The Litblog Co-op’s second selection has arrived! What is it? How will it be received? Will the Co-op be praised or reviled? You’ll have to go to the blog to find out.
Pulitzer Prize winner Rick Atkinson stopped by yesterday to sign copies of An Army at Dawn. This book is intended to be the first installment of a trilogy that will describe the liberation of Europe in World War II. This first book is about the liberation of North Africa, and the next two will cover Italy and France. Naturally, I asked him how the books were coming along, and he told me that he had put them on hold while he was embedded with the 101st Airborne in Iraq, and now he is writing a book about that experience. It will be exciting to see the many quality books that are being written by journalists and writers who spent time over there. We also discussed John Keegan, who seems to be the authority when it comes to popular histories of war. Atkinson professed to loving both The Mask of Command, which studies generals and commanders in wars from Ancient Greece to the present, and The Face of Battle, which gives similar treatment to the common soldier. Later on, while I was reading about those two Keegan books, I was pleased to discover that he has a new book that is a mere two weeks from hitting the shelves. It is enticingly titled, Intelligence in Warfare: From Nelson to Hitler.
On January 19th, while many of us held our collective breath over the results of one national contest, the American Society of Magazine Editors released their list of finalists for the 2017 National Magazine Awards for Print and Digital Media. Curiously absent from the announcement were nominees in fiction, which ASME chose not to promote for the first time in nearly 50 years. The announcement made no mention of the category’s sudden disappearance. For Michael Ray, editor of Zoetrope: All-Story, the distinction was particularly significant. Writing last Thursday via email, he said the award “breached the ostensibly isolated atmosphere of literature and recognized the fiction writer among a broader peer group of writers and before a more diverse and populous audience of potential new readers.” Anthony Marra, whose 2016 NMA winning story, “The Grozny Tourist Bureau,” Ray edited, expressed his disappointment in ASME’s omission. “Writing, editing, and publishing short stories in literary magazines is a labor of love for all involved,” he said. “They aren't clickbait. They don’t make much noise or much money. And yet the best of them long outlast the paper on which they were first printed.” While ASME has retained the category of “General Excellence in Literature, Science, and Politics,” such broad scope leaves little room for individual recognition, instead favoring the total yearly production of a magazine over excellence in a single piece. This year, Poetry is the only literary magazine nominated in that category. Last September, Women’s Wear Daily released an email circulated to editors around the magazine industry from ASME Chief Executive Sid Holt. In what amounts to the closest document to a public announcement, the message cites declining fiction entries and, most surprisingly, concern that “few ASME members say they are competent to judge the category.” ASME’s website describes its members as “senior editors, art directors, and photography editors employed by qualified publications.” Susan Russ, senior vice president of communications at ASME, said that with the diminished numbers of submissions, fiction entries had “less than a fifth the number of entries [than] comparable categories.” While the decision to “suspend” the category, she said, “was not a judgment on the value of fiction or [ASME’s] ability to judge entries,” it is unclear -- outside of an attendant fall in submissions fees, perhaps -- how the small pool affected the organization. The arts face an almost certainly precarious future. As a genre, short fiction has long struggled with recognition, and is too often minimized as a stepping-stone to more serious literary enterprises. According to Russ, “ASME is considering alternative ways of honoring fiction,” leaving open the possibility of a new award outside the existent NMA format. But such a move could further isolate fiction from the rest of print culture. It’s entirely possible, however, that fiction may be back for next year’s contest. Losing touch with the power of writing is not something we can now afford to risk. And National Magazine Award or not, over the coming years, we’ll be needing all the good stories we can get. Image Credit: Flickr/Phil Roeder/Ken Hawkins.
Nobel Laureate Doris Lessing has delivered her acceptance speech. In it, she discusses her native Zimbabwe, where there is still a thirst for books even amid oppression, inflation, and deprivation. "Having taken a box of books out to a village - and remember there is a terrible shortage of petrol - I can tell you that the box was greeted with tears." Her speech doesn't offer specific ways to help, but look at another recent post here for other ways to give back with books.Those in a charitable and literary mindset may also be interested in an auction being held by the Paris Review to benefit the venerable magazine. Contained within, a number of intellectual big ticket items, including lunch with editor Philip Gourevitch. $450 gets you the top bid for that lot. The auction ends on December 13th.
Houghton Mifflin has posted a long excerpt of Jonathan Safran Foer's forthcoming book Extremely Loud and Incredibly Close (Amazon also has the excerpt up.) And, well, I don't quite know what to say about it. Have a look. You'll see. It's a long, furious stream of consciousness - the warp speed thought process of the 8-year-old, genius protagonist, Oskar - with a punch in the gut finale. It seems that this book is sure to produce a frenzy among critics and readers when it comes out in April, but it's too early to know whether that frenzy will be positive or negative. On Neal Pollack's blog, the quality of the excerpt and the book's use of 9/11 as a plot point are already being debated.
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