Jonathan Safran Foer posted an excerpt from Extremely Loudand Incredibly Close at Gather.com (one of those social journalism sites), and readers left comments. A few days later he came back and answered some questions about the book. Writes Foer:My parents have a photograph of me on their refrigerator. I'm about six years old, asleep on the sofa, wearing a plaid blazer, a blue sequined bowtie, and rings on each of my ten fingers. Apparently, the look was indicative of my sense of fashion for about a year. That photograph was one of my major sources of inspiration for Oskar.Foer will also be doing a live "Ask the Author" session at Gather on June 23.I'd never heard of Gather.com before I got an email about this from someone there. The site's a little too frenzied for me -- I'm having trouble figuring out what it's all about -- but the Foer thing looks pretty cool.
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"Under a black cloud, the prison. And within the prison, a bright rebel. The walls were extremely high, and although this was not possible, they appeared to lean inward yet also to bulge outward, and they were topped with a luminous frosting of broken glass." This, of course, is an excerpt from Marlon Brando's posthumous (and swash-buckling) novel Fan-Tan. If you really want to get into it, the rest of the excerpt is here, mateys.Previously: Ask a Book Question: The 29th in a Series (I Coulda Been a Contendah)
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I have returned to the subject of the big televised book clubs a number of times since I started this blog nearly a year ago. I have reacted to them, at times, with shock, confusion, and dismay as when I was startled by the emergence of a new Oprah's Book Club, an event that necessitated placing a splashy red banner bearing Oprah's name across the cover of an American classic. Later on I would mellow out, having observed the profound (and mostly positive) effect that Oprah's new focus on classic literature was having on America's reading habits. And there was, of course, the piece that one time Oprah author Kaye Gibbons wrote emphasizing how important she found the club to be in getting more people to read. For most people who observe the book industry I think that the angst surrounding Oprah and the rest is dissipating, and most folks have come to realize that the good done by these clubs far outweighs the damage. A year ago it was possible to see the occasional angry screed directed against the proliferation of on air reading groups, but now, as Caryn James explains in this New York Times article, the ambivalence is waning. And, in fact, Oprah deserves a good deal of praise for both her selection of the Gabriel Garcia Marquez classic One Hundred Years of Solitude and the depth of the Book Club section of her website (which unfortunately requires you to register if you want to see it). So, the consensus seems to be that these book clubs are mostly good intellectually, but the impact of these clubs on the industry commercially cannot be overestimated. As this interesting roundup of the last ten years of bestsellers in USA Today shows, Oprah's club has become as important as blockbuster news stories and runaway cultural fads when it comes to creating mega-bestsellers. (By the way, how about the amazing five straight "book of the year" titles for the Harry Potter Series.)