Millions contributor Emily’s award-winning review of The Suspicions of Mr. Whicher: A Shocking Murder and the Undoing of a Great Victorian Detective by Kate Summerscale has been posted by VQR. Check it out.
It can only be with mixed feelings that we reiterate what you’ve probably already heard: David Foster Wallace was indeed well into a new novel at the time of his death last fall. At The New Yorker, D.T. Max’s long fact piece (accompanied by an excerpt) reports that the novel was to be called The Pale King and concerned the I.R.S., as we had speculated last year. “Good People,” which appeared in The New Yorker, and “The Compliance Branch” (whose publication in Harper’s triggered those speculations) were both parts of the novel-in-progress.The Howling Fantods (the preeminent website for Wallace readers) lists a couple of other fragments that may or may not have been linked to this longer work. Of the uncollected Wallace fiction I’ve read, “Three fragments from a longer thing” and especially the “Peoria” pieces from TriQuarterly (which I don’t think anyone has connected to the longer manuscript) strike me as remarkable, and thematically of a piece. That the “Three fragments” are no longer available online suggests they are part of the incomplete Pale King manuscript, which Little, Brown will publish next year. The resulting book will probably be more like The Arcades Project than 2666 – a blueprint, rather than a raised edifice. The fact that Wallace was already reading and publishing from it may allay some of the queasiness associated with posthumous publication. Still, as of this writing, that seems at best a complicated kind form consolation.See also: David Foster Wallace 1962 – 2008
Now, this sounds like a good idea: Marvel Comics announced today that is has put more than 2,500 comic books online with more to come. The idea is that with a subscription, readers can get unlimited access to the online comic vault. Clearly Marvel’s still working out the bugs – I tried to view some of the “free samples” but got a bunch of errors – but the move makes a lot of sense. Traditional publishers are experimenting with online readers, but the widgets are designed to make it easy to view snippets of books rather than whole books. With comics, much more easily consumed on a computer screen, these efforts seem more viable, as a trove of comics a click away will likely tempt many fans.
People are reading non-fiction, too. The big debut this week is Joan Didion’s new book Where I Was from. It’s part family history, part historical exploration of “where she was from,” the perplexing state of California, a fertile subject for analysis if ever there was one. People are already waving this book above their heads and extolling its virtues much in the same way as they did with her earlier book, Political Fictions. Another politically minded author garnering a wide readership is New York Times columnist Paul Krugman, whose op-ed pieces from the last three years have been collected in a single volume entitled, The Great Unraveling: Losing Our Way in the New Century. As the title indicates, his columns chronicle the collapse of the prosperity of the previous decade, and the former economist from Princeton feels that the current administration deserves much of the blame. If that’s too heavy, there are some less serious books that are or will soon be best sellers. Among them is a peculiar book that comes to us by way of England. Schott’s Original Miscellany by Ben Schott is an astoundingly clever and thorough little collection of trivia that manages to strike the perfect balance between being informative and being fun. For example, go to the official miscellanies website and get the official scoop on how palmistry works, and then feel free to troll around for other odd info at your leisure. Meanwhile, the more musically minded may have caught Martin Scorsese’s seven-part documentary about the blues which is currently airing on PBS. Elvis biographer Peter Guralnick helped compile the companion volume to the documentary entitled, Martin Scorsese Presents The Blues: A Musical Journey, an attractive book that features new essays by David Halberstam, Hilton Als, Suzan-Lori Parks, Elmore Leonard, and others. And finally, all this talk of books about music reminds me of Chuck Klosterman. I may have mentioned a few weeks ago that I was reading Klosterman’s first book, Fargo Rock City, a terribly clever book that seeks to make a case for heavy metal in the annals of music history. The book started strong, and I found myself laughing out loud once every couple of pages; however, by the end, Klosterman’s personality, which is as much on display as the subjects about which he writes and which is an odd mix of self-effacement and shameless arrogance, began to grate on me. To make things worse, right after I finished the book, I read a couple of horrendous reviews of his new book which brought into even clearer focus what had bugged me so much about Klosterman. Nonetheless, the ranks of readers devoted to Klosterman’s absurd and witty social commentary seems to be growing, because his new book, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto seems to be selling at an ever quickening clip. Stayed tuned for the next installment… Paperbacks!
Edith Grossman has lately become the definitive translator when it comes to Spanish-language fiction. She is responsible for producing the English-language editions of the work of Gabriel Garcia Marquez (including his upcoming autobiography, Living to Tell the Tale), Mario Vargas Llosa (most recently The Feast of the Goat), and of course she brought The Adventures and Misadventures of Maqroll by Alvaro Mutis to American readers. Now, for the first time, she turns her translator’s pen to a classic. Her beautiful edition of Cervantes’ Don Quixote has just been put out by Ecco, and, having never read the book, I will be delighted to turn my attention to this new edition soon.New CoetzeeMy friend and trusted fellow reader Brian informed me that he has read recently lauded author, J. M. Coetzee’s new novel Elizabeth Costello, and that he found it quite good and thought-provoking (better than Disgrace, anyway, which is his point of reference for Coetzee). So I was mildly surprised when I saw that the book received an unflattering and somewhat dismissive capsule review in last week’s New Yorker. The New York Times Book Review, however, confirms Brian’s assessment of a dense and philosophical, yet readable book.Amazon’s Mega SearchLast week Amazon announced their mind-boggling new search feature, which allows users to search the complete text of tens of thousands of new books. Talking to readers and checking out the buzz on the internet, I encountered a wide range of reactions to this new development, ranging from anger at Amazon’s ever-widening reach and annoyance at the plethora of extraneous results when searching for book titles or authors to exultation at this vast resource that has suddenly appeared at our fingertips. Meanwhile, the New York Times covers authors’ concerns. Any thoughts, press the comment button below and let us know.
Miss Snark is the blogging pseudonym of a New York agent who has made herself available to all the aspiring writers out there who are befuddled and bewildered by the publishing process. When particularly perplexed, these writers turn to Miss Snark with their questions – despite the better than fair chance of being called a nitwit by Her Snarkiness. Aided only by her faithful poodle Killer Yapp (KY), Miss Snark has come to the rescue of hundreds of writers in the months she’s been online answering questions on protocol, procedure and not looking like a fool when trying to turn your manuscript into a published masterpiece. Her advice is refreshingly frank and entirely devoid of BS, and she has a loyal following. Why does she devote so much time to such a thankless endeavor? I can only assume she’s trying to make the world a better place (but then again she may be banking on the many pails full of gin she’s now owed by the many writers she has helped.)I had been under the assumption that all aspiring writers were avid readers of Miss Snark, but it has recently come to my attention that this is not the case. So, if you hope to have your book published one day, and you aren’t yet reading Miss Snark, I suggest you start now. And this is doubly true if you are agentless and looking. These conditions are not, however, prerequisites. I have no plans to write a book anytime soon, and I can’t help but read Miss Snark, if only for the fearful laughs she elicits.
I ran a piece in last week’s New York Observer reviewing William Goetzmann’s intellectual history, Beyond the Revolution: A History of American Thought from Paine to Pragmatism. A dry title, I know, and somewhat dry inside the cover, too. Goetzmann is near the end of a long academic career and the book felt a little like cleaning out the closet. Still, I found it an interesting read. There’s a novel synthesis running through all the facts and anecdotes, one that I think is particularly useful in our time:There were few things America’s charter citizens agreed on, but one was that the government should be agnostic about what makes the good life. That neutrality left the field open for utopian projects like Brook Farm and Modern Times, and makes room today for everything from mega-churches to television ads that hawk deodorant as a lifestyle. In fact, Beyond the Revolution argues, the entire frenzy of American enterprise from the founding to the present can be understood as an effort to invent, peddle, connive or discern, a model for how to choose and what to value in country where anything is possible.