The LBC gets another writeup, this time from the AP. Check it out, they lead with the “Oprah angle.” Oh, and since my dad didn’t understand my previous post about the LBC, I should clarify: yes, I am a member.
Elizabeth Gilbert speaks to fantasies, specifically the 21st century American variety of jet-set enlightenment by way of paradisiacal settings, and reassurance that broken hearts mend to love again. The fantasy is so persuasive that her book has singlehandedly augmented spiritual tourism in Bali.
● ● ●
Those of you out there who have your own websites have probably noticed how the sorts of things that send people your way from the search engines is very unpredictable. In July I wrote about a fantastic poem called "The Clerks Tale" by Spencer Reece which appeared in the New Yorker new fiction issue this past summer. So many people have come here looking for it that I thought it worth mentioning again, and also because it really is a terrific poem. Here is my original post. Here is the poem, and as an extra treat, here is a link to Reece reading the poem.
A few months ago the New York Times had an article about a study that challenged the conventional wisdom that used books cannibalize new book sales (see my post about it here). Now the Book Industry Study Group has released a report that delivers some numbers on used books sales, which are famously difficult to collect. A post at the bookfinder.com journal breaks down the data, but one key point is that the majority of used book dollars go to textbooks; understandable considering what college students are expected to shell out. Another key point is this: "General used book sales account for 3% of the value of all general book sales." That number seems awfully non-threatening to me, but as this AP story makes clear, the book industry is not worried about the total number, they are worried about the growth of general (non-textbook) online used book sales (25% between 2003 and 2004); they are worried about promotional copies getting sold on eBay or Amazon; And they are worried that the consumer book market will start to look like the market for textbooks, where prices spiral ever upward and (where applicable) new editions are released with alarming frequency in order to combat losses from used book sales. Is this the book industry's fault for making books too expensive and not finding better ways to embrace the new economy or are Amazon and eBay destroying the book industry as we know it (and would that be a good thing?)
There's a very entertaining article at the CBC Web site about the pros and cons of being prolific as a writer. It leads with a discussion of the output of Alexander McCall Smith of No. 1 Ladies Detective Agency fame, who regularly churns out 3,000 words at a sitting. Prolific authors are often envied, but if they happen to be genre writers they are likely to be derided as well, even as publishers covet them and count on them to bankroll riskier publishing endeavors: The dream of most publishers is to have at least one "house author," a writer with a robust fan base who can dependably churn out one title a year - giving the publisher the financial solidity to take the occasional flyer on more challenging (read: less gainful) authors.The article also includes a great quote from DFW: Musing on the seemingly inexhaustible John Updike, David Foster Wallace once asked, "Has the son-of-a-bitch ever had one unpublished thought?" Updike's absurdly prodigious output - in the form of novels, as well as short stories, travel writing and literary criticism - has undermined his stature in the eyes of Foster Wallace, as well as many fiction readers. I would tend to agree that volume can degrade one's reputation in the eyes of the reader. The article goes on to mention Joyce Carol Oates whose level of output many seem to take as a personal insult, and closes with an amusing comparison of Oates and Stephen King courtesy George Murray, proprietor of Bookninja.Curious about the output of different writers? This search returns lots of interesting numbers.