Brandon, who runs the blog antimodal, has created a little application that “handicaps” the great 20th century novels. It allows you to assign scores for different features, like “stream of consciousness,” and themes, like the “Black experience.” The scores enable you to promote or penalize a book based on these different characteristics. Note that you can add additional categories to the ones already listed by pressing the “Add New Category” button at the top of the page. In Brandon’s words, “The book list is still a work in progress. I am not familiar with many of the books there, so if you have information that would help classify a book, let me know.” Check it out.
I am a loyal subscriber to The Paris Review, which, for my money, is still the best literary journal on the market. With the most recent issue came a bookmark noting the launch of a new Paris Review online feature. It seems that founder and long-time editor George Plimpton had always wanted to make the hundreds of interviews the journal had published as part of its series “The Art of Fiction” available to anybody, anywhere, anytime. Now, thanks to the miracle of the interweb, that dream is a reality. “The DNA of Literature” is a complete catalogue of every interview The Paris Review has ever published. The series is being posted by decade every few weeks. The 1950s are up there right now, available as easily printable PDFs. The best of the excerpts shown on the page: William Saroyan on when he writes: “I like to stay up late at night and get drunk and sleep late…. The afternoon is the only time I have left…”Also, the DNA of Literature was paid for by a grant from the National Endowment for the Arts. I encourage anyone and everyone to check it out, if only so they may one day say to their grandkids, “There once was this thing called the National Endowment for the Arts…”And for anyone who is more into the whole aural side of interviews, I recommend the very strange yet wonderful “Live from Prairie Lights” series. This is a live interview show taped right here in Iowa City featuring interviews with writers like Marilynne Robinson, Max Allan Collins, Jeff Shaara, and many more. The interviewer is a rather eccentric woman who has become a local celebrity around this town. You can listen to the events live or hear clips from previous interviews via Real Player. It’s a hoot!
We’re moving this summer. I’m already dreading the packing, loading, moving, unpacking part, but other than that, I’m pretty excited. In July we’ll be departing for temporary digs in the Washington, DC area as we figure out our final destination. One thing’s for sure, though, our short stint in the Midwest is coming to an end. I never quite fell for Chicago, not the way I did for LA, anyway, but I have come to see why this place has a particular hold on people. I think part of it is the way the city wears its history on its sleeve. The city also has a rich literary history that is still very much being added to.All of this brings me, in a roundabout fashion, to the Riverhead catalog, which is next in the stack that I got from Penguin not too long ago. A couple of books in there – paperbacks of hardcovers that are already out – are worth sharing, one of which is a worthy addition to Chicago’s literature. Adam Langer’s The Washington Story brings readers back to West Rogers Park, a thickly multicultural neighborhood not far from where I live. The book is named after Harold Washington, who was mayor of Chicago during the 1980s, when the book takes place. The Washington Story is the sequel to Crossing California, Langer’s much praised debut (which is in the queue). The hardcover has been out since last August and the paperback comes out in September.Also coming out in September is the hilarious The Areas of My Expertise by John Hodgman. Hodgeman is now a regular on the Daily Show, where he does a nerdy expert shtick that is pitch-perfect, and he also appears in the new Mac commercials. The book – a compendium of fake facts, essentially – is perhaps most famous for the 700 hobo names contained within. You can hear Hodgman read the hobo names to music, and you can look at illustrations people have done of some of the hobos. Hodgman also has a blog. He ends all posts with “That is all.” The hardcover came out last October.Extras: From Penguin’s New American Library imprint comes The Sinner’s Guide to the Evangelical Right. The book is by Robert Lanham creator/editor of freewilliamsburg.com, and author of the Hipster Handbook. This time, Lanham turns his “anthropological eye” on conservative evangelical culture. The book comes out in September and would go well – or not – with this forthcoming “Compete Idiot’s” title. Finally, as if to prove that we’re all just one silly idea away from a book deal, the International Talk Like A Pirate Day guys have a book (which is already out, but I guess the publisher wants to remind booksellers to stock up each year in preparation for the lucrative Talk Like A Pirate Day shopping season).
The next novel I picked up was Jeffrey Eugenides’ The Virgin Suicides. I was, as some of you might recall, very impressed by Middlesex and wondered about The Virgin Suicides. Most of my friends who have only seen the movie despised it, and those who read it suggested that the book was a success and that I should never bother with the movie, which is precisely what I did. The Virgin Suicides has a very complex storyline, narrated in contrasting simplicity by a man years after a quiet suburb of Detroit was shaken up by the suicides of the Lisbon girls. Eugenides is very successful in capturing the mental state of teenagers, as well as their struggles in growing up and establishing an identity. The lack of a male influence among the Lisbons – a family of seven with five daughters – the dominant, repressive and over-protective nature of Mrs. Lisbon, and the disengaged, mostly submissive stance of Mr. Lisbon form the nexus of complexities that eventually infect the Lisbon family and drive the daughters to suicide. The sexual escapades of Lux – the youngest of four sisters following thirteen year old Cecilia’s suicide – and the enigmatic Trip Fontaine’s obsession with her expand the plot and provide a window into the social environment of 1970s suburbia. The Virgin Suicides presents a good glimpse of Eugenides’ immaculate prose by the delightful narrative of a grown up from the stand point of a ’70s teenager obsessed with inward girls and the mysteries that surrounded them. I would strongly suggest The Virgin Suicides as an intro to Euginedes.Mark Helprin’s Winter’s Tale is my fourth book of 2005. The time-bridging adventures of Peter Lake, a fantastic protagonist raised by the Baymen out on the Jersey shore and thrown into the life of New York at age twelve in the late 1800s, Pearly Soames, a gold-obsessed thief and the nightmare of all gangs in New York (think Bill the Butcher from Gangs of New York), Beverly Penn, daughter of media magnate Isaac Penn who suffers from consumption, and the bridge builder Jackson Meade, who aims to build the rainbow bridge that will bring the Golden Age all reflect on the essence of the human spirit, which is warmest in the bitter colds of Winter. The narrative moves from the late 1800s to the early 1900s in a chronological fashion until a crucial showdown between Peter and Pearly, whom the former had wronged by ambushing the gang – the notorious Short Tails – during an attack on the Baymen. Next, you find yourself in the 1990s (and keep in mind that this novel was written in 1983), in a futuristic world not so different than the one we live in today, but one that has lost all sense of romanticism and sincerity. Still, there are those affiliated with the Lake of the Coheeries (a mystical upstate town, unbeknownst to common eyes – a pseudo Neverland more along the lines of The Shire) who have assimilated into modern culture yet maintain a hidden greatness inherent in their heritage of understanding and love. As characters cross paths in search of the Golden Age, and few know what to look for, back comes Peter Lake, Pearly, and Jackson Meade. When these characters of a century ago find themselves in New York, in the 1990s, they are befuddled to say the least. But shortly, everyone comes to realize that the unsettled accounts of the past were but the beginning of a reckoning scheduled for a hundred years later. As events unfold, New York suffers from a terrible fire and one gets the feeling that things are headed for the worst. Helprin’s fantastic story is touching and surreal, the beauties he draws upon are essential elements that most of us are prone to forget or overlook. Winter’s Tale is also a great ode to New York, one of the central and most beautiful characters – yes a character indeed – in the novel. The early image and infinite ideal of New York is best described in another character, Hardesty Marratta’s proclamation: “For what can be imagined more beautiful than the sight of a perfectly just city rejoicing in justice alone.” If you are not a staunch realist and love a long build up, you will be delighted at the interplay of history, characters, New York, and romantic idealism that leads to a fantastic resolution.
Every time the stock market crashes, someone gets famous for having predicted it. Though some will argue that there’s always somebody arguing that armageddon is right around the corner (and that even a stopped clock is right twice a day), one of the voices who predicted our current economic crisis – banker and economic historian Charles R. Morris – is getting quite a bit of praise on Wall Street and his recently released book, The Trillion Dollar Meltdown: Easy Money, High Rollers, and the Great Credit Crash, is selling like hotcakes.Thanks to our 24-hour news cycle, newsworthy events (9/11, Katrina, elections, the Red Sox winning the World Series, etc.) often spawn books that are rushed into print so that they can be in front of readers before the next headline has taken the spotlight. Morris’ book is unique in that it’s not a rush job, he began formulating the ideas behind it back in 2005, basing his pessimistic view on the activities of hedge funds and other Wall Street firms. As a recent NPR interview put it, “He ran a company that created the software investment banks and hedge funds use to build these new, exotic credit instruments. And he saw how they used his software, and thought, ‘This is crazy,’ he says. ‘I was sure that people weren’t keeping track of the trends so they had proper margins and collateral and so forth.'”For those interested in the topic, the NPR interview linked above is good, as is The Economist’s review, which explains just how far back the roots of the crisis go, in Morris’ estimation, “Mr Morris deftly joins the dots between the Keynesian liberalism of the 1960s, the crippling stagflation of the 1970s and the free-market experimentation of the 1980s and 1990s, before entering the world of ultra-cheap money and financial innovation gone mad.”At Foreign Policy Morris has offered up an 8-step explanation for what exactly went wrong and gives some insight into what happens next. Despite some technical terminology, this article should prove quite illuminating for those bewildered by our current economic crisis.