I usually listen to the BBC World Service when I listen to radio online, but Millions contributor Andrew recently told me about an excellent programme (as they say) on BBC4. “In Our Time” is hosted by Melvyn Bragg who, each week, is joined by three guests as he explores “the history of ideas.” To give an idea of the varied topics the program touches upon, the most recent show was about Samuel Johnson, 18th century author of Lives of the Poets among many other books (here’s his greatest hits), and “England ‘s most famous and well connected man of letters,” while next week’s show is on asteroids. All the old shows are archived and organized by subject.
An article in the Wall Street Journal talks up some of the drawbacks of the 8 DVD-ROM Complete New Yorker set:Web-savvy users accustomed to navigating easily through online content find The Complete New Yorker a bit of an anachronism. Each page of content is literally a picture of a magazine page. Readers can’t copy text from a story and paste it elsewhere. They can’t search for keywords within the text of articles, only within titles and abstracts. If they want to jump from issue to issue, or article to article, they first have to go back to the index and sometimes change DVDs.The problem obviously isn’t the technology, it’s the 1976 law that requires publishers to get permission from free-lancers before republishing their work in another medium. The lawyers have determined that anything before 1976 is fair game to be converted into a new format. And while most publishers negotiated away the rights of free-lancers in this realm in the mid-1990s, there still remains a legal limbo for material published in between the two dates. Based on case arising from a similar set put out by National Geographic in 1997, by simply creating digital versions of the magazine pages, publishers are in the clear, and this is the route that the New Yorker has taken. The article linked above also looks at how this issue is affecting similar archiving efforts by other venerable magazines like Harper’s Magazine and the Atlantic Monthly.(via and via)
They passed through the city the day following. He kept the pistol to hand and held the boy close to his side. The city was blackened, burned to completion. No sign of life. Not a hobo nor trollop, tourist nor knishvendor. Cars swimbled with ash, heavy with parkingtickets. Never to be paid nor contested, no weary fist shaken at the judge’s vacant robes. A corpse in a doorway dried to fruitleather, yellowed newspaper still in hand. Reds lose, five to two. Springtime gardening tips. Ten cents off salsa. He pulled the boy closer. Just remember that the things you put into your head are there forever, he said. Not like the things you put into your mouth. Those fall from your bottom.
But you forget some things, don’t you, Papa?
Yes. You forget what you want to remember and you remember what you want to forget. Sometimes you remember what you want to remember, but you have to write it down. He knelt, held the boy’s frail shoulders. I cannot stress that enough.
The boy looked down the avenue, pointed towards a bench. Another corpse. Its head had been long ago removed, feet sawn clean at the ankles. Left arm gone, right gnawed to the elbow. A desperate feast.
Will I remember that? the boy said.
The man regarded the ruined figure as they passed, tousled the boy’s hair. Yes. That’s exactly what I meant.
They bore on in the days and weeks to follow, working deeper into the scrub and barren southlands. Solitary and grim through the raw hill country, a fiddler’s cribbled nosegay. In the ruined and empty shoppingcenters, Perkins gave way to Shoneys, PathMarks to Krogers. They passed flimsy aluminum houses, wracked and sagging trailerparks. Rusted truckparts in the sideyards, a longdead satellite dish. Faded beercans, flypaper porches. Remains of a deer. What was it like here before, Papa? the boy said. Was it much different? The man thought for a moment, passed a roadsign riddled with bulletholes. No, he said. Not so different at all.
The blackness he woke to on those nights was blind and impenetrable, a ditchdigger’s bunglet. Often he had to get up. No sound but the wind in the bare and blackened trees, his softly running pee. He stood tottering in the chill and bleakened air, arms outstretched, eyes closed as his mind calculated its browngreen trigonometry. How to know what lay in the truncheoned dying inkwell? Beelzebub’s snowsuit. To whisper in supplication. A fearsome slant, a sleekening wampum. He counted his steps as he trod the pitchdark wood, the nameless outer. Who was its grumble? Something unfound in the night, beagled and harpy. To which he owed a debt, a skimbled arcane gratitude. Rockhard Easter Peeps, a turnip’s mad prerogative. As the great pendulum in its orbit sweeping through its movements of which you may decline an invitation or respect its velvet welcoming. Half the time he didnt know what he was talking about.
In an old slumpboard smokehouse they found a ham, hidden away in a high and dusty corner. With his knife, he cut into the rockhard porkskin, finding the meat pink and salty. Rich and good. They fried it that night over their fire, the thick slices simmered with a tin of beans. From the few things that remained in their satchel, he made a spinach sidesalad with dried cranberries and bluecheese, candied ginger almonds. Balsamic vinaigrette. Skewers of Portobello mushroom and Vidalia onion, rockshrimp and red pepper. A side of rice pilaf. Crème Brulee for dessert, the boy’s favorite. He stared into the embers as they ate the simple meal. It wasnt much, but it would have to do.
In dreams he found his bride in a warm and dewy lea. Breasts flangent in the soft purple air. Legs white and long. She wore a dress of cream-colored silk, her dark hair to her shoulders. Breath even and sweet. She smiled sadly as the clothing fell from her, revealing to him God’s bounty, the longitude of rivers. When he woke, it was snowing. Icebeads hanging from the trembling branches above. He had a big ol’ boner.
He mistrusted all of that. He said the right dreams for a man in peril were dreams of peril and all else was the reaper’s call. Yet he dreamt of skipping through a marshmallow cozyland where chipmunks knitted sweaters and carebears sold cottoncandy to put their cubs through Montessori school but he was learning how to wake himself from just such siren worlds. Staring towards the sightless bottomwater sky, the boy asleep at his side, he would curse himself for the lapse. He preferred the one where he had to give a presentation but had again forgotten his pants.
They plodded on in the wet and sodden cold. At the broan of a hill was a curve and a break in the trees. They walked out and surveyed the valley where the land swumbled off into the dreary gray fog. A lake down there. Dead and still. A leviathan’s idled crockpot.
What is that, Papa?
It’s a dam. It made the lake. Before they built the dam that was just a river down there.
How did they build it?
They put pieces of concrete one on top of the other.
They lowered them on wires from helicopters. I told you about helicopters, didnt I? The boy nodded. Then scubadivers guided the blocks into place. For the higher ones, they used ladders.
How did the pieces stay put?
Little nubs on top. Like Lego.
Did they need glue?
No. Large nails. Damnails.
What about the fish?
They helped too.
The boy took it all in, looked up at him. How do you know so much, Papa? About everything?
He smiled at the boy. I know what I know, he said.
Biographer Charles Shields has already put this request out on many book blogs, but since he asked, I thought I’d share it here, as well:This past June, I published Mockingbird: A Portrait of Harper Lee. Now I’m beginning work on the first authorized biography – the first biography at all, actually – of Kurt Vonnegut. I’d like to hear from any of your readers about their experiences with Vonnegut, either personally or with his novels.Shields can be reached at [email protected] As a big Vonnegut fan, I’ll be looking forward to this one.Related: Some reactions to Shields’ book on Harper Lee.
One of my favorite magazines, which I now finally subscribe to thanks to a surplus of frequent flier miles, is The Week. It’s done in the “digest” format, taking the week’s news, events, and cultural goings on from hundreds of sources – newspapers, magazines, etc. – and distilling it down to about 45 pages. It’s a great way to fill in the small gaps left by my other two standbys, the New Yorker and The Economist.One of my favorite features in The Week is called “The Book List,” (not available online) in which the magazine asks a notable person to recommend a handful of books. This week’s featured recommender was Lionel Shriver, whose new book The Post-Birthday World comes out soon. Her list of six books caught my eye because it includes two of my favorite books, Atonement by Ian McEwan and Paris Trout by Pete Dexter, as well as a book recently read and enjoyed by Mrs. Millions, Matthew Kneale’s English Passengers (which I hope to read soon, too). So, naturally, I was curious to see what else Shriver was recommending since our tastes seem to be aligned.As it turns out, rounding out her list are two more books I’ve wanted to read and a third I’ve never heard of. The first two are The Age of Innocence and Revolutionary Road by Richard Yates. The third book – new to me – is As Meat Loves Salt by Maria McCann.
After Sakincali Piyade I embarked on my Chicago trip and returned to The Fortress of Solitude, which I finished during the journey. Next was In Cold Blood by Truman Capote, which I had been meaning to read for a long time. The release of Capote with Phillip Seymour Hoffman rekindled my desire to read In Cold Blood, as I did not want to see the movie prior to reading the book. So, I dove into the gruesome story of the Clutter family murder in Holcomb, Kansas, in 1959. Capote divided In Cold Blood to three sections and created two parallel storylines, both of which make his narrative very fluid, factual and captivating. Given that in our time we have been witnesses to more outbursts of seemingly aimless violence than previous generations (Red Lake High School, Columbine), In Cold Blood does not come across as shocking as it might have when the Clutter murders took place and when the book was published in 1965. The unfolding events also show that the Clutters were not murdered by a random psychopath, rather by two ex-cons, Perry Smith and Dick Hickock, who were motivated to rob the estate. The murders described in In Cold Blood may not surprise the modern reader but Capote’s masterful chronicling of the events and extensive research that leads to the psyche of the Clutters, Perry Smith, Dick Hickock, investigator Alvin Dewey and the characters surrounding the murder arouses a sense of real familiarity with the events and leaves the reader wondering why the world works the way it does. I found myself wondering why the outstanding citizens, as exemplified in Herb Clutter’s honesty and dedication to society and Nancy Clutter’s impeccable record as a student and as a role model to all the young girls of Holcomb, always seem to be victim to society’s ills. I also thought about delusional and broken men such as Hickock and Smith: two men who had troubled childhoods, had been in and out of jail, tried to – and succeeded at times – to make an honest living, but always relapsed and turned to wicked means, the most disturbing of which resulted in the Clutter murder. I enjoyed In Cold Blood immensely, not because the story is particularly interesting or fresh, but because of the insightful details that Capote presents and the issues it brings up with regards to society and life.After In Cold Blood I read nothing but The Economist and other news outlets for two months. I really enjoy reading The Economist and it is my favorite news publication, but two months of not reading any literature made me sad. When I last visited my friend John he asked me what I was reading and I told him nothing at the moment, implying that I was looking for a book that would drag me back to the wonderful world of literature. His suggestion was Motherless Brooklyn by Jonathan Lethem. Since I was so impressed by The Fortress of Solitude, another recommendation from John, I started the novel right away and, as had happened with Jonathan Franzen’s The Corrections, could not put the book down, even at the expense of sleep. Lionel Essrog is the main character of Motherless Brooklyn and suffers from Tourette’s syndrome (that’s when you cannot control what your saying and your mouth/brain spurts out profanities or meaningless words at random, mostly when you are under stress/strain). The title works magnificently to describe Lionel and his three friends from St. Vincent’s Orphanage in Brooklyn: Tony, Danny and Gilbert. The motley four work for Frank Minna, a shady small time mobster whose murder at the outset of the novel sets off the chain of events. The demise of Minna is dramatic for each individual as he was more than an employer to them: a father figure to Lionel and Gilbert, a role-model/rival for Tony and a comforting personage for Danny. Immediately after Minna’s murder Lionel and Tony get on the case to find the killers, but it soon appears that whereas Lionel is sincere in his desire to find the suspects, Tony has other motives. Lethem takes you through a fast two days through Lionel’s eyes, prompting Tourette’s in you, embedding tics in your mind and causing you to read compulsively to reach a resolution. The mystery is intricate yet Lethem drops hints all along for the careful reader to decipher the plot. But if you get carried away with Lionel’s Tourette’s (as I did) chances are that you will be as oblivious, yet simultaneously, surprisingly and equally alert, to everything that unfolds. The ending will, nevertheless, put a smile on your face.If Motherless Brooklyn put a smile on my face in the end, Anneannem (My Grandmother) by Fethiye Cetin did the exact opposite. A good balance I might add. Lethem had me in 5th gear by the time I finished Motherless Brooklyn and I picked up Anneannem, which my friend Ela had brought me from Turkey and urged me to read, for a light read. The memoirs that Cetin relates are a mere 116 pages and I figured it would be a good transitional book between Lethem to Dostoyevsky. I started reading Anneannem on Sunday morning and Cetin’s style, as well as the romantic light under which she presented her story, captivated me. I took a break a quarter of the way through and went outside to enjoy the day. I called one of my grandmas on my way to the movie theater, just to hear her voice and rejoice in her presence. When I went to bed at night I picked up Anneannem and it kept me up until 3, crying, thinking and feeling emotions that were left alone for a long time. Cetin’s grandmother was an Armenian separated from her family during the Turkish deportation of Armenians in World War I. She was brought up by a Turkish family in Maden, Elazig in Eastern Turkey. She and the seven other girls that were separated from their families at the same time managed to preserve their heritage despite being converted to Islam and marrying Turks. Cetin grew up in her grandmother’s house, when, after her father’s unexpected and early death, her family moved in with the grandparents. It was, however, not until very late that Cetin learned about her grandmother’s past and, in the process, became one of her sole confidantes regarding the hardships she lived through. As Cetin relates her grandmother’s story, she also tells the reader of her own frustrations, embarrassment and disillusionment with the official Turkish line regarding the Armenian deportation. Horanus Gadarian’s story is heart wrenching, it makes one wonder how people can cause such pain on their neighbors, their fellow countrymen or, simply, to each other. Horanus’s wisdom and love for not only her family but towards all who sought her company is awe-inspiring. Cetin manages to trace Horanus’s family in the United States and tells the story of a very touching reunion after her grandmother’s death. Anneannem is a captivating little book that in the space of a 116 pages tickled my own pleasant memories and admiration of my grandparents, had me thinking about the cruelties that humans suffer in each others’ hands and the beautiful Armenian culture that Turkish officials did their best to destroy. Finally, Anneannem impressed me for its candid and lovely storyline. Unfortunately, Anneannem too is only available in Turkish.I have just begun my first Russian novel, Crime and Punishment by Fyodor Dostoyevsky. Wish me luck, I probably won’t be writing again for a while, especially because I intend to read David Foster Wallace’s Infinite Jest after this one. Of course, all of this planning is subject to change on impulse. Good luck and good reads everyone, cheers!(So, that’s all from Emre for a little while. Thanks, Emre! — Max)Part 1, 2, 3, 4, 5Emre’s previous reading journal