribly inspired, but I’m nonetheless impressed that an NBA star is broadcasting his love of reading. Note as well Foyle’s “Top 10 Books” which includes an ample mix of basketball books and political non-fiction with a leftward-leaning bent.via the Freakonomics blog, where a commenter has noted another NBA player with a literary side, Washington’s Etan Thomas who has published a book of poetry.
Millions contributor Ben penned a post in February about a documentary called Operation Homecoming about the National Endowment of the Arts’ (NEA) program of the same name which is designed to help soldiers returning from Iraq and Afghanistan put their experiences into words. (One participant in the program was Brian Turner whose book of poetry Here, Bullet was reviewed here a few months back.)As was noted in a comment on the original post, Operation Homecoming is also going to be covered as part of a PBS package called America at a Crossroads. That series is set to air beginning this weekend. The 11-part, six-night series covers “the war on terrorism, conflicts in Iraq and Afghanistan’ the experience of American troops serving abroad, the struggle for balance within the Muslim world, and global perspectives on America’s role overseas.” The Operation Homecoming installment airs Monday at 10pm (check your local listings, of course.)
Recently I got a very interesting email from a reader. Frank Kovarik writes and teaches English in St. Louis. For the last five years, he has also been keeping meticulous track of the fiction that appears in the New Yorker. Not just the titles and authors, but things like gender, country of origin, and frequency of appearance.Frank has generously offered to make his spreadsheet available to download in Excel format. If you’re interested, you can get it here.Having this data allows us to dig deeper into the proclivities of New Yorker fiction editor Deborah Treisman and whoever else has a hand in what fiction appears in the magazine’s hallowed pages.Gender: From the database we learn that, of the 257 stories in the New Yorker from 2003 through 2007, 96 or 37.4% were penned by women.Nationality: Americans account for a fairly substantial portion of the stories that appear in the New Yorker, 134 of them, or 52% (and this leaves off several writers who could be conceivably classified as both American and a native of another country). Coming in tied for second are the Brits and the Irish at 18 stories apiece.Frequency: Much of that Irish total comes from master of the short story form, William Trevor, who readers were most likely to find if they flipped through an issue these last five years. Trevor was there on nine occasions. Including, an issue that included three separate but linked stories, Canada’s Alice Munro comes in second with eight stories. 12 other writers have appeared at least five times over the last five years, meaning that 14 writers have accounted for 32% of the fiction in the magazine during that period.9 stories:William Trevor8 stories:Alice Munro7 stories:Tessa HadleyHaruki Murakami6 stories:Thomas McGuane5 stories:T. Coraghessan BoyleRoddy DoyleLouise ErdrichLara VapnyarJohn UpdikeGeorge SaundersEdward P. JonesCharles D’AmbrosioAntonya NelsonIf anybody else draws interesting conclusions from the spreadsheet, we’d love to hear about them.