Barnes & Noble is buying used books. They’re marketing it as a way to sell your old textbooks, but they’re buying other books too. They’ve set up a simple site that lets you check titles and find out if they’ll take them and how much they’ll pay. You then send your books to Barnes & Noble and they cover the shipping. As far as I can tell, the prices are fairly comparable to what you might get selling your books to your local used bookstore, maybe even a little better.
Two new books from Princeton Architectural Press crossed my desk recently. Jason Bitner is one of the guys behind Found Magazine, where bits of discarded ephemera are turned into art or maybe a decontextualized historical record of the present day. Bitner calls it "a show-and-tell project." When he found over 18,000 studio portraits from the 1950s and 60s in the back of a diner in a small, Midwestern town, they became the star of a new show-and-tell project. La Porte, Indiana is the name of the town where Bitner found the photos and the name of the book he made from them. As Bitner describes it in his introduction to the book, "we rifled through an entire town's population, as if it were a card catalog, a huge visual archive of Midwestern faces." As with looking at any of the FOUND crew's finds, flipping through this book leaves one with odd sensations. We're not used to seeing stuff like this so lovingly presented, so it makes us look a little harder. As I flip through the book, I enjoy the unintentional artistry of the black and white portraits, but more so I wonder who these people are or were. There's more about the book at this Web site.A Year in Japan by Kate T. Williamson is an illustrated travelogue. Williamson, an illustrator and filmmaker, spent a year in Japan, filling notebooks with her illustrations and observations. This book is like peering into those notebooks. Williamson's curly cursive elaborates on her rich, colorful drawings. Most of the illustrations are of details of every day life: foods and clothing, but they are exotic both in being from in Japan and in the care Williamson lavishes upon them, presenting them in close up on the page. But there are also portraits, collages and abstract compositions.
I had such a good time reading the Count of Monte Cristo that it made me wonder why I don't read more so-called "classics." So many times I have wandered into a book store or browsed through Amazon fruitlessly, when I might have gone for the known quantity that is the classic. First, let me define what I'm talking about here. People shy away from classics for two reasons: because they are old. You worry that the book will seem moldy and out of touch. And a classic is the sort of book that is assigned in middle school and high school, and therefore it doesn't seem like the sort of book you'd want to read for fun (it might bring back bad memories, after all). But again and again I find that this is the wrong way to look at it. I am almost never disappointed when I read a classic novel. So, for all you casual readers out there, consider the classic.But classics aren't just great for us grown ups, they're perfect for precocious young readers. When I worked at the book store, I would often encounter parents trying to find books for kids who had read all the kids books. These young readers had read all the Harry Potter, all the Lemony Snicket, and the parents were looking for more of the same. I realized that classic novels are the perfect way to graduate these young readers to the next level of reading. Sure they may get assigned some of these books in school, but I know that when I was young, I found reading books for fun to be far more gratifying than reading for school. Here's a quick list of classics that I like to recommend to precocious young readers (I'm only recommending books that I have read, so if you've got any ideas please share - there are so many more!):The Adventures of Huckleberry Finn by Mark TwainThe Scarlet Letter by Nathaniel HawthornePride and Prejudice by Jane AustenGreat Expectations by Charles DickensGulliver's Travels by Jonathan SwiftFrankenstein by Mary ShelleyOr you could just get ALL of themUpdate: From the comments:Awakening by Kate Chopin (suggested by edan)Madame Bovary by Gustave Flaubert (suggested by edan)Wuthering Heights by Emily Bronte (suggested by erin)The Brothers Karamazov by Fyodor Dostoevsky (suggested by The Happy Booker)Related: Ask a Book Question: The 27th in a Series (Classifying Classics)Related: Giving Kids the Classics
The revelation of the so-called "Book of Judas" last week made for some good news stories. The newly discovered gospel claims that one of history's oldest bad guys wasn't so bad. It's a provocative story and there's an element of Indiana Jones to it all, as the lost text was found in Egypt and made its way to the public through years of intrigue and backchannel trading. Scholars, meanwhile, are already debating how relevant the document is. The New York Times article on the gospel gets into the scholarly debate somewhat, but an illuminating essay by David Kopel at the Volokh Conspiracy explains why the "Gospel of Judas" is not a lost book from the Bible, but rather a Gnostic text. But what interests me most are not the theological ramifications of the find, but how its public unveiling is tied to the release of so many books (and a movie).First of all, it's unlikely that this news would be of such interest were it not for the success of The Da Vinci Code, which has made once obscure Gnostic texts mainstream reads for fans of Dan Brown's book. It's also worth noting that The Da Vinci Code movie comes out soon, on May 19th, which is sure to keep early Christian mysticism in the news. But then there are the books themselves. National Geographic, which officially made the documents public, has two related books out now: The Gospel of Judas, which is an annotated translation of the original documents, and The Lost Gospel, which is about the discovery of the gospel and the research that went into deciphering it. The David Kopel essay cited above mentions an AP story in which James M. Robinson, a rival to the National Geographic scholars, explains why the find is probably not all that important. It turns out Robinson has his own book on the gospel coming out, too, The Secrets of Judas, which gives his view on the find.So, for something that was portrayed in the media as a stunning new find, this all seems to be very stage managed to me. The Gospel of Judas itself has been floating around since the 70s, but the three books (and the National Geographic TV special) all seem timed to hitch onto The Da Vinci Code's next wave of publicity as Dan Brown emerges from his court proceedings and his best seller hits the big screen.
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