I loved reading long before I started working at a book store, but until I started working there I was only familiar with a relatively small universe of writers whose oeuvres I would methodically work through. Back then I didn’t always have a huge “to read” list, and so I would roam used bookstores looking for something that piqued my interest. At some point I started spending a lot of time in the anthology aisles of these book stores. For an undirected reader looking for a fiction fix, you can’t really beat the anthology. A good one will provide dozens of pleasurable experiences and introduce you to new writers or reacquaint you with writers you’ve forgotten. Perhaps the best thing about them is that you can put an anthology down after a few stories and then pick it up whenever you’re in the mood for a story. If you have a few anthologies around, you always have a short story close at hand. And don’t let anyone tell you otherwise, if the bulging anthology section at my bookstore was any indication, the anthology is not a dying breed. Here’s a sampling of anthologies to get you started:
Jonathan Safran Foer posted an excerpt from Extremely Loudand Incredibly Close at Gather.com (one of those social journalism sites), and readers left comments. A few days later he came back and answered some questions about the book. Writes Foer:My parents have a photograph of me on their refrigerator. I’m about six years old, asleep on the sofa, wearing a plaid blazer, a blue sequined bowtie, and rings on each of my ten fingers. Apparently, the look was indicative of my sense of fashion for about a year. That photograph was one of my major sources of inspiration for Oskar.Foer will also be doing a live “Ask the Author” session at Gather on June 23.I’d never heard of Gather.com before I got an email about this from someone there. The site’s a little too frenzied for me — I’m having trouble figuring out what it’s all about — but the Foer thing looks pretty cool.
The “Best Books of 2003” lists are coming fast and furious now. I’ve grabbed the links to a handful of them for your reading pleasure. The New York Times selected just nine books to be dubbed “Editors’ Choice,” a prestigious honor. The Seattle Times put together slightly a quirkier list of best books, while SFGate does a more all-inclusive notable books list. I also dug up some lists from a couple of papers that are not known for being literary trendsetters, but whose lists are rather refreshing, and perhaps more in tune with the tastes of the broader reading public when looked at next to the heavyweights: here are the “best books” lists of The Star Telegram in Dallas and the Sun Herald out of Biloxi, Mississippi. There isn’t a book that appears on all five of those lists, nor even on four out of five. There are four books which appear on three out of five lists, and together they make an eclectic bunch. The best of the year? Perhaps not, but a good little quartet:Living to Tell the Tale by Gabriel Garcia MarquezDrop City by T.C. BoyleHow to Breathe Underwater by Julie OrringerThe Master Butchers Singing Club by Louise ErdrichAnd now, weighing in at 133lbs. is the BIGGEST book of the year… (and according to Guinness, it’s actually the biggest of all time)
This week is turning out to be a mini-family reunion for me. My parents and two of my brothers are in town as are some aunts and uncles and cousins. Yesterday evening at a family barbecue near Venice Beach I fell into a conversation with my aunt and uncle about the reading habits of my young cousin, Tim, who is 10. He’s a very precocious reader and has finished off nearly all of the highly recommended children’s series that are out there right now: Harry Potter, Lemony Snicket, and Brian Jacques’ Redwall Series (I recommended Phillip Pullman’s His Dark Materials Trilogy since he hasn’t gotten to that yet.) The thing is, there’s a limited amount of high quality young adult fiction out there, so what do you do if your kid has read it all? Since I started working at the bookstore I have occasionally been posed this question by parents. It’s actually a crucial moment in the life of a young a reader, the point where they could very easily lose some interest reading because they have read all the kids’ books and aren’t allowed to read adult books. What folks sometimes forget is that there are quite a few books that, though they are shelved in the adult fiction section, are perfect books to help segue strong, young readers into the wider world that lies beyond the young adult section. Some people call these books classics, but they are perfect for challenging kids and keeping them interested in reading: The Adventures of Huckleberry Finn, The Time Machine, 20,000 Leagues Under the Sea, and Journey to the Center of the Earth, to name just a few. I would also recommend that these children read the books in their original forms, not the abridged versions. I remember reading abridged versions of various classics when I was younger, and I think lots of other folks do as well, but looking back it just doesn’t seem necessary. In fact, as an eleven or twelve year old, I learned a lot of complex things about the world around me from the books I read, and these important details, the harsh language in Huck Finn, for example, seem to be just the things that are excised in order to create the kid friendly versions. We challenge kids in many aspects of their lives, why not challenge them to explore the big questions that arise from reading the classics. I hope that the children’s book industry continues to move in this direction, and a lot of the intelligent and challenging kids’ books that are out there indicate that it will. On the other hand, my friend Edan pointed out to me the other day the upcoming release of a “Student Edition” of Yann Martel’s international bestseller Life of Pi, from which, one can assume, the editors have removed anything that might distress, and therefore challenge, a young reader. Here’s hoping that this doesn’t kick off a new trend.