The coming-of-age novel is a lot older than most of its protagonists. Gabriel Roth and sometime Millions contributor Kristopher Jansma will discuss the history of the genre at 7 p.m. on Monday, October 28 at the Center for Fiction in New York City. You can read Jansma’s past Millions essays on watching The Killing and searching for lost J.D. Salinger stories.
Writers of facial stage direction, beware: it is not actually the epitome of irony that smiling and crying can seem so oddly similar. At Aeon, Princeton professor Michael Graziono argues that the seemingly opposite gestures may just share evolutionary origins. (Pair with: Darwinist theories about “the evolution of the novel.”)
Dr. Seuss Went to War: A Catalog of Political Cartoons by Dr. SeussThe Philadelphia Inquirer profiles Joseph O’Neill (via).A primer from Bookride for using the web to check the values of old books. “The first thing to remember is that most books are of low value or no value. Some books are worth less than nothing.”The second issue of Wag’s Revue is out, featuring an interview with T.C. Boyle.For fans of The Wire, issue four of darkmatter Journal analyzes the series with essays like “The Politics of Brisket: Jews and The Wire” and “The Subversion of Heteronormative Assumptions in HBO’s The Wire“.The Rumpus gets listy with George Pelecanos’ favorite WesternsThe Second Pass follows up on our “Most Anticipated” list with a few more books to look forward to.
At least two people were not pleased with John Jeremiah Sullivan’s recent cover story in the New York Times Magazine. In a letter to the New York Observer (and an expanded post on Google+), Susannah McCormick – daughter of renowned music historian Robert “Mack” McCormick – alleges that Sullivan and his research assistant “glibly” stole her father’s research in an act of “quasi theft.” In his response, Sullivan asserts that, “by hiding L. V. Thomas’s voice, by refusing for over half a century to credit or even so much as name the two singers who created those recordings while they or their contemporaries were alive, Mack McCormick committed a theft—through negligence or writer’s block or whatever reasons of his own—far graver than my citation of interviews L.V. granted him decades ago.”