No the Times isn’t getting comics, but they are taking a cue from the New Yorker by adding a graphic novel-type comics section to the Sunday magazine. Everybody’s been saying for years that “graphic novels” are on the cusp of taking the book world by storm. Is this a step in that direction? The first artist to appear will be, you guessed it, Chris Ware. Get the gory details here.
Ian Frazier’s piece in last week’s New Yorker is one of the oddest, funniest essays I’ve read in a long time. I laughed to myself as I read it the other day while sitting on the steps of the Art Institute in downtown Chicago (following an edifying meetup with fellow book bloggers Deep and Sam). The essay, “Pensees D’Automne,” is about a grown man’s passion for stomping acorns in the fall, and it contains many asides about things like health insurance and Venezuelan president Hugo Chavez. Frazier, who has long written odd and funny things like this, has a new book out this week called Gone to New York: Adventures in the City. The book collects thirty years of Frazier’s journalism about New York. From a review in the Sun-Times:The non-linear way Frazier’s mind works is a delight to follow on the page. And don’t let the emphasis on New York City fool you. Frazier is one of us. In the introduction to Gone to New York, Jamaica Kincaid gets it right when she calls her pal “the authentic American,” whose work “is meant to form an arc, an arc that has not yet begun its curve.”Kincaid and Frazier are also involved in another recently released book, this year’s edition of The Best American Travel Writing. Kincaid is the editor this year and Frazier is joined as a contributor by luminaries like John McPhee, William T. Vollmann, and William Least-Heat Moon.
HarperCollins is trying a new model with an imprint that cuts out author advances in favor of a larger proportion of royalties and eliminates remainders (also known as returns) entirely. The industry has been debating the pros and cons of the move since the Friday announcement. As has been only sparsely discussed in the media, HarperCollins isn’t the first to try this business model. Millions contributor Ben profiled MacMillan New Writing last year:No agents are involved, the publishing house accepts direct submissions, and writers get no advance, but earn 20% royalties.Sounds good, no? But it’s not all upside. Not only are the writers’ contracts non-negotiable, but Macmillan receives all subsidiary rights to the book and a first look at the author’s second book. Critics have reacted strongly, calling the imprint “literary slave drivers” and “vanity publishers,” and indulging in apocalyptic predictions of the end of publishing as we know it.And for a little more color on “remainders,” a much despised element of the book industry, check out a post of mine from several years ago explaining the curious life cycle of the remaindered book.
Ed Champion has a nemesis, Time magazine book reviewer Lev Grossman, as we discover in Grossman’s latest column. Though somewhat tongue in cheek, Grossman is basically asking bloggers to use their power for good. All in all, it’s far more civilized than Steve Almond’s pathetic attempted takedown of Mark Sarvas in Salon from a year ago, which read like a laundry list of Almond’s insecurities. Grossman’s essay and Ed’s response make it clear that Grossman is an altogether more pleasant person than Almond and that the relationship between book bloggers and the literati has matured. As Ed notes in his brief response to Grossman, he (and other book bloggers) are regularly paid to pen book reviews in major newspapers. The lines are blurring. Oh, and I’ve met Ed. He’s not that scary.
Just finished up the recent New Yorker double issue and a couple of items caught my eye. First, I noticed in the capsule book reviews that there is a new book by Andrea Levy out. I had no idea, and it’s a shame because a new book by Levy should be big news. Her novel Small Island was one of the best books of the last five years (I read it in 2005.) This new book is called Fruit of the Lemon and it looks once again at Jamaican immigrants in England. While Small Island focused on the World War II era, however, in Fruit of the Lemon the action occurs in the 1970s, though racial tensions between the former colonizers and formerly colonized remain a major theme. This one is going on my list.Secondly, the New Yorker’s master essayist Louis Menand digs into a book I mentioned here a few months back, The Yale Book of Quotations. The more I hear about this book the more I want it. It sounds like one of those essential reference books that is both useful and endlessly entertaining. Here’s a tidbit from Menand’s review:It is extremely interesting to know, for instance, that the phrase “Shit happens” was introduced to print by one Connie Eble, in a publication identified as “UNC-CH Slang” (presumably the University of North Carolina at Chapel Hill), in 1983. “Life’s a bitch, and then you die,” a closely related reflection, dates from 1982, the year it appeared in the Washington Post. “Been there, done that” entered the public discourse in 1983, via the Union Recorder, a publication out of the University of Sydney. “Get a life”: the Washington Post, 1983. (What is it about the nineteen-eighties, anyway?) “Size doesn’t matter,” a phrase, or at least a hope, that would seem to have been around since the Pleistocene, did not see print until 1989, rather late in the history of the species, when it appeared in the Boston Globe.