A few days ago Scott put up a post about audiobooks in which he put forward the idea that listening to a book isn’t quite the same as reading it. There were quite a few people who disagreed with him, though not persuasively enough to change his mind. I happen to be a fan of audiobooks which I see as an alternative to bad radio rather than a substitute for reading. Anyway, in light of the recent discussions at Conversational Reading, I was intrigued by this article in the CS Monitor about the “Audies,” the Oscars for the world of audiobooks. The three finalists for Audiobook of the Year are an eclectic bunch: The Bad Beginning: A Multi-Voice Recording read by Tim Curry et al, My Life read by Bill Clinton, and Ulysses read by Jim Norton and Marcella Riordan (that’s 22 CDs or 27 hours worth of Ulysses by the way.)
Visit this link (and scroll down) for an excerpt of the new Philip Roth novel, The Plot Against America. In other news, Pulitzer Prize winner Edward P. Jones is one of 23 people to be given a MacArthur Foundation Genius Award. That’s “annual checks for $100,000 for the next five years, to be used however they want,” for those of you keeping score at home. This year’s other literary geniuses are short story writer Aleksandar Hemon (The Question of Bruno, Nowhere Man) and poet C.D. Wright (Deepstep Come Shining, Steal Away). Here are profiles of Chicago’s two geniuses.
February 23rd marks the 20th anniversary of the original publication of David Foster Wallace’s Infinite Jest, and on that date, his publisher Little, Brown is putting out a new edition of the now classic novel with a new introduction by Tom Bissell. To recognize, as Little, Brown put it, ” the deep way that so many readers have connected with the book over the last twenty years,” the publisher held a contest allowing fans to submit their designs for the new cover.
The winner, we can reveal, is Ohio-based designer Joe Walsh, who has dispensed with the sky imagery that has adorned all prior U.S. editions of Infinite Jest. Walsh’s cover is spare and employs symbolic imagery with a playful undertone. After seeing the cover, we reached out to Michael Pietsch, CEO of Little, Brown parent Hachette Book Group, and David Foster Wallace’s editor, to get his thoughts.
The Millions: Beyond the commercial considerations, why is now the right moment to issue a new edition of Infinite Jest and what does the book have to say to today’s readers?
Michael Pietsch: I’m astonished that ten years have passed since our 10th anniversary edition with a foreword by Dave Eggers. It’s the publisher’s job to find ways to keep books fresh, and an anniversary like this seemed an unmissable occasion to highlight how alive the book still is. Infinite Jest is embraced and discussed by ever larger numbers of readers with each passing year. This new edition is a celebration of that vitality and an invitation to those who haven’t yet turned the first page.
The book’s main ideas—that too much easy pleasure may poison the soul, that we’re awash in an ocean of pain, and that truly knowing another person is the hardest and most worthwhile work in the world—are truer now than they’ve ever been. Tom Bissell’s brilliant new Foreword calls attention to this far better than I can.
TM: Why did Little, Brown decide to go with a fan-designed cover and what would David have made of that decision?
MP: The internet has made it possible to see the massive amount of creative response readers have to Infinite Jest. I’d seen a lot of art connected to the book online, and it seemed that allowing readers who have loved it to submit cover designs for the anniversary edition was a way of honoring and highlighting all that creativity.
I never presume to comment on what David would have made of this or any other aspect of our work. The David Foster Wallace Literary Trust wholeheartedly supported the idea of inviting fans to submit cover art.
MP: David sometimes made suggestions for cover art. For Infinite Jest he proposed using a photo of a giant modern sculpture made of industrial trash—an interesting idea, but one that our creative director felt was too subtle and detailed to work as a cover image. The cover image for the paperback of A Supposedly Fun Thing I’ll Never Do Again is one he suggested, and that I’ve always loved.
Check out an excerpt of the Art of Fiction with Haruki Murakami from The Paris Review. If you are a Murakami fan like me, you should buy the issue and read the complete interview. If you do, you will find a discussion of Murakami’s upcoming novel Kafka on the Shore, which is due out in January. And from the British Library: “On this site you will find the British Library’s 93 copies of the 21 plays by Shakespeare printed in quarto before the theatres were closed in 1642.” (LINK)
Dave Eggers, as you may have heard, was tapped to write a new introduction to the 10th anniversary edition of David Foster Wallace’s Infinite Jest. The piece glows with praise for the gigantic novel, as one might expect (since such intros are, in many cases, packaging to sell the novel.) However, as The Rake has discovered, this isn’t the only time that Eggers has written about Infinite Jest. He was, in a 1996 review, very disparaging of the book. Perhaps Eggers has changed his mind about Infinite Jest, or perhaps the offer to write the intro was simply too tempting to turn down. As ever, I’m willing to give people the benefit of the doubt, but this smacks of opportunism.