The Litblog Co-op’s second selection has arrived! What is it? How will it be received? Will the Co-op be praised or reviled? You’ll have to go to the blog to find out.
I’ve written often of books about baseball (especially ones by Roger Angell). Baseball values words over images – I prefer listening to games on the radio to watching them on television, for example – and so lends itself well to the page. Football is a different story, entirely. If one doesn’t see these men bash each other on cold, gray Sunday afternoons, then what’s the point really? Reading about a spectacle kind of defeats the purpose. And this probably explains why there isn’t much “football literature” to speak of. The only football book I’ve ever read is George Plimpton’s Paper Lion, which, though terrific, is really more about Plimpton than football. Most of the other football books I’ve seen have been the ghostwritten memoirs of retired Hall of Famers. But the Washington Post’s Jonathan Yardley, in his series which “reconsiders notable and/or neglected books from the past” recently wrote about a football book that deserves to sit amongst all those baseball books on the shelves of sports literature. Instant Replay was a collaboration between Jerry Kramer, a guard for the Green Bay Packers in the 1960s, and Dick Schaap, a sportswriter. By unlikely but entirely happy coincidence, Kramer had been persuaded to keep a diary of his 1967 season by Dick Schaap, an uncommonly capable and convivial sports journalist. Schaap knew that Kramer was intelligent, literate, observant and thoughtful, and suspected — rightly — that he could provide a unique view of pro football from its innermost trenches: the offensive line.The book sounds like a treat for any football fan, especially at this time of year.
Hardcovers are expensive! So, what about paperbacks. What are people buying and reading right now? Last year’s addition to the Mariner Books “Best American” series of the Dave Eggers edited The Best American Nonrequired Reading 2002 was a big hit. It reprinted the best and the wierdest articles and stories culled from a wide array of publications from The Onion to Spin to The New Yorker. People are quite excited to see that another installment is out. The Best American Nonrequired Reading 2003 is once again edited by Eggers and the book features a clever introduction by none other than Zadie Smith. Meanwhile, Clint Eastwood’s Mystic River, an early Oscar favorite, is already pushing sales of the book that it’s based on, Mystic River by Dennis Lehane. The book gets rave reviews from everyone who reads it (and I suspect the movie will be similarly received once it hits theaters.) Also, in fiction, two big award winners are selling like proverbial hotcakes now that they are out in paperback. Last year’s Booker Prize winner Life of Pi by Yann Martel shows no sign of slowing after months of steady sales. Almost every single person I know has read it by now. New in paperback is the book that was awarded last year’s Pulitzer, Middlesex by Jeffrey Eugenides, a sweeping family saga with a healthy dose of gender confusion. Finally, a book that I haven’t mentioned in at least a week, one of my all time favorites, The Adventures and Misadventures of Maqroll by Alvaro Mutis, a future Nobel Prize Laureate if there ever was one. It’s been nearly a year since I read this book, and I still can’t stop talking about it. I would estimate that my endless chatter about this book has sold hundreds of copies by now, and if the people who bought it recommend it to their friends, as they surely must have, and those friends recommend it to their friends and so on, then before long we will have a worldwide Maqroll revolution on our hands, and the world will be a better place.
With the announcement of a title and street date (July 21st) for the seventh and final Harry Potter book, the final chapter of a publishing industry fairy tale has begun.I witnessed the phenomenon of the boy wizard firsthand when I worked at a bookstore in Los Angeles. Even on the decidedly not family friendly Sunset Strip (we were a few doors down from the Hustler flagship store), we sold more copies of book five, Harry Potter and the Order of the Phoenix, than all of our other books combined in the first few days it was out, and our book buyer had to make emergency runs to Costco (where he could get the book wholesale) to keep it in stock. (You can see my thoughts at the time in this post.)Book six, of course, was even bigger, and judging by the numbers, Harry Potter and the Deathly Hallows will be the biggest of all. According to an Amazon press release, in just the first seven hours of availability, the online bookseller sold “over 200% more books than it did the entire first day of Harry Potter and the Half-Blood Prince the sixth book in the series. In fact, sales on Amazon.com in the first seven hours today have eclipsed total sales for the entire first two days of the sixth book.” Once all the first-day numbers were tallied, Amazon put out another release saying that orders for Deathly Hallows “were 547% higher than first-day pre-orders for Half-Blood Prince” and that the seventh and final book sold more copies on the first day than in the first two weeks of the pre-order period for book six.Amazon isn’t alone of course, Barnes & Noble reported selling Half-Blood Prince at a rate of 105 copies a second when that book came out, and I’m guessing the numbers will be even more astonishing for book seven. The books are such outliers that overall sales for the chain spike in years when Harry Potter books come out, creating lumpy year over year sales comparisons that the company’s management must explain to Wall Street.Of course, nowhere else is the series a bigger deal than Scholastic, the publisher behind the books, and the company can only hope that dozens of other projects in the pipeline will make up for the revenue lost once Harry Potter is history. At the same time, I’d imagine that the series will be repackaged again and again to entice die-hard fans and newcomers to shell out cash for the books years after book seven comes out. Already there are multiple editions of the Harry Potter books, and the “deluxe” version of book seven – retailing for $65 – is #2 at Amazon right now.While it’s unclear if the book industry will ever experience a phenomenon quite like Harry Potter again – the first six books have sold more than 325 million copies in 64 languages, dwarfing even The Da Vinci Code’s 60+ million copies in print – we can be sure that the press will spill many gallons of ink on the end of the series over the next six months or so. And to be honest, it’s probably deserved. There’s never been anything else quite like it.
T.C. Boyle’s new book, The Inner Circle is out and the reviews are starting to appear. Here’s one from Newsday. There’s also an excerpt available at Boyle’s newly redesigned website.Michiko Kakutani likes the Gish Jen novel The Love Wife. Here’s an excerpt so you can see what all the fuss is about.And to continue from my last post about Art Spiegelman, The Village Voice also published a review of his new book. Also mentioned in that review is New Yorker architecture critic Paul Goldberger’s new book, Up from Zero, about deciding the fate of Ground Zero. Here’s an excerpt from the book.
They recently announced the finalists for the 2003 National Book Critics Circle Awards. The winners will be announced on March 4th. I tend to be more interested in “critics circle” awards when it comes to books and movies. Critics have to read or watch many more books or movies than the average person, and it is their job to pass judgment on this sort of thing. It is also important that they are not “insiders” in their respective industries, thus their choices are relatively unsullied by politics and personality conflicts. Nor is anyone really campaigning for these awards as one might campaign for an Oscar, a Pulitzer, or a Booker. Here are the nominees:FictionMonica Ali, Brick Lane (Scribner)Edward P. Jones, The Known World (Amistad/HarperCollins)Caryl Phillips, A Distant Shore (Knopf)Richard Powers, The Time of Our Singing (Farrar, Straus and Giroux)Tobias Wolff, Old School (Knopf)General NonfictionCaroline Alexander, The Bounty: The True Story of the Mutiny on the Bounty (Viking)Anne Applebaum, Gulag: A History (Doubleday)Paul Hendrickson, Sons of Mississippi: A Story of Race and Its Legacy (Knopf)Adrian Nicole LeBlanc, Random Family: Love, Drugs, Trouble, and Coming of Age in the Bronx (Scribner)William T. Vollmann, Rising Up and Rising Down (McSweeney’s)Biography/AutobiographyBlake Bailey, A Tragic Honesty: The Life and Work of Richard Yates (Picador)Paul Elie, The Life You Save May Be Your Own: An American Pilgrimage (Farrar, Straus and Giroux)George Marsden, Jonathan Edwards (Yale University Press)Carol Loeb Shloss, Lucia Joyce: To Dance in the Wake (Farrar, Straus and Giroux)William Taubman, Khrushchev: The Man and His Era (Norton)PoetryCarolyn Forche, Blue Hour (HarperCollins)Tony Hoagland, What Narcissism Means to Me (Graywolf)Venus Khoury-Ghata, She Says (Graywolf)Susan Stewart, Columbarium (University of Chicago Press)Mary Szybist, Granted (Alice James Books)CriticismDagoberto Gilb, Gritos (Grove)Nick Hornby, Songbook (McSweeney’s)Ross King, Michelangelo and the Pope’s Ceiling (Walker)Rebecca Solnit, River of Shadows: Eadweard Muybridge and the Technological Wild West (Viking)Susan Sontag, Regarding the Pain of Others (Farrar, Straus and Giroux)My thoughts: Brick Lane, The Known World, and Gulag continue to make appearances as finalists for major awards. None of the National Book Award winners are even listed as finalists for these awards. McSweeney’s is shown some love for its two most serious and most ambitious releases of the year. Now, if only they would take this as a cue to leave the forced silliness of their other releases behind.