Millions contributor and ardent Canadian, Andrew Saikali, dropped me a line to let me know that Ryszard Kapuscinski, the Polish journalist and one of my favorite writers will be on the CBC Radio program Writers and Company this Sunday, June 5th. If you’re interested, you can listen live by clicking through from here. (Check that page to see when it will air in your time zone.) It appears as though the show will also be available here for download for a week after it airs on Sunday.
I met several Chicago natives while I was there last weekend, and as we discussed the city’s various merits and drawbacks, the subject of bookstores came up. The Chicago natives, being aspiring reporters, astutely asked me what I look for in a “good” bookstore, and why a chain store is unlikely to bear this mantle.When it comes to hanging out, it’s hard to beat the chains. Your nearest Barnes and Noble probably has dozens of plush chairs and couches where you can sit for as long as you want. The stores are vast wide open spaces with a controlled climate and a bit of piped in music wafting just overhead. The shopper can make a day of it, grabbing a snack and a coffee from the cafe and lounging through the uncrowded weekday afternoon. Stay as long as you want, they won’t tell you to leave until they’re closing down for the night. If you want to kill an afternoon, it’s hard to beat Barnes and Noble, likewise if you need to pick up a specific title, but don’t expect to walk away with anything unexpected from these forays. Don’t plan for a literary discovery.And therein lies the problem with the chains, they are designed not to surprise you. Their displays will, as decreed from the home office, contain a calculated mix of bestsellers assembled from the major lists. The information that they disseminate is predetermined by prevailing tastes; they are not, themselves, tastemakers. And yet, if there is any more important generator of tastes, trends, and shared knowledge in the commercial world than the bookstore, then I don’t know about it. Nonetheless, there are very few bookstores that serve this purpose. And that, precisely, is what I am looking for.To my mind, a good bookstore will have on display the “important” books not just the bestselling books, though there will always be bestsellers among those important books. For example, The Da Vinci Code is important because it is a cultural phenomenon, but not simply because it sits at number one on the Times bestsellers. There are all sorts of reasons why a book can be important. The idea is that one should be able to walk into the bookstore and be able to grasp, based upon which books are on display and based upon conversations with staff and fellow customers, what matters at that moment both in the wider world and in the neighborhood, from Presidential exposes to burgeoning local talent. At a good bookstore you can place your confidence in the people who run the place.At Barnes and Noble you can get any book you want if you can find it in the vast fluorescent retail gymnasium, but at a good indie, the kindly book clerk will take his favorite book off the shelf and hand it to you, as if a gift. Most cities of any size have at least one of these good bookstores, and thanks to some recommendations that I have already received, I’m confident that I’ll find what I’m looking for in Chicago.
I’ve never been shy about my love for long form journalism – my love for the New Yorker is based on it – so I was intrigued to hear about a pair of books that collect some recent stand-out examples of the work from two other venerable magazines: New York and Harper’s. The former is represented in New York Stories and the latter in Submersion Journalism Both were reviewed a few weeks back in the LA Times. I was particularly intrigued by Submersion Journalism which includes work by Wells Tower, an excellent but not terribly well-known journalist who contributes to Harper’s, The Believer, Washington Post Magazine and others. We wrote about him a while back in an “Ask a Book Question” post. Unfortunately, a bunch of comments from readers listing several of Tower’s pieces were lost in the Great Comments Purge of 2006, but the post nonetheless provides some background.Tower is best known for the remarkable Harper’s piece “Bird-Dogging the Bush Vote,” for which he, as the LA Times puts it “embeds himself with some Bush boosters in Florida during the 2004 campaign in order to know thine enemy.” The article is, unfortunately, not available online for free, but it is included in Submersion Journalism. I’ve read it, and I think it rates up there with Hunter S. Thompson’s Fear and Loathing on the Campaign Trail as a piece of tragicomic political journalism.Stepping back, it’s always exciting to see collections like these come out, if only for the fact that they highlight some of the best, most entertaining journalism ever written. I concur with reviewer Marc Weingarten in the LA Times who writes, “The Web is clearly where the media is headed. But long, well-informed literary journalism like the stories found in these books is still the province of print. If readers forsake this stuff, well, shame on all of us.”See Also: The New New Journalists
When: Early afternoon Monday 9/15/03Where: A park bench in Larchmont (A tony neighborhood in L.A.)Who: Twenty-something manWhat: Bobos In Paradise: The New Upper Class and How They Got There by David Brooks.Description: “Once it was easy to distinguish the staid Bourgeois from the radical Bohemians. This field study of America’s latest elite–a hybrid Brooks calls the Bobos–covers everything from cultural artifacts to Bobo attitudes towards sex, morality, work, and leisure.”Anyone else like to go bookspotting?
CSPAN’s Book TV is an odd entity. It seems like it’s just used to fill the time, although there are occasionally interesting guests. Though CSPAN has never struck me as particularly publicity-hungry, the nonetheless have the Book Bus, “a mobile television production studio that travels the country promoting Book TV’s unique non-fiction book programming.” Recently, the Book Bus came through Laurie’s town, and she sent in her report:CSPAN’s “Book Bus” stopped by the Athens, GA public library for a couple hours on a very wet Wednesday afternoon in February. The two twenty-something female staffers, Ann and MaryAnn, gave tours and explained their traveling broadcast facility. It has a small kitchen and bathroom in the back, but the bulk of the bus is set up with broadcast equipment and a mini-studio for taping interviews. They were just finishing interviewing a local author when we arrived (I think, but am not certain, it was Mary Padgelek talking about her book In the Hand of the Holy Spirit: The Visionary Art of J.B. Murray, a biography of a self-taught Georgia artist). We toured the bus and I asked so many questions you could say they got interviewed for a change, though most of the answers were disappointing. What follows is my best recollection of the conversation:Q: We know BookTV is dedicated to nonfiction, but why so much on politics, American history and American biographies? Why not more on world history, world figures, nature, technology, explorers, science….?A: We do some of that. We’re primarily focused on what is of interest to our audience.Q: In that case, when you get to Atlanta in April, will you be interviewing Neal Boortz and Congressman John Linder, authors of The Fairtax Book which came out in 2005 and made the New York Times bestseller list?A: We hadn’t planned to, but that’s a good idea.Q: Atlanta seems to have trouble attracting good authors for visits. Most of them seem to stick to the Northeast and West Coast. Do you think BookTV could come to Atlanta more often and maybe raise publishers’ awareness of our existence?A: We come as often as we can. We recently covered an author talk for the Center for the Book at the Decatur public library, and have covered events at the Jimmy Carter Library.Q: You visit a lot of book festivals. Some great nonfiction has also been written in graphic format yet you’ve never been to a comics convention. Why not go to one and interview some of the nonfiction authors/illustrators there?A: We do nonfiction.Q: But some good nonfiction has been done in graphic format — most recently In the Shadow of No Towers by Art Spiegleman, La Perdida by Jessica Abel, Persepolis by Marjane Satrapi, Epileptic by David B. and Pyongyang by Guy Delisle, among others. There are even a couple annual conventions near Washington, D.C., your headquarters, that would be easy for you to get to and cover.A: It would be up to the comic book convention organizers then, to contact us about coming.(One of the staff gives out her business card as a contact point. I have no connection to these conventions but may forward the info to the organizers.)Q: Why are you staying in Atlanta for 12 days in early April?A: We’re attending a cable producers’ convention, but that’s not open to the public. We’ll basically be reporting to the industry that provides our production budget.Q: Earlier this year you stopped in Katrina-ravaged Mobile, Alabama. What was it like there? How did people with no homes or public facilities respond to a “Book Bus?”A: Another crew handled that, so we can’t say, but some interviews were taped that may be broadcast.They in turn asked if I would think up something to ask political theorist Francis Fukuyama for an upcoming 3-hour interview to air on March 5th, and then filmed me asking the question. Who on earth wants to listen to a political theorist for 3-hours?!! Is that their big audience — cable tv producers closely following political trends? Marjane Satrapi could easily fill one of those Fukuyama hours with the story of her life in Iran before and after the revolution and be a lot more interesting. (Postscript: we taped the show and saw that they aired my question, but I look awful. A friend called and said, “You look better in real life.” Thanks.) They rewarded us with free BookTV t-shirts, which come squeeze-packed in the shape of a 2″ x 1.5″ x 6.25″ bus, round wheels and all. My husband opened his and it was less interesting than the way it was packaged. My package is now displayed on a shelf at work, t-shirt still squeezed inside.The BookTV Bus folks wanted to try local food and planned to have dinner at Athens vegetarian institution The Grit. Maybe they got another interview out of it. Too bad Weaver D’s only serves lunch; that’s truly Deep South soul food – and Weaver’s definitely worth an interview by the BookTV bus folk.