The International IMPAC Dublin Literary Award is unique in that the longlist (or pool of nominees) is not created from submissions by publishers. Instead libraries throughout the world nominate books, resulting in a very long longlist that spans many countries. Eventually, the list is whittled way down to a shortlist by a panel of judges who then goes on to name a winner. Another result of the nominating process is that, by the time the award is handed out on June 14th, 2006, the winning book could be as much as two years old. Despite all this, a look at the past winners reveals an engaging and diverse batch of books. Still, perhaps this award could be better than it is. The Literary Saloon identifies some possible improvements, including a way to cut out the nationalism that pervades the longlist.
The IMPAC very long list
More Awards
Lisa pointed out in a comment on yesterday's post that I neglected to mention the finalists in the Young People's Literature Category of the National Book Award. That'll teach me to cut corners. So here they are (and the poetry nominees as well... they need the love, too):Young People's LiteratureHoney, Baby, Sweetheart by Deb Caletti -- excerptGodless by Pete Hautman -- excerptHarlem Stomp! A Cultural History of the Harlem Renaissance by Laban Carrick Hill -- Hill on the novelThe Legend of Buddy Bush by Shelia P. Moses -- excerptLuna by Julie Anne Peters -- excerptPoetryShoah Train by William Heyen -- a poemCollected Poems by Donald Justice (posthumous) -- obitThe Rest of Love by Carl Phillips -- some poemsGoest by Cole Swensen -- poemsDoor In The Mountain: New And Collected Poems, 1965-2003 by Jean Valentine -- poems (cool website)A Visit from DoctorowE.L. Doctorow described writers as prophets and the act of using a library as a sacrament in an obliquely political and densely literary talk at Northwestern on Wednesday. He decried President Bush, describing his "dismal public conduct so shot through with piety." In his talk, entitled "Apprehending Reality," he used the Bible as a jumping off point citing it as the first appearance of many literary techniques: adaptation, driving a plot with characters and working backwards from conclusion to motivation as a mystery writer might. From his Biblical introduction, he made the leap to the present day divide in America "between the old stories and the new, between the writers of the old and the impertinent writers of the new." The talk was adapted from an essay in Doctorow's book, Reporting the Universe. Doctorow's most recent work of fiction is Sweet Land Stories.
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The Prizewinners 2009/2010
With the awarding of the International IMPAC Dublin Literary Award, the 2009/2010 literary award season is now over, which gives us the opportunity to update our list of prizewinners.
Though literary prizes are arbitrary in many ways, our prizewinners post is compiled in the same spirit that one might tally up batting titles and MVPs to determine if a baseball player should be considered for the Hall of Fame. These awards nudge an author towards the "canon" and secure them places on literature class reading lists for decades to come.
There are two books climbing the ranks this year. With an impressive showing with the judges, Hilary Mantel's Wolf Hall has become something of an instant classic, landing near the top of the list and in very good company. Meanwhile, the IMPAC shortlist nod puts Marilynn Robinson's Home side-by-side with her much praised Gilead from 2004.
Here is our methodology:
I wanted to include both American books and British books, as well as the English-language books from other countries that are eligible to win some of these awards. I started with the National Book Award and the Pulitzer from the American side and the Booker and Costa from the British side. Because I wanted the British books to "compete" with the American books, I also looked at a couple of awards that recognize books from both sides of the ocean, the National Book Critics Circle Awards and the International IMPAC Dublin Literary Award. The IMPAC is probably the weakest of all these, but since it is both more international and more populist than the other awards, I thought it added something. The glaring omission is the PEN/Faulkner, but it would have skewed everything too much in favor of the American books, so I left it out.
I looked at these six awards from 1995 to the present, awarding three points for winning an award and two points for an appearance on a shortlist or as a finalist. Here's the key that goes with the list: B=Booker Prize, C=National Book Critics Circle Award, I=International IMPAC Dublin Literary Award, N=National Book Award, P=Pulitzer Prize, W=Costa Book Award [formerly the Whitbread] bold=winner, red=New to the list or moved up* the list since last year's "Prizewinners" post
*Note that the IMPAC considers books a year after the other awards do, and so this year's IMPAC shortlist nods were added to point totals from last year.
11, 2003, The Known World by Edward P. Jones - C, I, N, P
9, 2001, The Corrections by Jonathan Franzen - C, I, N, P
8, 2009, Wolf Hall by Hilary Mantel - B, C, W
8, 2007, The Brief Wondrous Life of Oscar Wao by Junot Díaz - C, P, I
8, 1997, Underworld by Don DeLillo - C, I, N, P
7, 2005, The March by E.L. Doctorow - C, N, P
7, 2004, Line of Beauty by Alan Hollinghurst - B, C, W
7, 2002, Middlesex by Jeffrey Eugenides - I, N, P
7, 2001, Atonement by Ian McEwan - B, C, W
7, 1998, The Hours by Michael Cunningham - C, I, P
7, 1997, Last Orders by Graham Swift - B, I, W
7, 1997, Quarantine by Jim Crace - B, I, W
6, 2009, Home by Marilynn Robinson - C, N, I
6, 2005, The Inheritance of Loss by Kiran Desai - B, C
6, 2004, Gilead by Marilynn Robinson - C, P
5, 2008, The Secret Scripture by Sebastian Barry - B, W
5, 2008, Olive Kitteridge by Elizabeth Strout - C, P
5, 2007, Tree of Smoke by Denis Johnson - N, P
5, 2006, The Road by Cormac McCarthy - C, P
5, 2006, The Echo Maker by Richard Powers - N, P
5, 2005, Europe Central by William T. Vollmann - C, N
5, 2005, The Accidental by Ali Smith - B, W
5, 2004, The Master by Colm Toibin - B, I
5, 2003, The Great Fire by Shirley Hazzard - I, N
5, 2001, True History of the Kelly Gang by Peter Carey - B, I
5, 2000, The Amazing Adventures of Kavalier and Clay by Michael Chabon - C, P
5, 2000, The Blind Assassin by Margaret Atwood - B, I
5, 1999, Waiting by Ha Jin - N, P
5, 1999, Disgrace by J.M. Coetzee - B, C
5, 1999, Being Dead by Jim Crace - C, W
5, 1998, Charming Billy by Alice McDermott - I, N
5, 1997, American Pastoral by Philip Roth - C, P
5, 1996, Every Man for Himself by Beryl Bainbridge - B, W
5, 1996, Martin Dressler: The Tale of an American Dreamer by Steven Millhauser - N, P
5, 1995, The Moor's Last Sigh by Salman Rushdie - B, W
5, 1995, The Ghost Road by Pat Barker - B, W
5, 1995, Independence Day by Richard Ford - C, P
5, 1995, Sabbath's Theater by Philip Roth - N, P
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The Nobel
Confirming speculation that it would be given to a woman, the 2004 Nobel Prize has been awarded to Elfriede Jelinek, an Austrian author who is probably unknown to most American readers. Her books are dark and often disturbing. She is best known for her book, The Piano Teacher, which was made into an award-winning film. Her other books available in English are: Women As Lovers, Lust, Wonderful, Wonderful Times
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