Nearly three years ago, I mentioned the El Bulli cookbook, which contains the mad scientist recipes of the famous Catalan chef Ferran Adria. At his restaurant, El Bulli, Adria popularized techniques like creating foams and gelatins using unexpected ingredients and layering flavors and temperatures in his dishes in disconcerting ways. In keeping with what some might call the inaccessibility of his cuisine, his cookbook is large, expensive, and pretty hard to get a hold of. A new edition out in 2005 made it a little easier to take a peak at Adria’s recipes, though, even on sale at Amazon, it’ll still set you back almost $200. This hasn’t kept chefs from coveting the book, according to a recent article in the Contra Costa Times. With Adria’s mystique, and the book’s steep price tag, El Bulli would likely be a jewel in any cookbook collection.
The recent debate between Malcolm Gladwell and Adam Gopnik has come and gone, and by all accounts, it was an engaging afternoon. In attendance were such Canadian luminaries as Douglas Coupland, former Governor General Adrienne Clarkson, her husband – the writer John Ralston Saul, and my friend Morry.Held at the University of Toronto’s Convocation Hall, the two New Yorker staff writers (and expat Canadians) wittily deconstructed “Canada”, reducing it to its fundamentals as they debated the question: Canada: Nation or Notion?CBC Radio recorded the hour-long debate for its Ideas program. Listen here (mp3).Macleans magazine, which organized the event, also has video footage of the debate.
Amazon reviews are kind of silly. One has to wade through lots of cranks to get to a useful review, and even then it’s hard to put that much faith in a few sentences penned by a complete stranger (although I have been known to pen Amazon reviews, on occasion). Still, they undoubtedly do have an effect on sales and on peoples’ perceptions of particular books, so when instances of unfair play come to light it can piss people off – like when it was revealed that authors were pseudonymously reviewing their own books (scroll down). With these same concerns in mind, I reprint this email that I received from an eagle-eyed Millions reader today.If you go to this page and scroll down to reviewer #235 (who calls him/herself “nyy”) you should notice that this reviewer has not reviewed any books. Zero. I emailed Amazon about it, and just got a canned reply about how their reviewers are rated. What do you think — a typo or a hack or something else?I have no clue, and I’m sure Amazon would explain it away as a glitch, but it does make me wonder if the customer review system is completely on the level.Update: The original New York Times article about authors reviewing their own books at Amazon.
Hello! I’m back, this time reporting from Chicago, IL. Without further ado, I’ll move on to what I have been reading lately. The first book I picked up since my last post was Asne Seierstad’s A Hundred and One Days: A Baghdad Journal. I was longing for some non-fiction and Seierstad’s memoirs of her visit to Baghdad three years ago seemed like a good choice (I have been meaning to read it for the past two years). Seierstad is a Norwegian freelance journalist that covered the wars in Kosovo and Afghanistan prior to her trip to Baghdad. She arrived in Baghdad roughly 80 days before the war started and began reporting. Seierstad organizes her book in three parts: Before, During, and After. In these simply, yet carefully, organized sections Seierstad conveys her observations of the Iraqi society under Saddam Hussein, during the initial stages of the war, and after the capture of Baghdad. Seierstad has a very personable voice that almost embeds the reader alongside her. She provides good eyes and ears in a society that, under Saddam, became introverted and isolated. One learns about the difficulties of finding out about the regime, the spy network, the reluctance of locals to talk with foreigners, and how Iraqis perceived the brewing US attack on their country.Throughout the whole affair Seierstad also shows the bureaucratic network in Iraq, explains how she had to bribe officials to remain in, and once to re-enter, the country, and draws a unique portrait of Uday, Saddam’s most feared son. Seierstad also communicates to the reader the difficulties endured by average Iraqis, both under Saddam and in face of advancing US troops. Civilian casualties inflicted by “smart bombs,” the lack of resources in hospitals, and the fear of the emerging power vacuum each represent a part of the untold story, particularly during the initial stages of the war. Seierstad also mentions (or maybe even predicts) the emerging power struggle between Shiites and Sunnis as early as April 2003, a month after the war started. A Hundred and One Days is a very insightful and well written piece of work. Some of the stories are heart wrenching and leave one wondering how the great powers, and their leaders, could not foresee all the misery that would follow the war. If you are curious about the mood in Iraq, and mostly in Baghdad, at the onset of the war, I suggest that you get your hands on Seierstad’s brilliant memoirs. (See Andrew’s review of A Hundred and One Days)Next I turned to Irvine Welsh’s Marabou Stork Nightmares, which had been sitting on my shelves for the past four years. My brilliant friend Mitch had bestowed the book upon me during our final year of college, telling me that it was the best written novel he ever read. Now, that’s a pretty strong statement but I have to agree with Mr. Maddox that Welsh’s narrative in Marabou Stork Nightmares is smart, innovative, and fluent.The protagonist Roy Strang is in a coma when the reader first meets him. The narrative moves between Strang’s perceptions of things happening around him (such as visits from parents, friends, nurses, doctors, and unrecognized people), to Strang’s fantasy world (set in South Africa, where he and Sandy Jamieson are trying to hunt the leader of the Marabou Storks, who are dominating and ruining the wildlife) and Strang’s autobiography. The three worlds intertwine as Welsh brings the reader to the current day, sheds light on the demise of Roy Strang, connects his fantasy world with the real, and presents a grand finale at the hospital where the protagonist is stranded. This quite awesome story is further enhanced by Welsh’s portrayal of Scots living in “schemes” (i.e. projects) outside Edinburgh and the personal anxieties he created for each character. Child abuse, gay tendencies, rape fantasies, a retarded sibling, a dysfunctional family, and hooligans all add new dimensions to the great story that Welsh devised. If you are a fan of Trainspotting and/or The Acid House, want a good laugh, and can stomach some disturbing moments, you should definitely pick up Welsh’s Marabou Stork Nightmares.See Also: Part 2