This week at the LBC blog, we’ll be discussing my nominee for this round of books, All This Heavenly Glory by Elizabeth Crane. Ed has done a very entertaining podcast with Crane, and I can be heard at the beginning introducing the book (Ed decided to portray me as some sort of bionic man. I’m not sure I get the reference, but I like it!). Also up is a dialog about the book, featuring me and Kassia (of Booksquare). Tomorrow the dialog will continue with help from Sam (of Golden Rule Jones).
My friend Nancy sent this story my way the other day. Apparently, back in 1998 a woman posted on her weblog an interesting discovery. She realized after reading the Robert Graves historical novel I, Claudius and the Richard Condon cult classic The Manchurian Candidate back to back that Condon borrowed passages from Graves' book. There has been a little bit of hype surrounding The Manchurian Candidate lately due to an impending remake of the movie and a new edition of the book with a forward by Louis Menand, so perhaps that is what caused this revalation to come to light so long after its original discovery. Menand himself notes the bizarre patchwork of styles in Condon's work and now experts are positing that Condon may have borrowed from a number of different books when writing his novel. What strikes me when reading this is that neither the author of the article nor the experts consulted seem to think this charge is particularly damning. I think maybe this stems from the fact that Condon has never been considered much more than a pulp writer anyway. Here's the full article if you want to read more.More Than Just BaseballWhere have I been? It seems that during the nearly twenty years that have passed since he penned one of the best books ever written about baseball, Nine Innings, sportswriter Daniel Okrent went on to become an editor of Life Magazine and then an editor of Time Magazine. Now he has a new book out that is in keeping with his more recent journalistic pursuits. Great Fortune: The Epic of Rockefeller Center chronicles the interesting story of a landmark of entertainment in New York City. Here's what the New York Times has to say about the book, and here's an excerpt.
Probably won't be able to post for the next day or two since I'll be in New York at the Kingsland Tavern celebrating the Realistic Records release of the Recoys album. Have I mentioned this? Should be a blast. But don't worry, I'll be back with many more books to talk about, and hopefully some added features for this little blog of mine. Bye for now.
Chin Music Press has put together a nice-looking blog to chronicle the long, lingering aftermath of Katrina in New Orleans:After Katrina and its horrible aftermath, Chin Music Press felt compelled to shine its wobbly flashlight on New Orleans. This effort resulted in our second book, Do You Know What It Means To Miss New Orleans? Along the way, we met a community of passionate, eloquent writers who care deeply about what happens to the Big Easy. This blog became a natural extension of the book. It's our way of adding voices to the unfolding story of New Orleans.
Now that Thanksgiving weekend has finally come to a close, I have a bit of time to let you know about one or two odd and interesting books I've noticed lately. I happen to think that Ken Kesey's One Flew Over the Cuckoo's Nest is one of the more enjoyable books I've ever read, and I also loved reading about Kesey in Tom Wolfe's The Electric Kool-Aid Acid Test (which, by the way is fantastic if read back to back with Hunter S. Thompson's Hell's Angels since the books tell essentially the same story but with different points of view and writing styles). So, I was rather intrigued when I came across Kesey's Jail Journal. It's a colorful amalgamation of collages, drawings, and text that he created during various stints behind bars over the course of thirty years.Another interesting looking book is Six Feet Under: Better Living Through Death which is a companion book to the HBO series. I'm not a big fan of TV show companion books. They are nearly always hastily produced assemblages of screen captures and mind-numbingly idiotic text, but this one appears to break the mold a bit. The book isn't an episode guide; instead it meanders through various backstories in an appropriately eerie sort of way, with lots of odd photos and ephmera related to the show. In that sense it's interesting for what it is, but it's also a triumph in book design. The book slides into this odd, plastic, vertical slip cover that is faintly reminiscent of a coffin, and the book itself lacks a traditional spine, and instead appears to be a series of booklets artfully woven together.Finally, I'm sure all the Mcsweeney's watchers have seen this item, which for me falls into the annoying "weird for the sake of being weird" category. Projects like William T. Vollman's Rising Up and Rising Down keep me interested, but it bugs me to see McSweeney's squandering the advantages they have over other independent publishers with so much forced silliness and ironic posturing.
Anglophones have a rare opportunity here for a bit of friendly cultural one-upmanship with the French: In a talk last summer, Mungan told the assembled that his French publishers rejected Cities of Women because they wanted to advertise him strictly as a novelist. The introduction of his stories and plays and poems to the market, they told him, would "confuse" the French people.
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