Wanting to know a bit more about me and the site? I’ve been interviewed at the literary community site LitMinds. In this interview you can find out the answers to such burning questions as why I started the blog and how it got its name. And for the truly obsessed Millions fans, they’ve even managed to score a picture of me to adorn the interview.
Some bloggers mentioned Penguin UK's "goodbooking" campaign last spring when it was first announced, but now that it's been up and running for a while, I wanted to revisit it. Oh... my... God. Apparently it's not possible to get people interested in reading unless you provide them with a Maxim magazine-style melange of bold graphic design, a dumbed-down system for rating books, and busty models handing out cheques for a thousand pounds. Somehow the idea that an unsuspecting guy will be presented a large sum of money this month by a hired model for reading Michael Moore's Dude, Where's My Country? doesn't quite compute. Setting aside the models for a moment, have a look at the bizarre rating system that they have concocted to get people interested in reading their books. So, if I'm reading this right, Truman Capote's In Cold Blood delivers three doses of death, two of crime, and one each of fast cars, greed, and politics. But don't worry everybody, this isn't just a ridiculous marketing ploy, it has been scientifically proven that "women are attracted to men who read books." (P.S. it's ok if you're gay.)Oh, those crazy Brits... anyway, on to more serious matters. Earlier this week, several book bloggers (myself included) posted about books that could help people digest/deal with/move on from Tuesday's election. Now, an Ask Metafilter thread, inspired by book bloggers, asks, "Can books make a difference?"Speaking of important books, here's a batch of lists that cover some different takes on what makes up the canon of great literature.I suppose everyone has noticed the new look for The Millions. Pretty snazzy, eh?
Check out an excerpt of the Art of Fiction with Haruki Murakami from The Paris Review. If you are a Murakami fan like me, you should buy the issue and read the complete interview. If you do, you will find a discussion of Murakami's upcoming novel Kafka on the Shore, which is due out in January. And from the British Library: "On this site you will find the British Library's 93 copies of the 21 plays by Shakespeare printed in quarto before the theatres were closed in 1642." (LINK)
Welcome to what we hope will be a new (semi-regular!) feature, in which the Millions fam opens up about the books on our nightstands (and desks, and floors – seriously these things are like kudzu). As you might expect, it's an eclectic mix about which we have ~strong feelings~. From haikus to a macroeconomic treatise on American industrialism – with lots of novels and story collections in between, of course – here's what we're reading: Jacob Lambert: I just finished Subtle Bodies by Norman Rush, and hated it with the passion of a thousand fiery suns. What a pretentious disaster. Up next is Fourth of July Creek by Smith Henderson, which hopefully won't make me want to stick my head in the oven. Tess Malone: I haven't read one book by a straight white man this year, but I'm breaking the streak for Rob Delaney's memoir, Mother. Wife. Sister. Human. Warrior. Falcon. Yardstick. Turban. Cabbage. Edan Lepucki: I recently finished The Barbarous Coast by pulp L.A. Noir writer Ross MacDonald and I am #blessed to be an early reader of Susan Straight's new novel (!!!)...editors can email me if they want deets on that masterpiece. Sonya Chung: A little past halfway through Jung Yun's Shelter [Ed. note: which was selected by our own Edan Lepucki as one of her most anticipated books of this year], I had to put to down. It's an important book, and I'm sad that it had to be written, and Yun writes skillfully and unflinchingly. All that. But, it's a hard story, and I needed a break. Will return to it surely. I am on to Mat Johnson's Pym and Sue Miller's The Senator's Wife for the long weekend. Yes, I started two novels simultaneously. Both take place in academic communities but could not be more different from each other; so somehow, it works to alternate between them. I also always have a book of essays going on the side. Currently, John Berger's The Shape of a Pocket. (Film Forum has a documentary about Berger playing now; don't miss it, New Yorkers! The final scene is priceless.) On deck: Bonjour Tristesse by Françoise Sagan and Being Mortal by Atul Gawande. Bill Morris: At the moment I’m reading two books that could not be more unalike, but which are fabulous in their own ways: James McBride’s exploration of James Brown’s life and its meaning, Kill 'Em and Leave; and Robert J. Gordon’s work of macroeconomics, The Rise and Fall of American Growth, which examines the astonishing burst of changes in everyday life from the mid-19th to mid-20th centuries. Janet Potter: I'm about to start To the Bright Edge of the World by Eowyn Ivey, having recently given up on Here I Am after 200 pages. Anne Yoder: Unbeknownst to me 'til now, my to-read pile is afflicted by planetary influence. I’m currently reading Kyle Coma-Thompson’s Night in the Sun – its story "27-B" contains an appallingly beautiful description of death at 30,000 feet, the stewardess holding the body back upon landing and yet: “The head moving in the most grotesque way, a sodden sunflower crown wagging on its rigid tough stem.” Next in orbit: Julie Reverb’s No Moon and Black Sun Lit’s latest issue of its journal Vestiges, "Ennui." Nick Moran: I was in Florida this weekend, so I've been revisiting Jai Alai Books's essential poetry collections, Eight Miami Poets and Suicide by Jaguar. Amidst Miami's Zika outbreak, I've developed a fresh appreciation for Dave Landsberger's South Beach Haiku #3: "My legs fit perfectly in my pants. / My leg bones fit perfectly in my legs— / shorts are for tourists." Claire Cameron: I recently burned through Dear Mr. M, the new book by Herman Koch, who also wrote the international bestselling The Dinner. Dear Mr. M has an elegant structure that weaves together many strands, but one is about man named Herman who moves into the apartment below and stalks a famous writer, Mr. M. After spying, opening his mail, talking to his wife and kid, Herman finally approaches Mr. M under the guise of being a journalist wanting an interview. I just interviewed Koch. In my emails, I addressed Koch as "Dear Mr. K" and signed off as "Herman." I don't know if he finds it funny or creepy, but no cease and desist order yet. Hannah Gersen: the book on my nightstand that I have slowly been working through is Consolations by David Whyte, which is a beautiful book that gives definitions for everyday words, elaborating on their spiritual and philosophical meanings. It starts with the word "alone" and ends with "work." It's a quiet, thoughtful book, a really good way to start or end the day. Kirstin Butler: I've been on both an essay- and thriller-reading tear lately, probably because those are the two things i'm working on myself ! In the former category I've gone for contemporary classics – John Jeremiah Sullivan's Pulphead and Eula Biss's Notes from No Man's Land – with one old standby mixed in, John McPhee's Annals of the Former World. I will read anything McPhee you put in front of me. As for the latter genre, I've discovered I'm a pretty tough customer; I was excited to read The Hand That Feeds You by A.J. Rich (nom de plume for the writing team of Amy Hempel and Jill Ciment), but after one too many times of yelling 'oh my god don't fall for it' at the heroine, had to give it up. If any readers have good thriller recs please get @ me on Twitter! Nicholas Ripatrazone: I'm currently reading Ghostland by Colin Dickey, due out 10/4. It's a creepy, smart trek through America's haunted sites. He investigates how "ghost stories reveal the contours of our anxieties, the nature of our collective fears and desires, the things we can't talk about in any other way." Oh and by the way: What you're reading right now looks pretty awesome too. (Image via Alie Edwards)
With Thanksgiving come and gone, the end of year best book lists are beginning to arrive. The New York Times list is 100 strong as usual, and despite not being particularly exclusive, the accolade is sure to grace the covers of the paperback editions of many of these books. It's good marketing really. Something about that word "Notable" (along with the Times name, of course) on the cover of a book makes browsing readers want to pick it up.The Guardian has a less conventional list up. For that list, a number of well-known writers share their favorite books of the year. Hilary Mantel's Beyond Black makes an impressive showing, cited by John Banville, AS Byatt, Philip Pullman and Zadie Smith. Mantel herself names John McGahern's Memoir and The Tyrannicide Brief by Geoffrey Robertson. The New Yorker ran a substantial piece on Mantel earlier this year. I love that the Guardian runs features like this, and I wish that there were an American paper that would do the same thing with American writers.
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My friend Brian read yesterdays musings on libraries and wrote in with a couple of addenda...two things:1) you need to include tam tam books in your links... not only b/c it's tosh [a co-worker and the founder of Tam Tam Books], but b/c it's a very idiosyncratic, interesting, eccentric, and different site (much like the man himself...)2) loved the piece about "library angels and book fairies", and very happy to see mention of borges (one of my all-time favorties), but you must make specific mention of his story "The Library of Babel" which is, without a doubt, the greatest story about a library ever written -- the library... as a/the universe. a magical story that when i first read on the NYC subway, on my way downtown from hunter college, caused me to miss many a stop... i found myself in brooklyn, and so caught up in a borgesian daze and full of inspiration was i, that i chose not to go back the other way, but exited the subway in a strange part of town and explored, got myself dinner at a greek restaurant, chatted up a one-eyed drunk, then hopped back on the train and went home late that night, all hopped up on borges... (oh, how i miss the whirlwind that is nyc life!) - anyway, if you haven't read this story, it's short and ESSENTIAL. enjoy! [see page 112 of Borges' Collected Fictions]Heard on the RadioToday while I was running errands, I was pleasantly surprised by some decent mid-day public radio that mentioned a couple of books that sound pretty interesting. First, I caught the end of a show that airs twice a month on KCRW called DnA. It's devoted to design and architecture issues. Today's guest was design writer Michael Webb who talked about his new book Brave New Houses: Adventures in Southern California Living. According to Webb, over the course of the last century, cutting edge architects have used the single-family home as a kind of laboratory in which they could try out some of their more avant-garde ideas on a smaller, less risky scale. Since, in comparison to most cities, Los Angeles is a very new place, it is home to many of these houses. RM Schindler, Richard Neutra, and Frank Gehry all built single family homes in L. A., and Webb's book is a photographic record of this adventurous ground-breaking architecture.After spending a considerable amount of time in the post office, I got back in my car in the middle of an interview with compilers of another interesting-sounding book (I think the show was The World, by the way). Embedded: The Media At War in Iraq is an oral history of the journalistic experience of the war in Iraq. During and after the war, the two writers, Bill Katovsky and Timothy Carlson wandered from Kuwait City to Baghdad to Amman, and interviewed every journalist they crossed paths with. As they tell it, the resulting book inculudes many tales of both danger and poignency, which, taken as a whole, represent a singular record of the journalistic experience on the front lines.