A couple of months ago I posted about the longlist for the Lettre Ulysses Award, a prize that is given to the best book-length reporting. They have since announced the winner and runners-up, and this year the award went to The People on the Street: A Writer’s View of Israel by Linda Grant. Her book is a ground level view of life in Israel, placing it in counterpoint to the scads of books that look at the region from 35,000 feet. In an excerpt, we read about the reaction on the street in Tel Aviv when people found out that Saddam had been captured.
Sometimes it seems like all there is to write about is book awards. The National Book Awards are handed out, but wait, here are the Whitbread finalists. The Whitbread, Britain’s second most prestigious prize after the Booker, is, it seems to me, at a disadvantage. Since the Whitbread comes out only a couple of months after the Booker, the selections are compared in the press. If the Whitbread too closely mirrors the Booker, it loses some of its punch, but if the judges pick a shortlist with no overlap with the Booker, the Whitbread is criticized for being too obscure. This year, the only overlap with the Booker is that they have both shortlisted Ali Smith’s The Accidental. As was much remarked when the Booker list was announced, many well-known authors have books out this year: Kazuo Ishiguro, Ian McEwan, Zadie Smith and Julian Barnes, among others. None of those made the Whitbread list, a fact that seems likely to have prompted head judge Philippa Gregory’s defensive sounding remark in the Guardian: “Our shortlist may confuse the book trade. We are not saying these are the only good books. They are books which happened to resonate powerfully with the judges of the moment.” The list does include two notable names: Salman Rushdie for Shalimar the Clown and Nick Hornby for A Long Way Down. Rounding out the fiction list is Cotton by Christopher Wilson (which, since it is going by a different title in England, has been much misrepresented in the press, as the Literary Saloon points out.) For the finalists in all the categories, visit the Whitbread site.
Book award season is peaking along with the autumn leaves as the National Book Award shortlists have been released in four categories. These have been whittled down from last month’s longlists, and the winners will be announced in New York City on November 18.
Here’s a list of the finalists in all four categories with bonus links and excerpts where available:
Refund by Karen E. Bender (“For What Purpose”)
The Turner House by Angela Flournoy (Dynamite Detroit Debut: On Angela Flournoy’s The Turner House)
Fates and Furies by Lauren Groff (the book’s opening passage, The Most Joyous Part: The Millions Interviews Lauren Groff, Lauren Groff writing at The Millions)
Fortune Smiles by Adam Johnson (excerpt)
A Little Life by Hanya Yanagihara (Two Lives: On Hanya Yanagihara and Atticus Lish, ‘I Wouldn’tve Had a Biography at All’: The Millions Interviews Hanya Yanagihara)
Between the World and Me by Ta-Nehisi Coates (“We Know Less Than We Think We Do”)
Hold Still: A Memoir with Photographs by Sally Mann (excerpt)
The Soul of an Octopus: A Surprising Exploration Into the Wonder of Consciousness by Sy Montgomery (excerpt)
If the Oceans Were Ink: An Unlikely Friendship and a Journey to the Heart of the Quran by Carla Power (excerpt)
Ordinary Light: A Memoir by Tracy K. Smith (A Field Guide to Silences: On Tracy K. Smith’s Ordinary Light)
Catalog of Unabashed Gratitude by Ross Gay (the title poem)
How to Be Drawn by Terrance Hayes (poem)
Voyage of the Sable Venus by Robin Coste Lewis (poem)
Bright Dead Things by Ada Limón (Charring the Page: On Ada Limón’s Bright Dead Things)
Elegy for a Broken Machine by Patrick Phillips (the title poem)
Young People’s Literature:
The Thing About Jellyfish by Ali Benjamin (excerpt)
Bone Gap by Laura Ruby (excerpt)
Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War by Steve Sheinkin (excerpt)
Challenger Deep by Neal Shusterman (excerpt)
Nimona by Noelle Stevenson (interview)
Jamaican novelist Marlon James has won this year’s Man Booker Prize for A Brief History of Seven Killings. James is the first Jamaican-born writer to win the Prize. Our own Janet Potter and Michael Schaub wrestled with the book on The Book Report earlier this year.
Revisit this year’s Booker Shortlist.
The finalists for the annual National Book Critics Circle (NBCC) Award have been announced. The fiction list includes one of the biggest fiction releases of last year, but all five of the finalists got a fair amount of ink. No huge surprises. In fact, as we’ve noted in the past, the NBCC seems to do a better job of catching the zeitgeist than other major prizes like the National Book Award and the Booker, which like to play kingmaker by annointing less well known titles. Here are the finalists for fiction and non-fiction with excerpts and other links where available. As a side note, the NBCC award is particularly interesting in that it is one of the few major awards that pits American books against overseas (usually British) books.
Teju Cole, Open City (our review, excerpt)
Jeffrey Eugenides, The Marriage Plot (How I Learned To Stop Worrying And Write The Marriage Plot, our review, excerpt [pdf])
Alan Hollinghurst, The Stranger’s Child (our review, The Millions Interview: Alan Hollinghurst Answers his Critics, excerpt)
Edith Pearlman, Binocular Vision (excerpt)
Dana Spiotta, Stone Arabia (our review, excerpt)
Amanda Foreman, A World on Fire: Britain’s Crucial Role in the American Civil War (excerpt)
James Gleick, The Information: A History, a Theory, a Flood (Ben Marcus on The Information, excerpt)
Adam Hochschild, To End All Wars: A Story of Loyalty and Rebellion, 1914-1918 (excerpt)
Maya Jasanoff, Liberty’s Exiles: American Loyalists in the Revolutionary War (excerpt)
John Jeremiah Sullivan, Pulphead (Staff Pick, excerpt [pdf])
For more on the NBCC Awards and the finalists in the other categories, visit the NBCC.
The big news is that Ian McEwen’s On Chesil Beach stays alive. I’ve heard pretty good things about the book, but I’d guess it’s not winning. He’s already won one for Amsterdam, and Atonement, considered by most to be his best, didn’t win in 2001 (True History of the Kelly Gang took it home that year). For the slight On Chesil Beach to win the prize would seem odd. Clearly, I’m not alone in this thinking, as the bookies, who favored McEwen when the longlist was announced, now favor Mister Pip by Lloyd Jones. The longlist was offered here with some excerpts less than a month ago, but since you might not have gotten around to them then, we’ll offer the same with the shortlist below.Darkmans by Nicola BarkerThe Gathering by Anne Enright (excerpt)The Reluctant Fundamentalist by Mohsin Hamid (excerpt)Mister Pip by Lloyd Jones (excerpt)On Chesil Beach by Ian McEwan (excerpt)Animal’s People by Indra Sinha (excerpt)