The National Book Foundation announced the young writers that it will be honoring with its annual “5 Under 35” selections, which the Foundation calls “a celebration of bright new voices.”Mostly I wanted to bring this up because two of the five have recently been featured at The Millions in posts arranged/conducted by Edan. Nam Le, whose book The Boat has been garnering much praise, was the subject of a highly entertaining interview last month. And Sana Krasikov, author of the equally praised One More Year, recently penned a guest post for us about reading Andre Dubus in Iowa.Also on the list is Keith Gessen, author of All the Sad Young Literary Men, who once made an appearance in the only all out comment war ever to transpire at The Millions. Rounding out the five are Matthew Eck who wrote The Farther Shore and Fiona Maazel who wrote Last Last Chance.
Most of you have probably read it, or at least heard about it: Sasha Frere-Jones in the New Yorker posits that the cultural inter-borrowing that long underpinned the vibrancy of American music has fallen by the wayside in the current era of mopey indie rock (I mostly agree). The essay is good – though-provoking – but what has really rounded it out has been his series of responses, on his blog, to the various letters he received – 1, 2, 3, 4 – which have turned his effort into the sort of bull session that regularly happens among music fans.In a similar vein, in this case in the world a film, One-Way Street posits that we have a problem we never expected: “an American cinema that’s too good.” The argument is fairly convincing. But I can’t help but think that some arguments to the contrary might turn the post into a bull session as intriguing as the one Frere-Jones has curated at the New Yorker.
We at The Millions have been anticipating Roberto Bolaño’s magnum opus, 2666, for months now. While I’m not convinced that a book review is capable of capturing the beauty and profound oddity of this novel, my best effort is currently featured at More Intelligent Life.Bonus link (from the archives): “Why Bolaño Matters“
Laurel writes to tell us about a fiction contest that she’s involved with at Verb. Stories up to 5,000 words are eligible and the winner receives $1,000 and publication in an issue of Verb. The judge for the contest is Thisbe Nissen who wrote Osprey Island and once helped my friends find an apartment in Iowa City. Verb isn’t your typical literary magazine, by the way. Laurel says: “Verb is the first audioquarterly, which means that you’ll be recording your story for distribution through audible.com, and to subscribers on a CD! If you would prefer, an actor may record in your stead. Past contributors include Robert Olen Butler, Stuart Dybek, Peter Case, Julianna Baggott, Ha Jin, and many others.”
I stopped by the Vroman’s Bookstore blog today to answer some questions about teaching creative writing. On Tuesday, June 3rd, I begin teaching a 6-week beginning fiction class for their Vroman’s Ed program.Also, if you have a teenager, you might consider signing him or her up for my summer fiction writing class for high school students, which begins Tuesday, June 24th. If you are a teenager, and you’re reading this blog, well, you rock and I want you in my class!