In the New Yorker, Ian Frazier shares some stories about how the modern novel is threatening to bring down the American economy.Right now, it’s costing me forty-five dollars to fill up my 4Runner, which is about two novels. Tough decisions are going to have to be made. I’m used to having a newly released hardcover on the dash of my vehicle, another in the back seat for the kids. At home, we’ve got a novel in each bedroom, two in the family room, one in the laundry room for my wife when she’s down there, and a novella in the john. We go through a couple of dozen novels in a year without even noticing. I hate to say it, but this can’t go on.
The search for the person who will fill what is perhaps academia’s most prestigious creative writing job, director of the Iowa Writers’ Workshop, is in its final stages. Four finalists have been announced, Richard Bausch, Lan Samantha Chang, Ben Marcus and Jim Shepard. Each will have an audition of sorts, which includes a reading, a mock workshop, and a talk on craft. Some friends in Iowa have been filling me in on this last part of the selection process, which got underway with Bausch’s visit to campus on February 10.I’m told that the process, itself, is somewhat odd, since it’s more of a performance than a way to discern teaching ability. During the mock-workshop, Bausch zipped through three stories in and hour and a half, faster than the typical workshop pace, and he digressed from the stories at hand to tell some stories of his own. He quoted some of his favorite works and seemed genuinely passionate about books and the writing life. He said he teaches patience, not writing, and said there are two rules to fiction: you have to use words and you have to be interesting. Though his commentary was somewhat liberal, Bausch’s critiques of the stories at hand were traditional, with specific recommendations about tone and pacing. For the public reading later in the evening, Bausch read a recently completed, as yet unpublished story, and during his “talk about craft,” he talked about memory and dispensed his 10 Commandments of writing, which included – to paraphrase – doing the work is the only thing that matters. Not if it’s good or bad, but that it gets done, everyday.Stay tuned for the next dispatch in a couple of weeks.
It’s a good time for books right now. In my year and half at the book store, I haven’t quite figured out the nuances of the publishing calendar, but it seems like spring is always the best time of year for new books. I suppose the publishers anticipate that people will have plenty of time to read during the summer. There were several interesting new releases this week: Dry is Augusten Burroughs’ follow up to last year’s Running with Scissors a memoir about his growing up in the care of a profoundly disturbed shrink. It is hilarious until you remind yourself that it’s a true story. Not sure if Dry will live up to Running with Scissors but it’s certainly worth reading if you enjoyed that book. Several great books about baseball have come out this spring (including Game Time a collection of essays by one of my favorite baseball writers Roger Angell). This week’s baseball book is Moneyball by Michael Lewis which strives to explain how the Oakland A’s and their general manager, Billy Beane, have managed to become successful while sporting one of the lowest payrolls in the Major Leagues. This has easily been the most interesting story in baseball over the last couple of years so it’s not at all surprising to see a book that focuses on it. The big novel release of the last week or so was Oryx and Crake by Margaret Atwood author of, most notably The Handmaid’s Tale, Cat’s Eye, The Blind Assassin. I have never read Atwood, but several of my trusted fellow readers are most devoted to her work.Heard on the RadioNPR often broadcasts gushing reviews of the world’s blandest music. In fact, their review of the last Red Hot Chili Peppers album was unequaled in both the reviewer’s unabashed worship of the band and the grinding dullness of the music that accompanied it. Which is saying a lot, since typically I don’t really have a huge problem with the Chili Peppers. On the hand, NPR regularly devotes air time to some very worthy books, and last week was no exception. Morning Edition devoted a long segment to interviewing Adrian Nicole LeBlanc author of Random Family. To write this remarkable book, LeBlanc spent more than ten years spending time with a family in a decaying neighborhood in the Bronx in order to chronicle their lives. She was able to draw a masterful picture of one troubled family among many. In her interview, it was especially interesting to hear how the assignment to write a single article for Rolling Stone blossomed into a ten year odyssey in the writing of her book. I also caught a tidbit of an interview with Mary Roach the author of Stiff: The Curious Lives of Human Cadavers, which chronicles, in a light hearted way, the numerous ways in which society has been advanced by putting the dead to work. There are the obvious medical examples, but some rather strange examples, as well. Apparently, the first crash test dummies were actually dead bodies, strapped into cars and rammed into walls. Pretty bizarre. I also caught an interview with a couple of the guys (I’m not sure which ones) who put together the book Temples of Sound. This is a fun little illustrated encyclopedia of the most storied recording studios of our musical century. Fantastic pictures accompany text filled with the magic-moment-of-creation stories that all music fans love to read about. Temples of Sound, by the way, is put out by Chronicle Books, which accounts for its great look. When perusing the shelves look out for books put out by Chronicle; they are always interesting or funny and they are beautiful visually.Yes, but is it Art?The art book that caught my eye this past week is a monograph on the artist Gordon Matta-Clark who is most famous for slicing the facades off of derelict buildings. In keeping with the style that made Matta-Clark famous, Phaidon, the publisher of many popular art books, put out a book from which a section of the spine has been cut away to reveal the bare structural binding of the book. It is a wonderful tribute to an artist who died very young as well as a triumph of creative book design.What I’m Reading NowIn Nine Innings Daniel Okrent writes about a single baseball game. In the early ’80s he followed the Milwaukee Brewers for well over a year in order that he would know this team more intimately then even their most rabid fan. Then he picked a single baseball game and used the knowledge he had gathered to write about it. The book is both a microscopic look at the elementary unit of America’s pastime and a study of the many individuals involved with the game as a backdrop. A grand book, especially for a baseball fan.
This will probably be of little interest to anyone who is not a book industry professional, but I couldn’t help myself. I happened to notice the other day a mention of the impending adoption of the 13-digit ISBN. ISBN stands for International Standard Book Number, and it’s the 10-digit number typically found on the back of your books near the barcode. Every new edition of every book has its own ISBN, making it a unique identifier that can be used when organizing books in a computer library system. By 2007 all new books will be assigned 13-digit ISBNs. This is being done so that books conform with other products, which are all identified by a 13-digit number (usually next to the barcode.) I’m sure there are good reasons for doing this. Standardizing these numbers will probably streamline the business and make books easier to integrate with other products in stores. But I felt compelled to bring this up because I suspect the change might be detrimental to independent bookstores for two reasons. First, anything that makes it easier for books to be sold at the Walmart, Target, and the other “big box” stores is bad for independent bookstores (and chain bookstores, for that matter). Secondly, due to the expense, many independent bookstores do not have great inventory systems. Typically they have some sort of makeshift system, or they use an antiquated inventory system with poor tech support and little or no adaptability (the latter was certainly the case at the bookstore where I worked). Books are organized in these systems by ISBN, and I doubt that they are designed to handle an ISBN longer than 10 digits. While the chain stores probably have more robust systems and staff dedicated to the upkeep of their inventory programs, I wouldn’t be surprised to see a lot of independent bookstores scrambling to adapt when the 13-digit ISBN comes along. Then again, this could be another Y2K situation, which I’m blowing out of proportion. We’ll see, I suppose. If you are really intrigued by this, you can learn all about it here.In other news, the New York Times has named one-time restaurant reviewer William Grimes its new book reviewer. He joins Janet Maslin and Madame Kakutani. It will be interesting to see how this changes the overall persona of the Times’ book coverage. I should also note here that an inordinate number of people come to this website by searching for “Michiko Kakutani.” She is the object of much fascination, I think.The Publisher’s Lunch email newsletter mentions an upcoming book by one of my favorite writers, the inventor of rotisserie baseball and current New York Times Public Editor Daniel Okrent. “Daniel Okrent’s new book will also form the basis of a Ken Burns documentary, an illustrated biography of Einstein.”