The International IMPAC Dublin Literary Award is unique in that the longlist (or pool of nominees) is not created from submissions by publishers. Instead libraries throughout the world nominate books, resulting in a very long longlist that spans many countries. Eventually, the list is whittled way down to a shortlist by a panel of judges who then goes on to name a winner. Another result of the nominating process is that, by the time the award is handed out on June 14th, 2006, the winning book could be as much as two years old. Despite all this, a look at the past winners reveals an engaging and diverse batch of books. Still, perhaps this award could be better than it is. The Literary Saloon identifies some possible improvements, including a way to cut out the nationalism that pervades the longlist.
This year’s “Genius grant” winners have been announced. The MacArthur grant awards $625,000 “no strings attached” to “talented individuals who have shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction.” Alongside scientists, artists and scholars are some newly minted geniuses with a literary focus. This year’s literary geniuses are:
Maggie Nelson is known best for her non-fiction. Often described as some combination of “lyrical” and “philosophical,” Nelson’s five book-length works of nonfiction have won her a steadfast following. She might be described as a “writer’s writer.” The evidence is in how often her books are named by other writers in our annual Year in Reading series. Bluets, a meditation on the color blue, won praise from David Shields (“utterly brilliant”), Stephen Elliott (“excellent”), Haley Mlotek (“I read Bluets twice in the same plane ride.”), Leslie Jamison, Jaquira Díaz, and Margaret Eby. Meaghan O’Connell wrote of Nelson, “She is one of those people for me, writers who I want to cross all boundaries with, writers from whom I ask too much. She makes me want more than, as a reader, I deserve. She already gives us more than we deserve. It isn’t fair.” Many of the above writers also praised Nelson’s more recent The Argonauts, “a genre-bending memoir,” as did Bijan Stephen, Olivia Laing (“It thinks deeply and with immense nuance and grace”), Karolina Waclawiak (“I found myself underlining on nearly every page”), and Parul Sehgal. Nelson herself appeared in our Year in Reading last year, shining light on books by Eileen Myles and Ellen Miller, among others.
Claudia Rankine, poet, has received especially wide acclaim for her “provocative meditation on race” Citizen: An American Lyric, a book that (perhaps along with Between the World and Me by last year’s “Genius” Ta-Nehisi Coates) that can be pointed to as a literary catalyst. Many may have first become aware of Rankine earlier this year, when her book — wielded as an object of protest — was caught by cameras behind a ranting Donald Trump at one of his rallies. MacArthur rightly describes Rankine as “a critical voice in current conversations about racial violence.” Ed Simon named Citizen this moment’s best candidate in his search for America’s great epic poem.
In its announcement, MacArthur says artist and writer Lauren Redniss “is an artist and writer seamlessly integrating artwork, written text, and design elements in works of visual nonfiction. Redniss undertakes archival research, interviews and reportage, and field expeditions to inform every aspect of a book’s creation, from its text, to its format and page layout, to the design of the typeface, to the printing and drawing techniques used for the artwork.” Redniss is probably best-known for 2011 National Book Award finalist Radioactive, a vibrantly illustrated biography of pioneering scientists Marie and Pierre Curie. Our own Hannah Gersen described it as “elaborately beautiful.”
Gene Luen Yang has smashed stereotypes with his vibrant graphic novels, American Born Chinese, The Eternal Smile (with Derek Kirk Kim), and Boxers & Saints. Our 2010 interview with Yang explored his influences and his work.
The lone playwright to be named a “genius” this year is Branden Jacobs-Jenkins. “Many of Jacobs-Jenkins’s plays use a historical lens to satirize and comment on modern culture, particularly the ways in which race and class are negotiated in both private and public settings.”
Sarah Stillman has become a byline to look for in The New Yorker, carrying out journalistic investigations that have raised public outrage and spurred recalcitrant politicians into action. “Taken” is perhaps her best-known article. It investigates how local police forces have used the principal of “civil asset forfeiture” to plunder citizens and enrich themselves.
Well-known established writers like Peter Carey and Andrea Levy and up and coming author Tom McCarthy made the 2010 Booker shortlist, while David Mitchell, probably the best-known name on the longlist, failed to make the cut. The longlist was offered here with some excerpts a month ago, but since you might not have gotten around to them then, we’ll offer the same with the shortlist below.
Parrot and Olivier in America by Peter Carey (excerpt)
Room by Emma Donoghue (excerpt)
In a Strange Room by Damon Galgut (excerpt)
The Finkler Question by Howard Jacobson
The Long Song by Andrea Levy (excerpt)
C by Tom McCarthy
Two of the four Americans on the Booker Longlist made it through to the Shortlist, Joshua Ferris and Karen Joy Fowler. They are joined by past winner Howard Jacobson, Australian Richard Flanagan, Indian Neel Mukherjee, and Ali Smith, who has landed on her third shortlist, a fact that may make her the favorite at this point. Big names like David Mitchell and Richard Powers failed to make the cut.
All the Booker Prize shortlisters are below (with bonus links where available):
To Rise Again at a Decent Hour by Joshua Ferris (excerpt, Ferris’s Year in Reading 2009)
The Narrow Road to the Deep North by Richard Flanagan
We Are All Completely Beside Ourselves by Karen Joy Fowler (Khaled Hosseini on Karen Joy Fowler)
J by Howard Jacobson
The Lives of Others by Neel Mukherjee
How to Be Both by Ali Smith (Wordsmith: The Beguiling Gifts of Ali Smith)