Most of us litbloggers just blather on about books and publishing industry gossip, but Dan Wickett is a man on a mission. Part of his mission is to get people to read the literary magazines that are so important to literary fiction culture yet are so little read. In an attempt to rectify this situation, Wickett has approached a number of these magazines to put together a discounted subscription offer for anyone who subscribes to at least three. For all the details, visit his blog.
New Yorker staff writer Elizabeth Kolbert, whose global warming opus Field Notes from a Catastrophe has been much excerpted in the magazine of late, is blogging for the week at the Powells.com blog. From her first entry:When you write about global warming, you start to feel that a lot of what we all spend our time worrying (or blogging) about isn’t what we should be worrying (or blogging) about at all. (Which isn’t to say you stop worrying about it – or, I suppose, blogging.)By blogging, Kolbert is briefly joining another New Yorker staff writer who has taken up more permanent digs in the blogosphere.
I can’t believe I’ve never mentioned this: My landlord is the moderately famous French philosopher and Columbia University professor, Sylvere Lotringer. He co-wrote a book with Paul Verilio called Pure War, and gave us each copies when we signed the lease. He is married to Chris Kraus a novelist/filmmaker from New Zealand/Germany. Just now he called to talk about the plumber.
So, I’m done with journalism school. It was a quick fifteen months. I’m excited about the journalistic climate of these times; I’m very caught up in all the heady things being said about blogs and the new medium in general. It’s an exciting time to be in this business. But then again I suppose journalism has always been exciting. Now that I’ve had the opportunity to meet a lot of journalists, I realize that they are a backward-looking bunch – which isn’t to say that they are anachronisms, just that they are very conscious of their history. I don’t blame them. It’s a very rich history. One thing I learned in journalism school is how our newspapers are shrinking – and one day they may shrink into nothing, living only on the Internet. Newspapers used to be much bigger than today’s, but high newsprint costs and the changing tastes of readers have made newspaper companies skew smaller and smaller. At the turn of the last century, though, newspapers were quite big, and, as it turns out, at least one of them was very colorful.It’s an odd experience looking at pictures from the The World on Sunday (found here and here), a New York paper from more than one hundred years ago, because I think that we’re trained to think of the nineteenth and early twentieth centuries as a black and white world. These colorful images have recently gotten some attention thanks to Nicholson Baker and his wife Margaret Brentano who rescued the papers from the refuse pile of the British Library and used them as raw material for a book that came out this fall: The World on Sunday: Graphic Art in Joseph Pulitzer’s Newspaper (1898 – 1911). As Jack Shafer said in his column on Slate:But what made this vivid copy sing was its graphic and typographical presentation. Pulitzer’s people bulldozed the dreary, gray newspaper design template. The World ran headlines across a couple of columns, not just one, or completely across the page if it really wanted to provoke readers. Halftone photos, dramatic and comic illustrations, inset graphics, hand-lettered headlines, and buckets of color enlivened these artful pages.The Internet promises photos, audio, video and all kinds of interactivity. I love that, but I’m a little sad that newspaper like The World won’t be showing up on my doorstep any time soon.Earlier this month, Ron at Beatrice.com singled out this book as great gift idea, and I have to agree. This is the perfect gift for any fan of the news (and for future journalists, as well.)
The National Book Foundation announced the young writers that it will be honoring with its annual “5 Under 35” selections, which the Foundation calls “a celebration of bright new voices.”Mostly I wanted to bring this up because two of the five have recently been featured at The Millions in posts arranged/conducted by Edan. Nam Le, whose book The Boat has been garnering much praise, was the subject of a highly entertaining interview last month. And Sana Krasikov, author of the equally praised One More Year, recently penned a guest post for us about reading Andre Dubus in Iowa.Also on the list is Keith Gessen, author of All the Sad Young Literary Men, who once made an appearance in the only all out comment war ever to transpire at The Millions. Rounding out the five are Matthew Eck who wrote The Farther Shore and Fiona Maazel who wrote Last Last Chance.
I’m excited to announce that I’ll be appearing as a judge in this year’s Morning News Tournament of Books. (Click through to see the other, far more distinguished, judges, as well) It’s exciting to be a part of what just might be my favorite ongoing series on the web. Stayed tuned for my second-round judgment once the Tournament kicks off in a few weeks.And by all means, get your bracket (pdf) now and start handicapping.