- George Saunders is the subject of one of Deborah Solomon’s wacky interviews in the New York Times. (via Ed)
- Scott gets a byline in the SF Chronicle for his review of Duchess of Nothing by Heather McGowan.
- Elizabeth Crane summarizes the Tom Cruise flick Minority Report like only she can.
- “A rare collection of Dracula-related books is to be handed over to Dublin City Library.” I had no idea Bram Stoker was Irish.
Chuck Palahniuk dropped big news at San Diego’s Comic Con last week: he’s currently working on a follow-up to Fight Club… in the form of a graphic novel. “It will likely be a series of books that update the story ten years after the seeming end of Tyler Durden,” he told attendees. “It will, of course, be dark and messy.”
Can you hear me, Major Tom? The world lost one of the good ones today in David Bowie; celebrate his enormous contributions to art as we know it and take a look at this list of Bowie’s 100 essential books which includes everyone from Camille Paglia to Anthony Burgess. Bonus: here’s a link to Bowie singing “Changes” in what became his final live performance.
Have you ever wondered what a book would look like only with punctuation? At Medium, Adam J Calhoun analyzes the punctuation in a few famous novels, complete with graphs for your viewing pleasure. For more punctuation, you could read our piece on the interrobang.
“I want to show you our world as it is now: the door, the floor, the water tap and the sink, the garden chair close to the wall beneath the kitchen window, the sun, the water, the trees.” Apples, plastic bags, teeth In The Guardian, Karl Ove Knausgaard attempts to explain the world to his unborn baby, object by object. Pair with our review of his epic, My Struggle.
What are those crazy kids from Vampire Weekend saying in their new single, “Cousins”? It’s a little disappointing, as the beleaguered translators of lyrics at We Listen For You reveal.
You’ve read Elif Batuman’s dissertation on the double-entry book-keeping of novelists (pdf), but now your “debit” balance is low. (Whose isn’t these days?) Enter Sheila Heti and Misha Glouberman. They can document your very essence. The Paris Review has an excerpt from The Chairs Are Where the People Go.
Speaking to Parul Sehgal, recent Booker and National Book Award finalist Jhumpa Lahiri confesses that in order to write, she must begin from “a place where I feel—and need to feel—completely alone and anonymous.” The Lowland author elaborates that the act of writing is “such an intimate thing; I can’t do it in front of other people. It’s a rich dimension in one’s head – to access it, the noise has to be shut off. And there is a lot of noise in the world.”