Sure, today Apple unvailed the “iPod phone” and the superslim iPod Nano, but the real news is that for the first time, via iTunes, the entire Harry Potter series will be available on digital audio (that’s $249 for the whole set). This is more interesting to me for what it represents. As iPods and other high-capacity digital audio players have become ubiquitous and as digital audio delivery (via podcasts and/or services like audible.com) has become more user friendly, the stage has been set for a revolution in reading. Though digital audio books will never overtake paper ones, they will only grow in popularity and sometime soon we may see a mini-revolution in the way people consume literature.
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I get a fair amount of catalogs from publishers these days, and since they're always chock full of new and interesting books that I'm guessing people will want to know about, I'm thinking about instituting a semi-regular feature called Covering the Catalogs wherein I pick out a handful of items that I deem interesting from the most recent catalog to cross my desk. And since I received the newest Grove Press/Atlantic Monthly Press/Black Cat/Canongate catalog yesterday, this one'll be the first.Recently, Maud was expressing her discomfort with the impending media coverage of the upcoming Samuel Beckett centenary: "I await commemorative events like this centenary with excitement that tends to mutate, as the press coverage appears, into dread, then lamentation, and finally, resigned disgust." The "news" that arises from the anniversary of the birth of a dead writer isn't always scintillating, but, on the upside, such occasions give publishers - wanting to cash in on said press coverage - an opportunity to reissue and repackage the work of the great writer. As such, Grove is putting out two different items to mark Beckett's centenary. The first is a bilingual edition of Waiting for Godot. The play was originally written in French by Beckett, and he translated it into English himself. This edition provides both texts, side-by-side. Grove is also putting out a four volume set of Beckett's collected works with introductions by well-known writers. The first volume of novels is introduced by Colm Toibin and the second volume of novels is introduced by Salman Rushdie. The volume of collected dramatic works is introduced by Edward Albee, and the volume of collected poems, short fiction and criticism is introduced by J.M. Coetzee.Coming in April from the author of Black Hawk Down, Mark Bowden is Guests of the Ayatollah. Bowden is well-known for his immersive coverage of armed conflict, and in this book he is setting out to provide an account of, as the book's subtitle calls it, "the first battle in America's war with militant Islam," the Iran hostage crisis.Coming in July from Atlantic Monthly Press is Tom Drury's first new novel in six years, The Driftless Area. Drury was among the "Best of Young American Novelists" named by Granta, and his stories regularly appear in the New Yorker, including "Path Lights" from last fall in which a bottle falls from the sky.I plan on continuing to cherry pick items that interest me from other catalogs as I receive them, so stay tuned. If you are a publisher and would like to send me your catalog, please email me.
The Seattle Post-Intelligencer points to a small press that is "one of the most intriguing additions to the Northwest literary landscape in recent years." Clear Cut Press in Astoria, Oregon, distinguishes itself by publishing books in "handy pocket-size editions, inspired by a popular Japanese format, and with detachable covers with arresting images," and by splitting profits 50/50 with its authors, a cut far higher than authors can expect to get at a typical publishing house. The Post-Intelligencer calls books like Matt Briggs' debut novel, Shoot the Buffalo worthy of more prominent presses. Clear Cut also put out a collection of essays, Orphans, early this year by Charles D'Ambrosio who frequently appears in the New Yorker.
You can't swing your arms around in a general interest bookstore without hitting three or four "theme" cookbooks, which collect recipes related to a certain motif. This trend explains books like The Book Lover's Cookbook, Dinner Dates: A Cookbook for Couples Cooking Together, and The Sopranos Family Cookbook. These are books you buy as gifts for people you don't know that well.But as with every rule there is an exception, which brings me to I Like Food, Food Tastes Good: In the Kitchen with Your Favorite Bands, which collects recipes culled from bands like Death Cab for Cutie, They Might Be Giants, and Belle & Sebastian. My old friends The Walkmen are in it too, which is fitting because they used to have recipe section on their web site. That's where I first learned about their "Foreign Chicken Dinner," the recipe they've contributed to the book. They don't have the recipe on their site any more, and I can't remember exactly what was in it, but I seem to recall it involved tomato sauce.
The New York Times whipped bloggers and readers into a frenzy with its linkbait list of the best books of the last 25 years along with A.O. Scott's voluminous essay on the "great American novel." The reasons why this list is silly and flawed have been discussed on a number of blogs - the panel of judges skewed male and boring, the timeframe and criteria are arbitrary, etc. What amused me about the list was that the Times made such a big production of it - with a panel at BEA, a press release, and, of course, Scott's giant essay. It's like the Times didn't realize that such lists are standard filler at glossy magazines. Was the Times' best fiction list all that different from People Magazine's annual "Most Beautiful People" list? No, not really.The Austin American-Statesman was similarly bemused by the Times list and so it put together its own list using the Times list as fodder. It asked academics and critics to name the "most overrated" books on the Times list. The resulting comments from their judges are both thoughtful and funny. And for those of you scoring at home, the most overrated books on the Times list are A Confederacy of Dunces by John Kennedy Toole and Blood Meridian by Cormac McCarthy.
In a post last December, I briefly explained why books first come out in hardcover and then, nine to eighteen months later, they come out in cheaper paperback versions. This has become a standard in the book industry, and as a result, some readers, myself included, are leery of books that come out in paperback first without ever being released in a hardcover edition. "What is wrong with this book," I think to myself, "that the publisher didn't want to release it as a hardcover?" At the same time, many readers, including myself, are frustrated that the book industry is so rigid like this, and that it is so expensive to purchase a brand new book. Laura Miller in the Times Sunday Book Review goes over many reasons why the current setup is counter-intuitive, including this one: "riskier books rely heavily on reviews and other media coverage to attract readers, but the reviews appear when the books are new. By the time the books show up as affordable paperbacks, the spotlight has moved on." Miller wonders if the industry's rigid selling strategy might be thawing, and she points to David Mitchell's popular new book Cloud Atlas, recently released as a paperback original, as a sign. Read the column here.