Two years ago Philadelphia based writer Meredith Broussard decided to do just this. She put together an anthology of stories about relationships gone wrong: 26 of them – arranged alphabetically – by various female authors. The result was The Dictionary of Failed Relationships, which includes stories by Heidi Julavits, Anna Maxted, Thisbe Nissen and Jennifer Weiner. Now Broussard is back with a follow up anthology from the men’s point of view – again, 26 stories about love troubles arranged alphabetically – called The Encyclopedia of Exes with stories by, among others, Adam Langer, Jonathan Lethem, Jonathan Ames, Gary Shteyngart and Neal Pollack. Tou can find out more about both books at failedrelationships.com.
Gabriel Garcia Marquez, a Nobel Laureate with a decent claim to the mantle of “greatest living writer,” has a new book out this week called Memories of My Melancholy Whores. It’s been out in the Spanish-speaking world for a year, so most folks have heard what this slim volume is about: according to the Times Online: “a respected journalist, breaking the rules of a lifetime to fall madly, anarchically, transgressively in love with a 14-year-old girl on the eve of his 90th birthday.” The review goes on to say, “There is not in this slender book one stale sentence, redundant word or unfinished thought.” But Tania Mejer in the Boston Herald writes, “To call Gabriel Garcia Marquez’s latest effort disturbing is an understatement,” and later, “every time I reflect on the story, I can’t help but think how unsettling it is.” In fact, the reviews across the board seem torn over this book – is it yet another transcendent example of Marquez’s writing or is it creepy? Luckily the Complete Review is keeping score and gives this one a B+. See Also: The Marquez scoop and an early look. Update: Here’s the glowing review in the Chicago Tribune that Pete mentioned in the comments. Amazing the disparate reactions to this book.23-year-old Uzodinma Iweala started his debut novel, Beasts of No Nation in high school after reading an article about child soldiers in Sierra Leone. The novel is told in the pidgin voice of a child soldier in an unnamed West African country. Iweala, who is American-born but has Nigerian roots, is already receiving plaudits from some big names. In an interview with MoorishGirl, Salman Rushdie named it “book he most enjoyed reading recently,” and Ali Smith in a review at the Guardian described the book as “a novel so scorched by loss and anger that it’s hard to hold and so gripping in its sheer hopeless lifeforce that it’s hard to put down.”
I got back from New York yesterday. The Recoys show was unforgettable. Look for pictures here and here. Everybody packed into the sweaty back room of the Kingsland Tavern, and the Recoys became, for the last time, an underappreciated and raucous band from Boston. This time plenty of people knew better. In the years since the Recoys split, I’ve heard several people say that they are far better than many of the big name bands that they presaged. I agree with them, and so do a lot of folks, it seems. It looks like the record (Recoys Rekoys) is pretty much sold out, so hopefully we’ll be able to get a cd out soon. I was definitely digging New York this time around. I haven’t been in a while (about nine months I think). I rode the subway a bunch. At one point I noticed a girl reading Life of Pi by Yann Martel and I thought to myself… wouldn’t it be great if I could sit and read on the way to and from work each day, or on the way anywhere really, and I could check out what my fellow citizens are reading as we lumber along in our rolling athenaeum. Instead I gas and break my way around like everyone else in L A, and I have less time to read and everyone here has less time to read (assuming they would want to read anyway). It’s a shame. On the other hand, the radio here is really good.Watch out Harry Potter gonna kick yo assIsn’t it annoying when a writer is writing about some really popular nugget of pop culture and he opens his snarky article with “Unless you’ve been living in a cave (are a yak-herder in Khazakstan… have been trapped under a large pile of potatoes, etc. etc.) you’ve heard of Harry Potter (The Matrix… The Lord of the Rings, etc. etc.). Yes… ha ha ha, we all know about this very popular thing, oh snarky commentator, now get on with your witty dressing down of popular culture. Well, for the weekend anyway, I made like that yak-herder and forgot all about Harry Potter for a couple of days. I forgot he ever existed and then I stumbled sleepily and still a little bit drunkenly into JFK where they had a towering heap of yet another J. K. Rowling juggernaut Harry Potter and the Order of the Phoenix. You’ll notice on the Amazon page that it says “in stock June 25.” That’s because Amazon shipped a million copies on the first day! In fact, it turns out that the full 8.5 million copy first run was pretty much sold out before it ever hit the shelves due to the preorders alone. Through some serious finagling (like the buyer buying a few hundred copies from Costco on Saturday) my book store has managed to keep this 870 page behemoth of a book in stock so far. And since midnight on Friday we’ve gone from general book store to Harry Potter store. In the past 3 days we’ve probably sold more of this book than all other titles combined. This is all the more shocking when you consider that my store, due to location and clientele, has a meager childrens’ section and typically very few children ever come in. I just hope Rowling has enough room for the dump trucks full of money she’s making. As for the book itself, I doubt I’ll be reading it any time soon, but here’s what Michiko Kakutani had to say on the front page of the New York Times, above the fold no less.A Tasty BookI have a soft spot for food writers. Maybe it’s because I enjoy a good meal, perhaps too much, but I think it’s because I’ve found food writers to be charming in their obsession with food related minutiae. No one is more charming than Calvin Trillin whose “register of frustration and deprivation” leads him to travel the world seeking those foods that he can’t live without. the result of this is Feeding a Yen I can’t put this book down. He’s like an adventurous and kindly uncle. It’s a treat.
Miss Snark is the blogging pseudonym of a New York agent who has made herself available to all the aspiring writers out there who are befuddled and bewildered by the publishing process. When particularly perplexed, these writers turn to Miss Snark with their questions – despite the better than fair chance of being called a nitwit by Her Snarkiness. Aided only by her faithful poodle Killer Yapp (KY), Miss Snark has come to the rescue of hundreds of writers in the months she’s been online answering questions on protocol, procedure and not looking like a fool when trying to turn your manuscript into a published masterpiece. Her advice is refreshingly frank and entirely devoid of BS, and she has a loyal following. Why does she devote so much time to such a thankless endeavor? I can only assume she’s trying to make the world a better place (but then again she may be banking on the many pails full of gin she’s now owed by the many writers she has helped.)I had been under the assumption that all aspiring writers were avid readers of Miss Snark, but it has recently come to my attention that this is not the case. So, if you hope to have your book published one day, and you aren’t yet reading Miss Snark, I suggest you start now. And this is doubly true if you are agentless and looking. These conditions are not, however, prerequisites. I have no plans to write a book anytime soon, and I can’t help but read Miss Snark, if only for the fearful laughs she elicits.
Back in 1996, Imani Josey wrote a 60-page draft of a story she called “The Secret Cave,” about three girls who travel to an alternate universe and discover they are fairie princesses. Josey now cites this the first draft of The Blazing Star, a young adult fantasy novel about three black girls who time-travel to ancient Egypt that she self-published last fall.
For years after that draft, though, Josey didn’t write publicly. She was busy being a student and a beauty queen—she was crowned both Miss Chicago and Miss Black Illinois USA—as well as a dancer. She still wrote, keeping journals, penning stories for her friends, and composing fan fiction that, she says will “never see the light of day.”
She did her writing privately until, around 2011, she felt ready to dive back in. The story on her mind? That same one from 1996, the one that had stuck with her through all the years and would blossom into her debut novel in 2016.
Josey has written before about the importance of black girl magic, and her novel features three black female protagonists, which, in 2017, is still unusual, even while books featuring black girls and women continue to prove themselves in the marketplace (Angie Thomas’s The Hate U Give, for example, has been on The New York Times bestseller list for 21 weeks now). Josey felt passionately that her girls’ stories deserved to be told. “It’s important to tell black girls’ stories with agency because it normalizes blackness,” she says. “These stories ensure we’re not ‘othered.’” She added that her parents surrounded her, in childhood, with images of black girls being normal, through dolls and books with black protagonists.
“These images showed me that I could be a well-rounded, complex person with likes and dislikes and experiences that matter like anyone else’s, and who knew her black skin was beautiful just the way it was,” she said. “It was my parents’ mission to ground my normalcy in my agency, not in my proximity to whiteness.”
So, in her book, Josey gives her girls agency.
The Blazing Star is the first book in a projected trilogy, with each book written from the point of view of one of the main characters. The Falling Star, its sequel, will be released in February 2018.
The book is published by Wise Ink, an self-publishing company. Josey said she originally tried to go the traditional publishing route, but was rejected by countless agents. Nonetheless, she believed in her story, her characters, and her mission, and says her confidence paid off: the book sold out on release day.
“I was hell-bent on my book series doing what traditional pub is dragging its feet to do—fixing the representation gap—a major component of why I went indie,” she said. “I’m not sure how many other black girls are on the cover of YA fantasy book series, and I’m not sure how many lead their own stories as protagonists. But judging by Lee & Low’s annual research, the number is incredibly low.”
In fact, Lee & Low wrote a blog post in March of this year revealing that, while the number of protagonists of color is increasing, the number of authors of color is not: last year, “Black, Latinx, and Native authors combined wrote just 6% of new children’s books published,” the post reports.
Josey gave a bit of advice for white allies who wish to support the work of black creators: make use of their privilege to ensure black writers get their voices heard: “It means being vocal advocates, suggesting marginalized authors for mainstream events, giving their books as gifts and signal boosting crowdfunding projects,” she said, “as well as supporting marginalized traditional and independent authors.”
Josey said she loves that self-publishing allowed her the “freedom to make [the book] exactly how I wanted,” but adds that the self-publishing road is hard. She said it’s been a struggle, especially when it comes to marketing and large-scale distribution.
But she considers herself a fighter, a tough person, traits she partially attributes to her pageant history. “Pageants made me tougher,” she said. “[They] taught me about scrutiny and rejection…They taught me about marketing. They taught me about chasing big dreams, even when you don’t know if everything will turn out alright.”
A few posts back I touched upon the idea of the “style guide.” As a newly minted journalism student, I have been taught that these guides are essential for creating the “clean copy” that my editors will want to see. They are fascinating books in a way. In my AP Stylebook some entries are brief, just one word: tiptop says one, instructing me not hyphenate. Other entries go on for a few pages like the one for possessives, which explains how to deal with “nouns the same in singular and plural,” “special expressions,” and “quasi possessives.” I know, exciting. One of the undercurrents of journalism school seems to be that writing is a lot more than just putting words on paper. There are rules to be followed and facts to be vetted. The rules are covered by the Stylebook, but vetting the facts can often be done with The World Almanac and Book of Facts, where one might discover a daily astronomy calendar, a list of popes, and the name of every town in Alabama with more than 5,000 people. Armed with these two books, I ought to have much of the guidance I need, but I have also been known to refer to a couple of my favorite writing reference books when necessary. The Elements of Style is a thin, little book that is so elegant and efficient in teaching proper usage it supersedes many of the fatter, drier grammar books you may have encountered in your studies. I also love my The Synonym Finder, which I bought when I worked at the book store after a customer became misty when describing her devotion to it. I’m glad I bought it. Every time I go looking for a synonym, I find one so good that it feels like I’m cheating somehow. My reference library is by no means complete, however. I’m still looking for that perfect dictionary (any recommendations?). And though I’m always dropping hints that I’d love to get a nice hefty atlas for a gift, I still haven’t received one.
Subscribers to the literary magazine One Story receive, you guessed it, one story in the mail about every three weeks. The magazine isn’t as chic as it could be (the choice of title font, for instance, sometimes makes me cringe), but the issues are lightweight and easy to stuff in your purse or back pocket. The stories vary in style and content, and I’ve been impressed with quite a few. And plus, they’re fun to receive in the mail, and even more fun to give away once you’ve finished them.The magazine recently unveiled a prettier website, which still includes the features I’ve always liked. You can check out the first lines of every story published by the magazine, as well as short interviews with each writer about his or her story and the process of creating it. It’s interesting to see how different everyone’s process is: one writer wrote his story in three nights, while another worked on hers for over a year. In these interviews, One Story always asks the writer to share the best writing advice ever received. Some people quote secondhand advice, while others share nuggets of wisdom from a past instructor. On a few occasions, I’ve written this stuff down, either for myself or for my students (or both).