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“We lived, as usual, by ignoring. Ignoring isn’t the same as ignorance, you have to work at it.” BookRiot did us all a service by finding out the 10 most highlighted passages of (the e-book edition of) Margaret Atwood‘s The Handmaid’s Tale. You must also read our own Edan Lepucki on reading and re-reading Atwood.

A surreal theater production of Haruki Murakami’s Kafka on the Shore, directed by Yukio Ninagawa, premiered at the Lincoln Center Festival in July. Ian Buruma writes for the NYRB about the marriage of tradition and modernity, and Western and Eastern references in the play. As he puts it, “even without traditional references, the production—perhaps more than Murakami’s novel—is still unmistakably Japanese: stylized, poetic, comical, violent, full of spectacular effects, and often exquisitely beautiful to look at. The setting jumps at lightning speed from a bus station, to a library, to a sleazy bar area. Various characters emerge and disappear, like memories or scenes from a dream, in an assortment of moving transparent boxes.”