It’s a story likely to make some readers queasy. Several British libraries have begun working with a direct marketing firm to stuff inserts into books at check out. “They’re going to be inserted right next to the panel with the return date on it, which means that everyone will look at them at least once,” said Mark Jackson of direct marketing company Jackson Howse. However, Guy Daines, the director of policy at the Chartered Institute of Library and Information Professionals, however, is concerned about the “creeping commercialisation of library services.” I’ll second that.
As the saga surrounding digitizing books gets ever more convoluted, the Wall Street Journal is now reporting that Google is interested in offering book rentals. Apparently, Google has approached publishers about offering to rent digital versions of books for a week at 10% of the cover price. According to a News.com article (the WSJ article is subscribers only), an unidentified publisher said that 10% was too low. It sounds like an odd idea to me. I can’t imagine paying to rent a book, when I could “rent” it for free from the library, but I’m also somewhat astonished that a publisher would say that 10% of the cover price is too cheap. Google would be able to rent out an infinite number of each title, and people – if they are so inclined – would be paying for something that they can get for free. The upside here seems huge for the publishers.(via)See Also: Amazon’s digital book initiative: paying by the page and The publishers’ big blunder
Bryan Gilmer of Durham, N.C., teaches newswriting at the University of North Carolina at Chapel Hill and writes for institutional and corporate clients. Until 2003, he was a reporter at Florida’s largest newspaper, the St. Petersburg Times. He has just independently published a crime thriller novel, Felonious Jazz.Last week, I created a Kindle version of my indie crime thriller novel, Felonious Jazz, using the tools at Amazon’s Digital Text Platform. It took about nine minutes, a “why-not” side project alongside my trade paperback, which I published using Amazon’s print-on-demand company, CreateSpace.My Kindle edition went live last Monday at $7.99, so I announced it on a couple of Kindle message boards online. By Wednesday, I’d sold one copy. One! Message board replies said, “If you want us to try a new author, give us a really low price. It’ll generate sales and reviews.” So I marked it down to $1.99 Thursday morning and posted the price change on the same boards. What happened next was remarkable:As of 5 p.m. Friday – about 36 hours later – Felonious Jazz was the No. 1 selling hard-boiled mystery on the Amazon Kindle Store and the 17th best-selling title in Mysteries & Thrillers – the only title not by huge names like John Sandford, Michael Connelly, and Elmore Leonard in the top 25. Its overall Kindle sales rank was as high as 133rd out of all the 283,000+ fiction and non-fiction titles available in the Kindle Store.I thought, now that I’m in the rankings, I shouldn’t have to be so cheap. I bumped the price to $4.99. Sales continued, but at a slower pace, (and Felonious Jazz has slipped in the rankings. I probably should have stuck with $1.99 longer). I also drew in some people who just buy cheap Kindle offerings who don’t normally read the genre, though they may have been less likely to enjoy it than fans of similar books.But overall, what a no-budget way to gain visibility. A few big lessons here: Readers expect Kindle books to be much cheaper than dead-tree books (because they know it costs less to publish them and they can’t share them and worry they won’t have them forever). A cheap price is enough to buy your way up the rankings among national names with a zero-dollar PR campaign. Now that there’s a free Kindle app for iPhone, the potential audience for a Kindle title is not just the half million people who spent $359 for the device but many times that large. It’s surprisingly comfortable to read book text on the Kindle iPhone app. If you haven’t tried it yet, get the app and grab my free sample from Amazon, and you’ll see what I mean. It’s transformative to have a book you’re reading (or several) on your phone to pull out whenever you have to wait in line or for an appointment.More worrying for conventional publishers is that Kindle board posters don’t think big publishers are pricing their titles cheaply enough, and when prices get above $9.99 they get angry about it. I’m not sure whether the high prices are due to higher costs, more parties to share the revenue with, or the fear of cannibalization of paper-copy sales. (But the advantages! Near-zero production costs. No warehousing. No shipping. No returns. New edition at any moment. Never out of print. And the Kindle makes people read and buy more titles.) Could big publishers go from being at a tremendous advantage to competing for top-25 sales rankings – if not profits – with a guy in his home office? Will a Netflix-like company launch without the expensive legacy infrastructure of the big New York houses and take advantage of elasticity of demand at much lower price points? As I type this I realize – maybe that’s Amazon.A bad side effect is that without barriers to entry, a lot of non-professional-quality content creates clutter. But to some degree, crowd sorting (via online reviews and such) can cope with that.
As Google battles publishers over copyright issues, an AP story out this evening announces that Google Print “on Thursday will begin serving up the entire contents of books and government documents that aren’t entangled in [the] copyright battle.” I don’t think it’s live quite yet as my searches failed to turn up anything interesting, but we’ll see tomorrow. Here are some more details on what we can expect to see from Google Print (via the Washington Post):The list of Google’s so-called “public domain” works – volumes no longer protected by copyright – include Henry James novels, Civil War histories, Congressional acts and biographies of wealthy New Yorkers.Google said the material … represents the first large batch of public domain books and documents to be indexed in its search engine since the Mountain View-based company announced an ambitious library-scanning project late last year.Update: So Google has rolled out the search function if you want to take it for a spin.
In December, I wrote about HarperCollins’ plan to host digitized copies of their books on their own Web site rather than make them available to Google’s book search. Now the AP is reporting that HarperCollins has unleashed its first offering in this format, Go It Alone, a business book by Bruce Judson. The book is available, in its entirety, at Judson’s Web site. As Google does with its book search, HarperCollins has surrounded the book with contextual ads and provided a link to buy the book. The article points out the supposed irony of using Google ads, but I see Yahoo ads in there too and anyway, HarperCollins isn’t trying to screw over Google, they’re trying to maintain control over the process. HarperCollins has mostly gotten good reviews for their efforts primarily because they’re not using any sort of Digital Rights Management (DRM) to “protect” their intellectual property. To some, this approach is nothing new. As is noted in the article, marketing guru Seth Godin and science fiction author Cory Doctorow (to give two examples), have both made their books available in this way. The news here is that a major publisher is doing it.Based on this article, though, HarperCollins doesn’t seem to understand that by allowing easy, free access to the book, they are, in effect, using the book as marketing for itself in much the same way that one can flip through a book at bookstore before buying. Instead they view the ads displayed next to the book’s pages as a “new revenue stream.” That’s why you shouldn’t expect to see any fiction as a part of this program. According to Brian Murray, group president of HarperCollins, “I don’t think advertisers are clamoring to place ads around literary fiction.” Hence, no literary fiction.
This week, there were a pair of updates on the copyright cases against Google that are being brought by publishers and authors.Initially, the two groups had been pursuing two separate complaints against Google, but this week Judge John Sprizzo consolidated the two cases into one. According to MarketWatch: “Sprizzo’s streamlining was inevitable because the authors and publishers accuse Google of virtually the same thing, and plan to use the same kind of evidence.” It sounds like that news is probably good for the authors and publishers if not terribly consequential.The other bit of new news, that the case won’t be decided until early 2008, is undoubtedly bad for the anti-Google Books camp, both because it means the authors and publishers will have to spend more money going up against deep-pocketed Google, and because Google Books will continue operating unfettered for over a year until the case is handed down, as eWeek explains.Now that we know that Google Books turns searchers into buyers, not stealers, perhaps it’s a good time for the authors and publishers to broker a compromise with Google.
Twitter had its big moment last week, but unlike so many other technology start-ups in the seeming parade of millionaire-makers over the last two decades (with the obvious exception of Amazon.com), Twitter has developed a special following in the literary community, from high-brow to low. Perhaps that’s not surprising. Writers revel in words, and Twitter, nearly alone among hot technology start-ups, is mostly about words, crafting them to meet the medium’s peculiar restraints and sending them out into the world to be engaged with or ignored. Twitter is like some atomized version of the writer’s process. With Twitter, ideas go out piecemeal, the whole process taking a millionth the amount of time it would if you were to glom all those ideas together into one big whole and turn it into something as unlikely-seeming by comparison as a book. This speed, then, may be deeply satisfying — even addictive — as writers bypass so much of the toil of getting a book out of their brains and off to readers (New York’s Kathryn Schulz elaborated smartly on this idea last week.)
There is no uniform stance on Twitter in the literary community, of course. Some, like Teju Cole and Colson Whitehead, find it vital; many others — led by a certain one-time Time coverboy from the Midwest, do not. Some writers have more prosaic feelings about Twitter. Novelist Peter Orner wrote, “Some are talented at it; others, less so.”
Zadie Smith is not on Twitter. Nor are Jeffrey Eugenides (though his vest once was), Michael Chabon (not really, though his writer wife Ayelet Waldman is), George Saunders, or David Mitchell. Jennifer Egan is, but just a little bit.
Nonetheless, Twitter appears to be here to stay, for a while anyway. And it will remain a pastime for writers looking for book news, inspiration, distraction, literary puns, and every other thing they might want. But it wasn’t always that way. In the not too distant past, the literary lights of Twitter pecked out their first 140 characters and waited to see what Twitter would bring.
Curious, I dug back into the Twitter archive to see how these writers took their first steps into Twitter. What follows are the very first tweets of some of Twitter’s well-known practitioners from the literary world.
Finishing the website entries for my fall novel The Year of the Flood.
— Margaret E. Atwood (@MargaretAtwood) July 8, 2009
How does a petty trader come by N30 million worth of cars? Police hope Israel Ubatuegwu, of Ajah, has a good explanation.
— colson whitehead (@colsonwhitehead) March 15, 2009
Preparing for Book Expo America in the office in Dumbo. The last time we’ve to schlap boxes ourselves. Next year we pay the Teamsters…
— Richard Nash (@R_Nash) May 30, 2007
Last night at the Norman Mailer Award Ceremony in NYC, Oliver Stone said beautifully: “A serious writer is a rebel.”
— Joyce Carol Oates (@JoyceCarolOates) October 5, 2012
trying to figure out if someone does a decent MP3 workout, which will magically transform my iphone and my body at the same time.
— Dani Shapiro (@danijshapiro) April 24, 2009
Slaughtered by Sam A. and Jefffery Y. at post-diner breakfast ping-pong. Licking wounds.
— Dwight Garner (@DwightGarner) February 13, 2009
Here’s a video of my speech at the NBCC in NYC last week: http://tinyurl.com/dfe8rt
— Ron Charles (@RonCharles) March 17, 2009
— Sarah Weinman (@sarahw) April 24, 2007
— Susan Orlean (@susanorlean) December 23, 2007
doesn’t want to be an editor. oops, too late.
— Emma Straub (@emmastraub) December 3, 2008
I just opened my present from Dave McKean, The Big Fat Duck Cookbook. Heavy as a stone and beautiful. “See?” he said. “I do read your blog.”
— Salman Rushdie (@SalmanRushdie) September 15, 2011
Fine, then. I’ll twitter.
— John Green (@realjohngreen) December 11, 2008
No matter what I do there are always 5 emails in my inbox that I am avoiding.
— Doug Coupland (@DougCoupland) April 1, 2009
I’ve reached the limit on how many Facebook friends I can add. So here is a new page.
— Amy Tan (@AmyTan) August 12, 2010
— E L James (@E_L_James) April 12, 2011
First Tweet ever, prompted by Jeff Howe’s essay in Sunday’s NYTBR. Velly interesting. Helloooooo?
— William Gibson (@GreatDismal) April 1, 2009
coveting Susan Lewis’ hair.
— Chuck Palahniuk (@chuckpalahniuk) January 28, 2009
Becoming far more wired than I probably really need to be.
— Gary Shteyngart (@Shteyngart) December 1, 2011
I’m going to do it right this time.
— Emily Gould (@EmilyGould) May 21, 2009
today felt like the unabomber but i wasn’t plotting anything or planning anything or trying to bomb anything and i was wearing 4-inch heels
— Kate Zambreno (@daughteroffury) June 29, 2012
Wessex Man http://tinyurl.com/yw93xb
— New York Times Books (@nytimesbooks) March 18, 2007
News: Netherland wins PEN/Faulkner award: It was overlooked for the Booker prize and the prestigious US Nat.. http://bit.ly/AufPL
— Guardian Books (@GuardianBooks) February 26, 2009
— NY Review of Books (@nybooks) July 2, 2008
Check out our feature on the best audiobooks coming this spring.
— Publishers Weekly (@PublishersWkly) January 31, 2009
Mario Bros. meets Macbeth: What do a pixelated plumber and a murderous king have in common? Nintendo DS — in En.. http://tinyurl.com/5gr5m4
— L.A. Times Books (@latimesbooks) December 10, 2008
Hello, world! Official Library of Congress Twitter feed here. So nice to see 215 followers before so much as a single tweet!
— Library of Congress (@librarycongress) January 27, 2009
Welcome to the new GalleyCat Twitter feed, regularly collecting tweets from Senior Editor Ron Hogan, Editor Jason Boog, and Jeff Rivera.
— NPR Books (@nprbooks) January 8, 2010
We noticed lots of sites use Twitter for feedback. We created this account as a placeholder, but please visit our Feedback Group anytime!
— goodreads (@goodreads) August 19, 2008
56 years after William Styron warned us about chasing the zeitgeist, The Paris Review is now on twitter. From issue 1: http://bit.ly/BCnnE
— The Paris Review (@parisreview) September 4, 2009
Culling together work for Electric Literature no.2, planning events for October, spinning splendidly through another day at the office.
— Electric Literature (@ElectricLit) August 31, 2009
Rick Moody on running out of luck: http://tinyurl.com/ckno8d
— The Rumpus (@The_Rumpus) January 29, 2009
What will be named top book of the decade? http://bit.ly/AMgq8 What’s your pick?
— The Millions (@The_Millions) September 21, 2009
What’s the best part of B.G.’s “Bling Bling” video? Pre-tattoo’d Wayne, zooming red VW Beetles, or the crew’s outdoor fine china picnic?
— Nick Moran (@nemoran3) February 2, 2011