Yet another use for books (other than reading them): pile them up and use them as a bar.
Between July 1 and November 5th, I don’t think I read anything longer than a three-page spread on Politico or anything more literary than a New Yorker cartoon. Political campaigns are experiments in all sorts of deprivations. The days are long and narrow, filled with fast food containers and the sounds of vibrating Blackberries. I started on the Obama campaign back in January in South Carolina. Many of my colleagues on the general election campaign in Pennsylvania had been at this for almost two years, a stunning feat of endurance that stretched from hours spent knocking doors after dark in frozen New Hampshire, straight through to the week of all-nighters that preceded Election Day.Among the things I lost to an around-the-clock schedule, books were not the most precious. On any given day I missed talking with my friends, or going for a run, more. But if books were not the things I missed most, their absence was in one way the most profound. While the hurly-burly of the campaign never caused me to question the importance of calling my dad or cooking a meal, it did cast doubt over the value of reading.In this past Sunday’s Times Book Review Jonathan Lethem wrote of the author Roberto Bolano, that he “never tires of noting how a passion for literature walks a razor’s edge between catastrophic irrelevance and sublime calling.” The frantic activity of a campaign questions the relevance of a reading life. It was energizing these past few months to feel myself so squarely in the flow of history, and coming down the homestretch in October, it would have felt like I was stepping out of the current to have spent an afternoon reading. But just as one can only subsist on almonds and M&Ms for so long (I made it a week), after awhile I found I needed books as much as I needed vegetables. Literature is sublime when it invigorates awareness of the world around us, and we rely on the store of that awareness in times, like campaigns, when there is not a lot of opportunity to assess where we are or to question where we’re going. Now that it’s over and I’m reading again, I find that stories are not so much a refuge or a pause as they are a way for me to put my feet on the ground again.
As would befall a good William Boyd protagonist, I fell ill and had to get penicillin shots during my vacation in Turkey. My only consolidation as I lay there was reading Boyd’s A Good Man in Africa, the story of an aspiring diplomat, Morgan Leafy. Morgan is stuck in Kinjanja, a British colony in Africa in the aftermath of World War II, and gets involved in plots to rig the fast approaching elections, hence finding his way out of Africa and to a better, higher, position somewhere more civilized. Torn between his boss, mistress, love affair, local tribe leader, and adversaries among the British population, Morgan struggles to make ends meet but the rising demands of the British government and the impending visit of a duchess further complicates his plans. A Good Man in Africa presents an amazing build up of circumstances and characters for uproarious laughter. Towards the end of the novel I was laughing uncontrollably as Morgan dug himself deeper in a hole. Misfortune and reflection of absolute British arrogance has never been as funny as it is in Boyd’s A Good Man in Africa.Upon my return to the United States and catching up on my Millions reading, I decided to pick up Don DeLillo’s Libra per the venerable J.P. Hasting’s suggestion. Previously, I had only read White Noise by DeLillo, which did not really impress me that much and furthermore left a bad taste for DeLillo in my mind. I am, however, very glad to have read Libra, which, along very similar lines to Oliver Stone’s JFK, presents a conspiracy theory explaining the President’s assassination. I have a tendency to get carried away and believe in the pieces I read, and Libra took my fascination with JFK’s assassination to a new level. The context that DeLillo creates, post-Bay of Pigs and Cuban missile crises, and the characters that he presents, all unique with their grudges, distrust, hate of communism, and patriotic frenzy, make for a marvelous “fictional” read and an excellent conspiracy that I, personally, find extremely convincing. I strongly recommend reading Libra and watching Stone’s JFK back to back.Previously: Part 1, 2, 3, 4, 5, 6. 7
USA Today rounds up media coverage of the 75th anniversary of the publication of Dashiell Hammett’s The Maltese Falcon. They share this tidbit, too:The Maltese Falcon was first published serially in five parts in Black Mask magazine from September 1929 to January 1930; Knopf published it as a book in 1930. “There are about 2,000 differences between the two published texts – sometimes a comma or a paragraph placed (differently), but often it’s Hammett fooling with the prose to get it just right,” says Richard Layman, author of six Hammett books, including Shadow Man, a biography, and a trustee of Hammett’s literary property trust.USA Today also put the book’s first chapter up. Check it out.
Hubert Selby Jr., a controversial American writer, has died. He was best known for his unsparing look at Brooklyn’s seamy underbelly, Last Exit to Brooklyn, a landmark book that was widely praised but also spawned obscenity trials. His career reached another apogee when his novel Requiem for a Dream, a chilling portrait of addiction, was turned into a movie by director Darren Aronofsky. Here’s the obit from the Times.Also, check out the web only interview with Edward P. Jones at the New Yorker. He talks about Washington, DC, his life, and his upcoming collection of stories. An excerpt: “One of the things that I found out when I did go to college is that people had a very narrow idea of Washington. They thought it was basically the government and the Supreme Court and all of that, and they didn’t know that there were people who had lived there for generations and generations and had really almost nothing to do with the government. That was certainly my mother’s case. She came from the South and was a dishwasher in a French restaurant that just happened to be about a block or so from the White House. Around that time in college, I also came upon James Joyce’s “Dubliners,” and I admired what he had done for the people in Dublin–just everyday, good people. I took a creative-writing course, and I began to think, well, maybe one day I would like to do the same thing for the people of Washington that Joyce had done for the people in Dublin.”
I recently got in the ring with Ed Champion of The Bat Segundo Show to talk about A Field Guide to the North American Family. A victory, a loss, or a draw? You be the judge. (Helpful Hint: It gets better as it goes on. Guinness is, indeed, good for you.)And, assuming you’re still interested, you can see page spreads, and read an interview, in FILE Magazine. Thanks!
Borders’ plan to display more books face-out and, as a result, to stock fewer titles has generated quite a bit of discussion. On our own post about the plan, we received several interesting comments, but I was most intrigued by what commenter Matthew had to say:The Froot Loops example is classic thinking from retailers who enter bookselling from another retail environment.The next time I go down to my local chain Cerealseller to choose my cereal for this week from among the 150,000 cereals on offer Mr Froot Loop can come and offer me some buying advice.Finally, the point of facing out is to attract attention to specific titles from the larger product range. The larger product range sells fewer copies of individual titles, but sells well by total volume… it also serves to attract serious bookbuyers and lend kudos to the bookstore.If chains chose to employ staff with knowledge (and local control) of that enormous range then they’d have a most effective sales tool. These retail gurus need to spend less time in supermarkets and more time at beauty counters and in cell phone stores. Books are a knowledge product requiring retail guidance and salesmanship… do these guys spend as long with their Wheaties as they do with a novel?Emphasis mine. What Matthew has so deftly put into words is something I’ve mulled over since my bookselling days but never quite found the right words for. I’ve always known that knowledgeable booksellers are a huge asset to any bookstore – I was lucky to be surrounded by many when I worked at one – but I had never fully grasped what it means to sell a “knowledge product” as opposed to a “commodity product,” nor had it occured that generally products can be described as one or the other.What’s key here is the distinction between how knowledge products are sold versus commodity products. To use Matthew’s example, when buying a cell phone or going to the beauty counter, you are confronted with many dozens of choices offering an array of specific features suited to a variety of specific needs – bluetooth or dry skin, for example. When it comes to breakfast cereal, you don’t need the guidance as much. The product is cheaper, “wrong” choices cost less, and cereal box mascots aside, one type is generally as good as another.Viewed in this light, it’s crazy to try to sell books as a commodity product because, (and this is just a guess) out of all the retail categories out there, bookstores by far offer the widest array of products, and therefore would require the most guidance and the best systems to help customers find what they are looking for. Undoubtedly, there are many knowledgeable booksellers at chain stores, but if the chains continue to view books as commodity products, their booksellers’ efforts will be futile. It’s also clear why Amazon has been so hugely successful. The site is the ultimate resource for selling knowledge products, with a wealth of information at the ready for anyone looking for a book. It’s possible that, thanks to the internet, the costs are simply too high for chains to go the knowledge-product route, but running in the other direction, towards Froot Loops, hardly seems the answer.For those still interested in this issue even after all this, check out these links:GalleyCat wonders if face-out books will put more emphasis on cover design and follows up with further questions about the co-op payment aspect of this.The Stranger guesses we’ll see more extremely popular and/or bad books face-out at the expense of those hidden gems.A dissenting opinion