- Most of you have probably read it, or at least heard about it: Sasha Frere-Jones in the New Yorker posits that the cultural inter-borrowing that long underpinned the vibrancy of American music has fallen by the wayside in the current era of mopey indie rock (I mostly agree). The essay is good – though-provoking – but what has really rounded it out has been his series of responses, on his blog, to the various letters he received – 1, 2, 3, 4 – which have turned his effort into the sort of bull session that regularly happens among music fans.
- In a similar vein, in this case in the world a film, One-Way Street posits that we have a problem we never expected: “an American cinema that’s too good.” The argument is fairly convincing. But I can’t help but think that some arguments to the contrary might turn the post into a bull session as intriguing as the one Frere-Jones has curated at the New Yorker.
The Paris Review has published some work by Polish journalist Ryszard Kapuscinski, who died last year. The essay (not available online) covers more of Kapuscinski's travels through Africa, a familiar subject to those who have read his books. What's notable is that this issue also includes some of Kapuscinski's photography, which nicely augments his writing - though those who have read Kapuscinski's work know that he is more than able to conjure up images with his writing.It's a good time for Kapuscinski fans because in addition to The Paris Review essay, a new book by Kapuscinski is on the way. I noted Travels with Herodetus at the end of my "most anticipated books of the year" post, but there were few details available at the time. Now we have a cover (as you can see), as well as the book's description, which tells us that Kapuscinski has written about his years as a young reporter.From the master of literary reportage whose acclaimed books include Shah of Shahs, The Emperor, and The Shadow of the Sun, an intimate account of his first youthful forays beyond the Iron Curtain.Just out of university in 1955, Kapuscinski told his editor that he'd like to go abroad. Dreaming no farther than Czechoslovakia, the young reporter found himself sent to India. Wide-eyed and captivated, he would discover in those days his life's work - to understand and describe the world in its remotest reaches, in all its multiplicity. From the rituals of sunrise at Persepolis to the incongruity of Louis Armstrong performing before a stone-faced crowd in Khartoum, Kapuscinski gives us the non-Western world as he first saw it, through still-virginal Western eyes.The companion on his travels: a volume of Herodotus, a gift from his first boss. Whether in China, Poland, Iran, or the Congo, it was the "father of history" - and, as Kapuscinski would realize, of globalism - who helped the young correspondent to make sense of events, to find the story where it did not obviously exist. It is this great forerunner's spirit - both supremely worldly and innately Occidental - that would continue to whet Kapuscinski's ravenous appetite for discovering the broader world and that has made him our own indispensable companion on any leg of that perpetual journey.Bonus Link: Google video has Kapuscinski's appearance in 2000 on The Charlie Rose Show. (You may need to turn the volume all the way up to hear it.)
In the Guardian, Tim Adams bemoans the shrinking selection and big budget marketing fees wrought by ongoing consolidation in the British bookselling industry (taking their cues from the American chain stores, it seems.) Behind this trend is the head buyer of Waterstone's, a man named Scott Pack.(via Using Books Weblog)
In my most recent "Year in Reading" post, I mentioned Joseph McElroy's Women and Men, a 1200-page novel it took me six weeks to consume and six months to digest. A somewhat longer, though still woefully inadequate, consideration appears today at The Los Angeles Times' Jacket Copy blog, as part of "Postmodernism Month." If you are like me one of those odd readers for whom the conjunction of the phrases "1200-page" and "Postmodernism" whets your appetite, pop on over to Jacket Copy and check it out.
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Art Spiegelman has a new book out about 9/11, and it appears to be generating some controversy. USA Today and most other papers are praising the new book, which is short on pages but big on production value. Others, like the customer reviews at Amazon, are very disappointed. Meanwhile, controversial cartoonist Ted Rall has written a scathing indictment of Spiegelman in the Village Voice.
An article in the Wall Street Journal talks up some of the drawbacks of the 8 DVD-ROM Complete New Yorker set:Web-savvy users accustomed to navigating easily through online content find The Complete New Yorker a bit of an anachronism. Each page of content is literally a picture of a magazine page. Readers can't copy text from a story and paste it elsewhere. They can't search for keywords within the text of articles, only within titles and abstracts. If they want to jump from issue to issue, or article to article, they first have to go back to the index and sometimes change DVDs.The problem obviously isn't the technology, it's the 1976 law that requires publishers to get permission from free-lancers before republishing their work in another medium. The lawyers have determined that anything before 1976 is fair game to be converted into a new format. And while most publishers negotiated away the rights of free-lancers in this realm in the mid-1990s, there still remains a legal limbo for material published in between the two dates. Based on case arising from a similar set put out by National Geographic in 1997, by simply creating digital versions of the magazine pages, publishers are in the clear, and this is the route that the New Yorker has taken. The article linked above also looks at how this issue is affecting similar archiving efforts by other venerable magazines like Harper's Magazine and the Atlantic Monthly.(via and via)
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