My recent post about the Penguin Classics Deluxe Editions has generated an interesting thread at The Comics Journal Message Board. Included is word of upcoming additions to the Penguin series as well as a great round of pairing famous comics artists with classic novels to come up with such combinations as R. Crumb doing a cover for Lolita and Tony Millionaire doing the cover for Gulliver’s Travels.
This month the book club that I help run read and discussed Jamesland by Michelle Huneven. We had our usual raucous and meandering discussion for the first hour, but for the second hour we had a real treat: a visit from Huneven herself. Over the past couple of years I’ve had the opportunity to meet a number of authors, and I’ve also become well-versed in the sort of dynamic that occurs at a typical book reading and signing between author and reader. This was different and refreshing. She sat down with the 12 or 15 of us who were there and let us poke and prod her book and very much participated in the action. It almost reminded me of the various creative writing workshops that I took in college, except our writer was not a beshawled or behatted fellow student recounting the fictionalized tale of their high school relationships, this is a writer who is published by a highly reputable publishing house, the author of a book recently dubbed notable by the New York Times. Nonetheless, she graciously allowed us our comments and criticisms and had quite a bit to share about the book and herself. First: for those who read the book and wondered why, after Alice’s first dream-like experience with the deer in her house, when she was trying to figure out if it had been real or not, she didn’t look in her washing machine to see if the towels she used to clean up after it were there in the morning, that scene was in the original manuscript. She and her editor went back and forth trying to decide if she should leave it in or not, and then, months later, when the book came out, she had forgotten that they had removed the scene and was surprised to see it gone. Other tidbits: Huneven found that writing the character Pete came most easily, and the rest were a struggle. Jonathan Gold, author of the best LA restaurant guide there is, Counter Intelligence, was a big fan of the Helen character. Huneven is on page nine of her next book, which will include a character who is a scrapbooker. As a writer, it was heartening to meet a fellow writer who, though she is published and successful, still sees her work as a challenge and even a struggle, a fact that some writers might not admit in that situation. And, by the way, the book is a great read, and I encourage anyone out there who is looking for a good novel to pick it up.An Intriguing List or TwoMy good and old friend Hot Face has taken a cue from the New York Times and… People Magazine to compile his list of most intriguing books of the year. Since he asks for additions, I put forward Bangkok 8 by John Burdett and Gilligan’s Wake by Tom Carson, but he’s pretty much got everything else I could think of there already. Meanwhile, my buddy Andy emailed me a link to this, a new take on the year end book list.
I met several Chicago natives while I was there last weekend, and as we discussed the city’s various merits and drawbacks, the subject of bookstores came up. The Chicago natives, being aspiring reporters, astutely asked me what I look for in a “good” bookstore, and why a chain store is unlikely to bear this mantle.When it comes to hanging out, it’s hard to beat the chains. Your nearest Barnes and Noble probably has dozens of plush chairs and couches where you can sit for as long as you want. The stores are vast wide open spaces with a controlled climate and a bit of piped in music wafting just overhead. The shopper can make a day of it, grabbing a snack and a coffee from the cafe and lounging through the uncrowded weekday afternoon. Stay as long as you want, they won’t tell you to leave until they’re closing down for the night. If you want to kill an afternoon, it’s hard to beat Barnes and Noble, likewise if you need to pick up a specific title, but don’t expect to walk away with anything unexpected from these forays. Don’t plan for a literary discovery.And therein lies the problem with the chains, they are designed not to surprise you. Their displays will, as decreed from the home office, contain a calculated mix of bestsellers assembled from the major lists. The information that they disseminate is predetermined by prevailing tastes; they are not, themselves, tastemakers. And yet, if there is any more important generator of tastes, trends, and shared knowledge in the commercial world than the bookstore, then I don’t know about it. Nonetheless, there are very few bookstores that serve this purpose. And that, precisely, is what I am looking for.To my mind, a good bookstore will have on display the “important” books not just the bestselling books, though there will always be bestsellers among those important books. For example, The Da Vinci Code is important because it is a cultural phenomenon, but not simply because it sits at number one on the Times bestsellers. There are all sorts of reasons why a book can be important. The idea is that one should be able to walk into the bookstore and be able to grasp, based upon which books are on display and based upon conversations with staff and fellow customers, what matters at that moment both in the wider world and in the neighborhood, from Presidential exposes to burgeoning local talent. At a good bookstore you can place your confidence in the people who run the place.At Barnes and Noble you can get any book you want if you can find it in the vast fluorescent retail gymnasium, but at a good indie, the kindly book clerk will take his favorite book off the shelf and hand it to you, as if a gift. Most cities of any size have at least one of these good bookstores, and thanks to some recommendations that I have already received, I’m confident that I’ll find what I’m looking for in Chicago.