I give you: The Bed Book
I noticed that in the past few days several people have come to this blog after searching Andrei Codrescu and hurricane. Codrescu, a Romanian poet, writer and NPR commentator, is a favorite of mine and when I realized that he makes his home in New Orleans, I became worried that he might be missing. I'm guessing that those searching for him on Google are worried, too. In an interview a little more than a year ago Codrescu, like so many others, dismissed the threat to New Orleans:Standaert: You live in New Orleans, which could be submerged in a matter of a few short hours if a 'category five' hurricane hits the city full bore. Does this frighten you? Sorry if I brought it to mind! I've heard other residents say with a devil may care wave of the hand that it would be appropriate if New Orleans was Pompeii-ed, Atlantis-ed, or otherwise Sodom and Gomorra-ed. Are these people nuts? Or does living in New Orleans breed a laissez faire attitude toward eminent apocalypse? Is it the decadent caramelized, sugar powdered, steaming apple beignets?Codrescu: So what's living in San Francisco like? Or L.A.? Or New York? Or anywhere on the path of Comet from Hell? Be serious, Mike. This just ain't a safe universe. People in New Orleans get great pleasure out of possible disaster just like Venetians do: they are in a hurry to make beauty because they are so close to the elemental (fury) gods. But anyone who decided to be boring because they live on a rock under the desert, is either crazy or hasn't taken enough LSD. Or they may just be boring, which is incurable. There is nothing sicker than a bunker.I was relieved to hear that Codrescu is safe and in Baton Rouge. Yesterday he mourned on NPR. Like so many others he is both chastened by the wrath of Mother Nature and angry that his beloved city has been destroyed.
I've been a bit under the weather lately, but I think I'm starting to get better. I'm well enough to post here anyway. Which is good, because I noticed a couple of books that I thought people might be interested in. Remember a few years ago when everyone was suddenly talking about "string theory?" This was because of a book by Brian Greene called The Elegant Universe, which somehow managed to solve a longstanding dilemma in the world of physics, that "general relativity and quantum mechanics cannot both be right," in a book readable enough to become a best seller. Greene proved to be one of those remarkable writers, of which there are very few, who have the ability to make a very boring and difficult topic interesting for everyone. And now he has a new book out: The Fabric of the Cosmos : Space, Time, and the Texture of Reality, in which he continues to unwind scientific complexities with a combination of analogy and wit.My friend Edan pointed out another interesting, new book to me other day. Dancing with Cuba: A Memoir of the Revolution by the remarkably named, Alma Guillermoprieto. Edan and I both read an excerpt of this book in the New Yorker a while back. I enjoyed the way Guillermoprieto's fierce Latin personality was tempered by her lyrical love of dance. This book seems perfect for anyone enamored by ballet and/or Cuba.A NoteFrom the book I just finished: "From his windows at MacGregor Road, he watched the President Polk leave the harbour. He knew nothing of President Polk, but assumed that the shipping company would have checked the record, beforehand, for anything scandalous. Then he did miss Audrey, with whom he could have spoken of such things."
BMW got huge publicity and probably sold a few cars with their BMW Films campaign a few years back, in which the company commissioned several famous directors to create short films that featured various BMW models. Now BMW is trying again with BMW Audiobooks, "a unique series of specially-commissioned short stories showcasing the work of some of the finest contemporary writing talent." A new story will be available for download every two weeks. Now, this being BMW, I'm sure the product placement will be done in a classy way, but I can't help but think that this does little more than turn "some of the finest contemporary writing talent" into shills writing ad copy. And lest BMW think they are being innovative, it should be known that another car company was seen paying an author to get characters into its cars less than two years ago.
In the Contra Costa Times, librarian Julie Winkelstein pens a thoughtful little column about the challenges of recommending books and receiving recommendations from others.I also realized that although I have come to accept that my recommendations aren't always taken, I still find it difficult when I don't like a suggested book. It makes me feel guilty, somehow, as if I didn't try hard enough. And it is not easy for me to simply say it wasn't right for me.As one who is thought of as a book expert - thanks to this blog and my former job as a bookseller - I'm often asked to provide recommendations, and it's pretty rare that they hit the mark. After all, it can be hard to pin down someone's taste in books.
After my brief service was completed I spent a week in Istanbul and returned to New York. In the meanwhile I picked up a collection of Yasar Kemal's short stories, Sari Sicak, Teneke ve Diger Hikayeler (Yellow Heat, Tin Can and Other Stories) from my parents' library. I was in between cities and about to quit my job, hence a collection proved perfect for the time. Kemal has a very distinct style that reflects an Anatolian tone and includes long depictions of nature and rural life and lengthy character analyses. The collection included some of his most famous pieces such as "Sari Sicak" ("Yellow Heat") and "Teneke" ("Tin Can"), which, as do most of the other stories, reflect on the difficulties of rural life in the southern towns and regions surrounding Adana, a city now known for its cotton farmers and back then for its rice plantations. The backwards methods of planting rice resulted in swamps and an increase in the number of mosquitoes, and therefore malaria. Kemal reflects on the ill approach of the government towards the rural population and the generous benefits it granted to landlords, who, without the slightest regard to the peasants, flooded villages, planted rice, created swamps and did not even wince at the death of hundreds of men, women and children due to malaria. Reading Kemal's stories, the reader easily identifies with the daily troubles of the villagers that believe in a just government and seek help, all to their dismay. Depictions of corrupt and impossible situations reach a new zenith in Kemal's stories, and, hold true even today - despite the changes in setting. Books by Yasar Kemal.Upon arriving in New York, I received four great books as birthday presents. Joseph Heller's Catch-22 and Anthony Burgess' A Clockwork Orange from Sylvia and Noam Chomsky's Understanding Power: The Indispensable Chomsky and The Best American Magazine Writing 2005 compiled by the American Society of Magazine Editors and published by The Columbia University Press from Selin and Siddhesh. I immediately started reading The Best American Magazine Writing 2005. I am currently reading stories at random and so far I read four out of the seventeen pieces in the collection: Seymour M. Hersch's "Torture at Abu Ghraib", Ned Zeman's "The Man Who Loved Grizzlies", Andrew Corsello's "The Wronged Man" and Samantha Power's Dying in Darfur. I am not sure if I agree one hundred percent with Nicholas Lemann's assertion that this specific collection comprises the best pieces of writing to come out of the U.S. in 2005, but nevertheless the stories are incredibly well written, insightful and fresh. I enjoyed the ones I read thus far and hope that the rest will be just as good.See also: Part 1, 3
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