Laurel writes to tell us about a fiction contest that she’s involved with at Verb. Stories up to 5,000 words are eligible and the winner receives $1,000 and publication in an issue of Verb. The judge for the contest is Thisbe Nissen who wrote Osprey Island and once helped my friends find an apartment in Iowa City. Verb isn’t your typical literary magazine, by the way. Laurel says: “Verb is the first audioquarterly, which means that you’ll be recording your story for distribution through audible.com, and to subscribers on a CD! If you would prefer, an actor may record in your stead. Past contributors include Robert Olen Butler, Stuart Dybek, Peter Case, Julianna Baggott, Ha Jin, and many others.”
In 2007 and 2008, Frank Kovarik, who writes and teaches English in St. Louis, sent us a spreadsheet that he has used to catalog New Yorker fiction since 2003, and now, with another year of data included, we’re going to revisit it.Frank’s spreadsheet records not just the titles and authors of the stories published in the New Yorker, but things like gender, country of origin, and frequency of appearance. He also includes his own personal quality rating for each story (your mileage may vary; he writes about his favorites here).Frank has once again generously offered to make his spreadsheet available to Millions readers. If you’re interested, you can see it here.With seven years of data compiled, we can get some hard info on the New Yorker’s tendencies when publishing fiction.Frequency:
The first thing we always look at is if the New Yorker is bringing new writers into the mix or sticking with its old standbys. Just 10 writers account for 82 (or 23%) of the 358 stories to appear over the last seven years. Just 18 writers account for 124 (or 35%) of the stories. The New Yorker is sometimes criticized for featuring the same writers again and again, but it appears to be getting better on this front. The 18 “standbys” noted above and listed below accounted for only 7 of the 49 stories published in 2009 (or 14%). On the flip side of this argument, 15 writers appeared in the New Yorker for the first time in 2009 (at least since 2003).Gender:
Of the 358 stories in the New Yorker from 2003 through 2009, 131 or 36.6% were penned by women. (That’s down from 38.1% last year.)Nationality:
The fiction section of the New Yorker is a pretty multi-cultural place, but Americans still make up the bulk of the contributors. 184 of the stories, or 51% (up from 50% after 2008), are American (and this leaves off several writers who could be conceivably classified as both American and a native of another country). Coming in in second are the Brits at 29 stories and in third the Irish at 23 stories.Returning to the frequency question, below are all the writers who have appeared in the New Yorker at least five times over the last six years. These are the superstars of New Yorker fiction (stars indicate the number of stories, if any, they had in the New Yorker in 2009.):12:Alice Munro10:Tessa Hadley**William Trevor8:T. Coraghessan Boyle7:George Saunders**Jonathan Lethem**Louise ErdrichJohn UpdikeRoddy DoyleHaruki Murakami6:Antonya Nelson*Thomas McGuane5:Tobias WolffCharles D’AmbrosioEdward P. JonesRoberto BolañoLara Vapnyar
J.K. Rowling’s slow, inexorable slide out of retirement continues. As we noted a couple of months ago, “For someone who’s not writing any more books about Harry Potter, J.K. Rowling sure is doing a lot of dabbling.”Earlier this year, we wrote about one of Rowling’s post-retirement dabblings, the production of seven handmade copies of Beedle the Bard, a book of “wizarding fairy tales” referred to in the Harry Potter series. Amazon spent $4 million on a copy, and then used it to market a writing contest. Part of the prize, incidentally, was the opportunity “to spend a weekend with the rare and delightful book of fairy tales (security guards included, of course).”Now that prize doesn’t look quite so exclusive, as Bloomsbury and Scholastic have made an edition the book available for the masses for just $7.59 and arriving in early December, just in time for the holidays. Amazon is going one further, offering up to 100,000 pricier facsimile “collector’s editions,” with “a reproduction of J.K. Rowling’s handwritten introduction, metalwork and clasp, and replica gemstones,” as well as various other accouterments.All net proceeds go to a charity co-founded by Rowling.
I was looking at today’s installment of the Publishers Lunch newsletter (which I highly recommend for those interested in the book business, even if you only get the free version like I do), and something jumped out at me. News Corp reported fiscal fourth quarter earnings this week, including the regular update on HarperCollins, which is owned by Murdoch and company. Publishers Lunch got some additional color on the news from HarperCollins CEO Jane Friedman. It’s not linkable because it’s an email newsletter, but here’s the quote:Segment by segment, Friedman says the general books group continued to grow sales and profits significantly in the US, as did the children’s group. “There’s one area where we are having a lot of problems–religious publishing is in a lot of trouble.” Though religious books “have had a fantastic run for the entire 9 years I’ve been at this company,” Friedman observed, “it is starting to see hard times. Right now we are seeing heavy returns–product that just didn’t work, but more significantly, we’re seeing a contraction in the CBA, which is what we went through with the ABA.” Rick Warren’s Purpose-Driven Life still sells more “than almost any other book” on the religious list, but Friedman has “concerns about the whole religious sector.”Emphasis mine. I was surprised to read this because, as Friedman indicates and as book industry-watchers know, religious books have been a huge seller in recent years, growing much faster than most other types of books.As I read this, though, it occurred to me that peoples’ reading tastes, taken broadly, might be a good indicator of the philosophical mood of the country. It may be that HarperCollins’ religious titles were duds this year, but it’s also possible that the fervent hold of religion — and when we talk about “religious books” we’re talking primarily about born-again Christian themes — on this country is loosening. I don’t want to read to much into this, but is it possible that, among the broader public, conservative Christianity was a cultural fad, with its own attendant movies, music, and books, and that people who don’t have too much invested in it will move onto the next thing that promises to help them with their lives? I’d be curious to see if there’s any other evidence out there that lends itself to this idea.
A perfect post to leave you with as we head into the long weekend. Perhaps, like many people, you’ve been wondering what Art Garfunkel’s been reading for… oh… the last 39 years, give or take. Luckily, he’s been keeping track.As a result, perusing through the nearly 1,000 books he’s read in that time, I now know that:When I was born, Art Garfunkel was reading Letters from an American Farmer by J. Hector St. John De Crevecoeur.When I graduated high school, he was reading “Our Crowd” by Stephen Birmingham.When I graduated college, he was reading Interpreter of Maladies by Jhumpa Lahiri.And when I got married, he was reading Love, Groucho, the letters of Groucho Marx.What was Art Garfunkel reading on the important dates in your life? (Thanks to John for sending that brilliant link my way)
Richard Nash, the guy behind Brooklyn’s Soft Skull Press has started a blog. Aside from writing about Soft Skull’s books, Richard also plans to discuss matters of importance to small publishers. Look for his dispatches from the Frankfurt Book Fair coming soon.Another small publisher, Unbridled Books, presents its homepage in a blog-like format. Small publishers have to work hard to be heard among the media conglomerates that control most of the publishing industry. Using blogs give these little guys the opportunity to do something that their much bigger competitors have trouble doing, make individual connections with their readers.
Today I met the author Nick Hornby. He was passing through town and he decided to stop in to sign copies of the new paperback release of Songbook (which, unfortunately, is a million times less cool than the hardcover book and CD combo that McSweeneys put out). He told me that he is halfway through a new novel, but he didn’t offer any details about it. He did, however, say that he is hard at work adapting Dave Eggers’ memoir, A Heartbreaking Work of Staggering Genius, for the silver screen. Should be quite interesting if it ever comes to fruition.