Artists plus Novels

I once lived for furthering my collection of autographed books.  Getting a book signed meant going to hear the author read, waiting in line with other fans, and then, finally, being presented with the chance  to utter words of praise.  Sometimes it meant getting teary-eyed with envy, worrying over whether I would ever write anything so poignant.  This happened when Amy Tan walked by in purple velvet with her lap dog trailing behind her.  During middle and high school, at the height of my obsession with autographs, I spent a lot of time writing letters, poems that exhibited the same longing for impossible love, and short stories that revealed I was fixated on the same themes of displacement and loneliness that I am now. I heard Jamaica Kincaid read twice.  The first time she read at the local university from her novel Lucy.  I was in seventh grade and inexperienced in matters of love.  She read a passage about sucking on a boy’s tongue and I was mesmerized.  She stood before a large audience and I couldn’t help but see that she was someone important.  The second time I went to hear her read, I got Lucy signed by her before she spoke.  My father told her that I wanted to be a writer.  She didn’t say anything, only proudly signed her name.  Later, during the Q & A, she asked in perfectly enunciated words, “Where is that girl who wants to be a writer?”  I shyly raised my hand.  She went on to recommend Gertrude Stein to me.  Following the reading, I began to imagine Jamaica Kincaid as my writing teacher.  With her intimidating stature, I divined she would be just as intimidating of a teacher.  I thought only she would be capable of whipping my writing into shape.  I wanted her to treat my writing so harshly that my only option would be improvement. Yevgeniy Yevtushenko read in Russian at the Jewish Community Center in Milwaukee, Wisconsin.  Neither my father nor I spoke Russian, but my father decided to expose me to culture.  What I remember is Yevtushenko’s ostentatious blue jacket and his sweeping gestures when he spoke.  I later learned Russian, partly thanks to falling in love with his incomprehensible poetic voice, I read some of the poems from his collected works, wondering which he might have read that evening.  When Jennifer Egan came to the suburban Barnes and Nobel to read from her novel The Invisible Circus, my mother and I were the only audience members.  Afterwards, I asked Egan one of those typical questions about her writing schedule.  I came away with the interesting information that she worked part-time as a detective.  Later, I composed a letter to her, which led to another obsession.  I spent a grand portion of the day waiting for the mail.  A letter was just another passage into the literary world.  Not only was I waiting for personal letters, I was also waiting for acceptances from literary journals. The postman arrived after I got home from school, so I would sit in the armchair near the window and wait for his footsteps.  They would culminate in the metal clamor of the mailbox closing.  When he had moved on to the next house, I would open the door and collect the mail. I received one response from Jennifer Egan and an acceptance from a neighborhood newspaper, but most often I received letters from my pen pal who lived on the other side of the city.  I met her at a poetry reading at a café called Brewed Awakenings.  I played Irish tin whistle and read some poetry.  She came up to me afterwards and gave me a copy of the literary journal called Zink in which she had been published.  She was also a writer and yet she was incredibly accessible.  She asked for my address, and pulled a blank piece of paper from the pouch around her neck for me to write on.  I felt uncomfortable about giving a stranger my address, but I did it anyway.  At that time of my life I said “yes” to everything. To my surprise, a few days later I received a typed letter from her in a handmade envelope.  I wrote back and she was quick to respond.  It wasn’t long before I began to live my life in order to write it to her in a letter.  The events that occurred during the day, occurred so that I could describe them.  It was then that my writing probably took on its autobiographical quality. As an adult, I haven’t had such a faithful pen pal, another writer with whom to commiserate.  The advent of email and real responsibilities make it impossible to live just for handwritten letters, but most of all, it’s hard to find someone who can be a friend and somewhat of an idol at the same time. Though I once attended readings regularly and took great comfort in spending Sunday night at the fiction series at the KGB Bar, some of the luster has been lost.  Writers seem so accessible that an autographed book doesn’t bring me the same pleasure as it once did and writers seem just as much friends as idols.  Now a writer myself, I realize that writing isn’t such a magical process.  Still, there are moments when I can happily transport myself to those simpler times of books and letters, the time when I was open to every ounce of experience.  Just recently I came away from a reading with a signed copy of Joshua Cohen’s Witz, heard Mary Gaitskill read at the crowded Franklin Park Reading Series, and went to hear Cory Doctorow, Rivka Galchen, and Gary Schteyngart talk about the bleak future while drinking dark and stormys.  I also went to hear Jennifer Egan read at Greenlight Bookstore.  This time it was to a packed house, inspiring me with the possibility that my writing can also grow in this way. [Image credit: Weston Boyd]