Faced with a stark choice – where to buy books in New York congressional district 8 – I have decided to endorse my new employer, the Housing Works Used Bookstore & Cafe. As any American who’s attended a reading or browsed the shelves at HWUBC’s SoHo location knows, the store is a home away from home for bibliophiles. Better still, all of the store’s profits go to Housing Works, a nonprofit that supports homeless New Yorkers living with HIV. Recently, Housing Works has entered the online book business. So this election season, if you want a candidate who will protect your pocketbook while working for social change, look no further than the Housing Works page at half.com. I’m Garth Risk Hallberg, and I approved this message.
Mark Kurlansky is one of the primary practitioners of an interesting type of history book in which he takes a specific type of object or group of people and uses it as a lens through which he views history. Kurlansky has recently gained notoriety with three books that followed this sort of historical exploration: Cod: A Biography of the Fish That Changed the World, Salt: A World History, and The Basque History of the World, all of which are clever and very readable and which, with their success, have spawned a sort of cottage industry (see: The Potato: How the Humble Spud Rescued the Western World by Larry Zuckerman, Tobacco: A Cultural History of How an Exotic Plant Seduced Civilization by Iain Gately, How the Scots Invented the Modern World: The True Story of How Western Europe's Poorest Nation Created Our World & Everything in It by Arthur Herman, and many, many others.) Kurlansky, meanwhile, has a new book coming out that is a new twist on the one subject history book. It's called 1968: The Year That Rocked the World, and it's thesis is that 1968 was the year when the world grew up, so to speak. A book like this will probably be pretty fun for a couple of reasons: Kurlansky is a skilled writer and historian, who is sure to produce the sort of engaging history that is always a thrill to read; at the same time, it is always fun to take sides along the way when a writer decides to choose a such a specific thesis, one that will undoubtedly prove difficult to defend against claims of selective inclusion and omission of events in order to prove the point. I'm curious to see if he is able to pull it off.
The Washington Post raves about David Sedaris' latest book Dress Your Family in Corduroy and Denim. Here's an excerpt. At the local chain store I noticed, prominently displayed, David Foster Wallace's new collection of short stories, Oblivion. Here's an excerpt from that one. Also in the news, Oprah makes her summer selection, and in keeping with her recent predilection for dead authors, she chooses Leo Tolstoy's Anna Karenina: A Novel in Eight Parts.
Susan is taking it all in. The stories are more than she had hoped for. She was discovering the tales that I had hidden from her, but disturbingly they were changing my own memories of those events. Uncle was changing what I remembered. In The Cousin, the latest novella from John Calabro, our narrator is a reluctant explorer, bringing his Canadian wife Susan with him to a Sicily shifted in his memories from his childhood. He's detached, reluctant, full of loathing for his Sicilian uncle, and haunted by past events. His wife is more enthusiastic, more engaged, connecting the reader with the setting, while our narrator goes from harboring some hang-ups to dealing with his demons. In the last act, The Cousin turns twisted and surreal, as the narrator takes the astonished reader on a mind-bending journey unlike anything I've read. The Cousin is one of a series of novellas released last fall by Quattro Books, a Toronto outfit which counts Calabro himself as a founding publisher, and which mandated itself to champion the Canadian literary novella. They've even come out with a manifesto outlining six rules that must apply to any novella that they publish. Some of the rules are structural: the qualifying novella must be between 15,000 and 42,000 words long and between 60 and 150 pages. Other rules deal with the time-frame covered within the story, the number of characters, locations, and as Quattro is championing Canadian literary novellas, the author must be Canadian and Canada must factor in the plot or setting or character. The most interesting rule is that there must be either a reversal of fortune or some kind of realization or revelation. From Quattro’s manifesto: It is a narrative that draws heavily on a geographical and cultural landscape, real or imagined, or on the concept of a journey, physical or metaphysical, to carry it. It must be of a form and content that excites and surprises while exploring the underbelly or fringe of civilization where savage instincts and/or extreme otherness lie hidden. These rules are reflected in other novellas released by Quattro last year. In A Pleasant Vertigo, Egidio Coccimiglio tells the story of Gerard, a New York-based artist longing to make a comeback, and suddenly being wooed by rival dealers. The writing style is fast and free-floating, culminating, in the second half, in a dark and comic set-piece along the shores of the Mississippi. Brenda Niskala's Of All The Ways To Die is an inventive ensemble ghost story. A missing girl is the catalyst for Urma to summon (actually invite to dinner) an eccentric group of departed souls, to help shed some light on the whereabouts of the girl, and on life itself. Throughout the dinner, we learn not only their stories, but their connections to Urma. The dinner, by the way, is pot-luck, and each guest shares with the reader a special recipe. Harbour View is Binnie Brennan's lovely and amusing story of a Halifax nursing home. Characters - the residents and workers of the home - bounce off each other, their stories revealed as we briefly see and hear the world through each of them. There's warmth to the wit. Here are Buddy's thoughts on assorted nursing home staff: Sam speaks softly, unlike Muriel and the others who are trained to speak so that the deaf may hear them. Sam's quiet is a relief, like the silence when an aircraft cuts out: you don't really notice the racket until it's over. The novella has always been a favorite literary form, and while writers have never stopped writing short forms of fiction, Quattro is to be commended for giving this literary form some formal shape and focus. And there's plenty of room within the structure for all sorts of tales to be told, and voices to be heard.
Brian, one of my more well read and more ebullient friends, sent me this email emoting about one of the more underappreciated writers of the 20th century, Joseph Roth. Roth's reputation and body of work were recently addressed in a New Yorker piece by Joan Acocella. Here's Brian's reaction:took the advice of the New Yorker and started reading Joseph Roth's collection of short stories and am totally overwhelmed. read "Stationmaster Fallermayer" from the collection on your next break. amazing. i just ordered Radetzsky March from amazon (along with seamus heaney's translation of Beowulf) --j. roth is one of those writers that was meant to write as we are all meant to breathe and move and sleep -- his prose is beautiful: perfect constructions and his sentences convey much human truth -- one of those guys who writes a line and immediately we 'know' it as we have felt it a million times but have never been able to articulate it the way he does... i look forward to pillaging his oeuvre.... He makes it sound pretty great. Unfortunately I didn't get to read "Stationmaster Fallermayer" during my break at work yesterday, but I certainly intend to soon.
Last night Derek and I went to a party at a squat on Western in a no-man's-land area of LA. Apparently, the kids who were squatting there are about to be kicked out, so this was one last bash. We went because the Sharp Ease were playing. Several other bands were playing as well, and throughout the show people were sporadically destroying the place, a set of abandoned apartments above a non-descript furniture store. The place was already very trashed from months of parties. The doors to many of the rooms had been ripped off the hinges and the graffiti-covered walls were pockmarked with holes and dents. The Sharp Ease played their usual, drunken, high-energy set, and the crowd got pretty rowdy. By the time they finished singing, people were tearing down the walls and launching things - cans of paint, small appliances, cinder blocks - through the windows and leaving a litter of glass and debris all over Western Ave. Derek and I, sensing that it would get worse before it got better, drunkenly headed back to our homes.
A literary mystery reached its conclusion about two years ago when a lost Alexandre Dumas novel was published in French. The Last Cavalier had been discovered by a scholar in the Bibliotheque nationale de France as researched Dumas' life. The book has now made it here in translation. The New Yorker covers the book in its "Briefly Noted" section, calling it "a breathless seven hundred and fifty pages," which is certainly an apt description of the one Dumas book I've ever read, The Count of Monte Cristo.The CS Monitor raves as well and offers some specifics on how the novel was found in serialized form and how it was turned into a novel, "in much the same fashion Dumas himself did when transforming other epic serials into bound novels."
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Just about four years ago, we were asked when Robert Caro might wrap up his much praised, award-bedecked, and quite massive four-part biography of Lyndon B. Johnson. The best we could offer at the time was to say:Well, the short answer is that they don't have a date yet, but we can at least hazard a guess. The first book, The Path to Power came out in 1982; the second, Means of Ascent, in 1990, and the third, Master of the Senate, in 2002. So, after doing some back of the envelope calculations, I would expect to see the fourth and final volume (tentatively titled The Presidency) some time between 2010 and 2014.As it turns out, my guess may still be on target. Marking the 100th anniversary of LBJ's birth (which is tomorrow), Caro spoke with the AP on LBJ's legacy. The article offers this update on the book:The historian says he has completed the opening section of his fourth LBJ book, filling hundreds of pages just to tell of Johnson's brief, unhappy vice presidency under John Kennedy, concluding with Johnson being sworn in as president after Kennedy's assassination. The last book will be "very long," although likely less than the 1,000-plus length of Master of the Senate. He is reluctant to reveal details, but says the Kennedys will be "more than characters; they are protagonists in this book."Sounds like I might have just enough time to read the first three before this one comes out.