Following up on Monday’s post, as it turns out, that missing issue of the New Yorker turned up (bearing a paper jacket reminding me to renew and sporting a torn cover) a day after this week’s issue landed in the mailbox. So it appears as though I won’t be skipping an issue after all. Luckily for me, I’m going on vacation for a few days, and I’m hoping this will afford me some time to catch up. (Incidentally, you can expect The Millions to go dark through Sunday while we take a break.)
If you read a lot of blogs, you've either discovered RSS by now, or you are spending a lot of time visiting your favorite sites each day. If you don't know what RSS is, this site explains it pretty well. Basically, you can subscribe to the blogs that you like, and when the owner of a blog puts up a new post, it shows up in your "feed reader." No more checking and rechecking all your favorite blogs to see if anything new has been posted.The really cool thing is that lots of newspaper sites have begun to jump on the RSS bandwagon in recent months, and now you can subscribe to their news feeds, most of which are divided into categories - world news, sports, etc. Why do we care about this at The Millions? Well, a handful of newspapers now have special feeds for their book sections, making it much easier to stay on top of all the reviews and book industry gossip. All the links listed below are to book news feeds. If you are already set up with a feed reader, go ahead and subscribe. If you aren't set up yet, I recommend using Bloglines or My Yahoo. Here are the feeds I've found so far:New York Times > Bookswashingtonpost.com - Book Worldwashingtonpost.com - Jonathan Yardley - The Post gave Yardley his own feed, which I think is pretty cool.Guardian Unlimited BooksChristian Science Monitor | BooksLondon Review of BooksPowell's Books: Overview - You may have seen Powell's Review-a-Day where each day they post a book review from places like Salon.com, New Republic, and the CS MonitorSeattle Post-Intelligencer: BooksTelegraph Arts | Booksbaltimoresun.com | books & magsNPR Topics: BooksArts and Letters Daily - ideas, criticism, debate - not strictly book news, but a consistent, daily collection of links to thought-provoking articles many of which happen to be book reviews (not included in the Book News via RSS feature to the right)added 2/16/06: USATODAY.com BooksThere are quite a few publications that don't yet have book news feeds, but hopefully they will add them soon. If you spot any new book news feeds or know of any that I missed, leave a comment or send an email, and I'll add them to this post, which as time goes on will become a compendium of all the book news feeds out there. Finally, if you don't want to bother with setting up your own feed reader but still want to keep up on all the book news, you can go here.Update:I found some tools to aggregate the book news feeds, and now the latest book news shows up in the column to the right. Enjoy!
There's a good reason for me to be sitting in my pjs at my desk at 9 o'clock in the morning on a Thursday, which is this: I am cutting back to 3 days a week at the bookstore. I already mentioned this in one of the comment things, and Aeri and I had an intersting little conversation about it. There are many complicated reasons for me to be phasing myself at out the bookstore. I have many things going on in my life that require more of my time than I have to offer, not to mention the fact that I need more time to write and be creative and figure out what to do with myself. For the various misguided twenty-somethings out there, this must sound familiar. I probably wouldn't afford myself this luxury of changing jobs if it weren't for the peanuts they pay me at the book store. When I look at my paycheck, I realize that my time could be better and more economically spent doing something else, even not working, so long as the not working is productive. So here I am in my pjs going slowly broke. No matter how sick of the bookstore I am though, I can't get around the fact that this job changed my life. It made me realize that I was a book lover who didn't really know anything about books. Now, after nearly two years I am aware of the full breadth of what is out there, and it is a magnificent thing to be cognizant of. When I told Aeri about this phasing out, she expressed some dismay that I would fall out of the book loop. This is something I have thought about too, but I have come to realize that being aware of books is not contigent on my working at a book store. It is a skill that I have acquired, it is knowledge that I have stowed away. I'd rather step into a different realm of the literary world now that I have this greater awareness of it. So basically I need a new job, and isn't it annoying that Craigslist has the only online job postings that are worth a damn, and even those are suspect? So if anyone has any tips on job hunting, or better yet any jobs for me let me know. I especially would like to do more freelance writing; I would like to get paid to do research; I would like to tutor kids; I would like to do something literature/publishing related; I would like to do anything interesting that isn't soul-crushing (Lord knows I have had plenty of those gigs); most of all I'd like to be able to pay my rent. So, thanks for listening guys. More books soon, I promise.
Back in 1996, Imani Josey wrote a 60-page draft of a story she called “The Secret Cave,” about three girls who travel to an alternate universe and discover they are fairie princesses. Josey now cites this the first draft of The Blazing Star, a young adult fantasy novel about three black girls who time-travel to ancient Egypt that she self-published last fall. For years after that draft, though, Josey didn’t write publicly. She was busy being a student and a beauty queen—she was crowned both Miss Chicago and Miss Black Illinois USA—as well as a dancer. She still wrote, keeping journals, penning stories for her friends, and composing fan fiction that, she says will “never see the light of day.” She did her writing privately until, around 2011, she felt ready to dive back in. The story on her mind? That same one from 1996, the one that had stuck with her through all the years and would blossom into her debut novel in 2016. Josey has written before about the importance of black girl magic, and her novel features three black female protagonists, which, in 2017, is still unusual, even while books featuring black girls and women continue to prove themselves in the marketplace (Angie Thomas’s The Hate U Give, for example, has been on The New York Times bestseller list for 21 weeks now). Josey felt passionately that her girls’ stories deserved to be told. “It’s important to tell black girls’ stories with agency because it normalizes blackness,” she says. “These stories ensure we’re not ‘othered.’” She added that her parents surrounded her, in childhood, with images of black girls being normal, through dolls and books with black protagonists. “These images showed me that I could be a well-rounded, complex person with likes and dislikes and experiences that matter like anyone else’s, and who knew her black skin was beautiful just the way it was,” she said. “It was my parents’ mission to ground my normalcy in my agency, not in my proximity to whiteness.” So, in her book, Josey gives her girls agency. The Blazing Star is the first book in a projected trilogy, with each book written from the point of view of one of the main characters. The Falling Star, its sequel, will be released in February 2018. The book is published by Wise Ink, an self-publishing company. Josey said she originally tried to go the traditional publishing route, but was rejected by countless agents. Nonetheless, she believed in her story, her characters, and her mission, and says her confidence paid off: the book sold out on release day. “I was hell-bent on my book series doing what traditional pub is dragging its feet to do—fixing the representation gap—a major component of why I went indie,” she said. “I’m not sure how many other black girls are on the cover of YA fantasy book series, and I’m not sure how many lead their own stories as protagonists. But judging by Lee & Low’s annual research, the number is incredibly low.” In fact, Lee & Low wrote a blog post in March of this year revealing that, while the number of protagonists of color is increasing, the number of authors of color is not: last year, “Black, Latinx, and Native authors combined wrote just 6% of new children’s books published,” the post reports. Josey gave a bit of advice for white allies who wish to support the work of black creators: make use of their privilege to ensure black writers get their voices heard: “It means being vocal advocates, suggesting marginalized authors for mainstream events, giving their books as gifts and signal boosting crowdfunding projects,” she said, “as well as supporting marginalized traditional and independent authors.” Josey said she loves that self-publishing allowed her the “freedom to make [the book] exactly how I wanted,” but adds that the self-publishing road is hard. She said it’s been a struggle, especially when it comes to marketing and large-scale distribution. But she considers herself a fighter, a tough person, traits she partially attributes to her pageant history. “Pageants made me tougher,” she said. “[They] taught me about scrutiny and rejection...They taught me about marketing. They taught me about chasing big dreams, even when you don’t know if everything will turn out alright.”
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The Seattle Post-Intelligencer points to a small press that is "one of the most intriguing additions to the Northwest literary landscape in recent years." Clear Cut Press in Astoria, Oregon, distinguishes itself by publishing books in "handy pocket-size editions, inspired by a popular Japanese format, and with detachable covers with arresting images," and by splitting profits 50/50 with its authors, a cut far higher than authors can expect to get at a typical publishing house. The Post-Intelligencer calls books like Matt Briggs' debut novel, Shoot the Buffalo worthy of more prominent presses. Clear Cut also put out a collection of essays, Orphans, early this year by Charles D'Ambrosio who frequently appears in the New Yorker.