“Under a black cloud, the prison. And within the prison, a bright rebel. The walls were extremely high, and although this was not possible, they appeared to lean inward yet also to bulge outward, and they were topped with a luminous frosting of broken glass.” This, of course, is an excerpt from Marlon Brando’s posthumous (and swash-buckling) novel Fan-Tan. If you really want to get into it, the rest of the excerpt is here, mateys.
I took Stendhal’s The Red and the Black along on a recent trip to Paris. It’s only now though that I’m back in Philadelphia that young Julien Sorel has finally arrived in La Ville-Lumiere.It took me awhile to get into the book. I began it hoping for the same pleasures I recently found in Middlemarch, but it quickly became apparently that it’s for different reasons that Stendhal’s classic is still read today. It lacks, or does not even attempt, Eliot’s perspicaciously drawn characters and lyrical insights. Sorel, though by turns beguiling and irritating, is drawn more as a cipher than a real person. Instead, The Red and the Black is a determinedly political novel, engaged in direct and often obscure conversation with the 19th-century French society to which it was submitted.Nevertheless, halfway through, The Red and the Black has me gripped. It is exhilarating to read a novel so urgently engaged with the culture and society of which it’s a part. The Red and the Black feels like an act of revolution, and it is not hard to imagine the discomfiture it must have caused among the King’s court and clergy. At the same time, it is just this potency that gives The Red and the Black the quality of an artifact. It is nearly impossible to imagine a novel having anything approaching Stendhal’s intended effect on contemporary society, French or American. All polemical notes have already been sounded and absorbed and we’re too inured to blush much anymore.
To celebrate the release of Issue 5 of the Los Angeles Review, published by Red Hen Press, I will be reading tomorrow (Tuesday) night at Skylight Books, along with fellow contributors Eloise Klein Healy, Stephanie Eve Halpern, Jamey Hecht, and Timothy Green. If you’re in the L.A. area, come on by!
Book bannings at elementary school libraries are so commonplace as to barely be newsworthy it seems, but I did find the furor over gay penguins in North Carolina to be amusing. The fuss is over a book called And Tango Makes Three about a pair of male penguins at a zoo in (where else) New York City, who adopt a baby penguin.”My Two Dads” this is not, however, as some felt it promoted homosexuality. So much so, according to the AP story, that school officials jumped the gun and removed the book from shelves without putting it through the formal review process, which must be triggered by parents actually requesting that the book be removed. I can just imagine school officials checking their watches glumly, wondering when the parents will finally arrive with their pitchforks and torches. My favorite part of the story, though, is that the AP calls the tale of this penguin family a “controversial but true story,” as if it’s so outrageous (gay penguins!?) that some nefarious person must have made it up.
Ms. Millions and myself are expecting a number of house guests for Thanksgiving, so there probably won’t be much posting on the old blog for a few days. Luckily for you guys, though, I’ve brewed up a post chock-full of fascinating info for all of you. First off, Time Magazine columnist, Andrew Arnold put together a list of 25 best graphic novels of all time as part 2 of a series commemorating the 25th anniversary of the birth of the graphic novel, which, according to him (and many others), was the publication of Will Eisner’s A Contract With God: And Other Testament Stories. I haven’t read it but it’s supposed to be incredible. At any rate, Arnold has put together a great list that includes a couple of my favorite books of all time. Here are the ones from the list that I have read.From Hell by Alan Moore was lent to me, forced on me really, by a friend of mine who is really into comic books. I was skeptical, but this one turned out to be pretty riveting. The art, especially, is magnificent: noirish fields of black create an ominous mood that permeates the story.Jimmy Corrigan: The Smartest Kid on Earth by Chris Ware: This is one that really transcends the genre. When I read this, it made me wonder why people aren’t making graphic novels out of everything all the time. There are so many stories out there that can be made fascinating by the artists’ pen. Everyone should read this book.Maus Vols. 1 & 2 by Art Spiegelman: It’s hard to put into words how incredible these books are. If anyone requires proof that the graphic novel medium, when wielded expertly, can bring more to the table than the plain old written word, then these books provide it. Reading Maus is an emotional experience, and I think a lot of that emotion comes from reading a tragic story rendered in a format that seems so innocent. Everyone should read these two books, too.Understanding Comics by Scott McCloud: I’ve talked about this book before. There is something about comics, about the format of comics, that makes them enchanting and that makes them peculiarly well-suited for telling stories. I had always just accepted this as fact, but McCloud decided to find out why, and the result is a phenomenal book — itself a comic — that is both illuminating and entertaining. I should also thank Scott for pointing me in the direction of this list via his blog.More Mutis ManiaThis is good. This is really good. I open my email today to find this email from friend and fellow Alvaro Mutis & Maqroll the Gaviero obssesive, Brian:Man, oh, man, do I have some info for you! I was just casually glancing through a copy of Video Store magazine, when you wouldn’t believe what movie I came across…. “Ilona Arrives with the Rain.” Yep, apparently, it’s a Columbian film from 1996 that’s billed as “A dangerous romance full of international intrigue…. Based on the novel by award-winning Columbian author Alvaro Mutis.” Not sure if its really any good, but am still very curious to see it. A DVD is being released by Facets, and Amazon has a release date of December 16. Here’s the link: Ilona Arrives With the RainI’ll definitely be checking that one out.MoreMy friend Edan, who loves cookbooks, wants everyone to know that Home Baking: The Artful Mix of Flour and Tradition Around the World is a great new book by globe-trotting husband and wife team Jeffrey Alford and Naomi Duguid. And since we’re talking about cooking, here’s a quote from the book I’m reading right now: “‘Restaurants make lousy hobbies. You have to be obsessed and driven and completely out of your mind to own one.”But you had–”Two, yes. But Alice,’ Pete said almost tenderly, ‘I’ve been totally nuts my entire fucking life.'”
A nice rememberance of Hunter S. Thompson by his friend Paul Theroux in The Guardian.William T. Vollmann’s substantial look at Pol Pot: Anatomy of a Nightmare by Phillip Short in the NY Times.Deborah Solomon sits down for a long chat with Jonathan Safran Foer which reveals this: “he received a $500,000 advance for his first novel and a $1 million advance for his second, meaning that he is probably the highest-earning literary novelist under 30.”
Jack Kerouac’s On the Road is known as much for its content as for the story surrounding its creation: Kerouac wrote in a frenzied three weeks, typing furiously on a continuous scroll of paper, or so the story goes. The truth is though, while there is indeed a scroll – it has toured the country for years, stopping at various museums and libraries – On the Road’s creation is more complicated than that, as a recent NPR segment discussed.In fact, On the Road wasn’t written in a three week rush, it was half formed in Kerouac’s notebooks before ending up on the scroll and went through many drafts afterward. Furthermore, the version on the scroll isn’t what we’ve read, as the novel evolved in future drafts and was fairly heavily edited before Viking finally published the book in 1957. Not only that, the end of the scroll is missing – eaten by a dog supposedly – so it’s not entirely clear what Kerouac’s original intention was for the end of the novel.Still, the On the Road scroll is a powerful thing symbolically, and it may be closer to what Kerouac intended the novel to be than what was published originally. In recognition of that, for the 50th anniversary of the book’s publication, Viking (now a part of Penguin) is publishing the scroll (in book form, of course) with an ending taken from other early drafts of On the Road.For those who prefer the On the Road that we grew up reading (watered down though it may be), a standard 50th Anniversary edition is on its way as well. You can shelve it alongside the 40th Anniversary edition you bought ten years ago.