In today’s Public Editor column in the New York Times, Daniel Okrent takes the opportunity to mercilessly bash the Tony Awards as well as the Times’ lavish coverage of them. The only productions eligible for Tony’s are ones that take place “on” Broadway as opposed to “Off,” despite the fact that “the various Off or Off Off Broadway houses … launched all but one winner of the Pulitzer Prize for drama in the last decade (the exception originated in a nonprofit theater in Florida).” Meanwhile back at the Times, Okrent claims that there will soon be better coverage of theatre: “the Times is on the brink of a long-planned, apparently expensive and unquestionably overdue renovation of its cultural report, scheduled to premiere in the fall.”
Who knew there was such a market for rejected New Yorker cartoons? The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker (which we noted upon its release) apparently did well enough to spawn a sequel: The Rejection Collection Vol. 2: The Cream of the Crap.Those who really go in for cartoons that never saw the light of day may also appreciate Killed Cartoons: Casualties from the War on Free Expression, a collection of editorial cartoons that got spiked from various newspapers for various reasons.Finally, if we may leap to cartoons that were no doubt jettisoned from generations of classrooms, a massive two volume set collecting the complete cartoons of Mad Magazine legend Don Martin. Hard to go wrong with that.
The title of this post is taken from a poem called "Chicago" by Carl Sandburg. The reference is to the men of the meat-packing industry, and the nickname came to represent the burly, blue-collar mentality of the place. At least, that's what I've gathered so far. Mrs. Millions and I are more or less fully relocated in Chicago. We found an apartment and we'll be moved in by the first of the month. The apartment is located in a neighborhood called Ravenswood. It sounds like something out of Edgar Allan Poe, no? We've been here about a week, and we've spent a lot of time driving around, looking for a place to live and getting to know the city. So far, it seems like a great place. Around every corner there seems to be a row of shops, cafes and restaurants, and driving by Wrigley when a game is on is remarkable. I can see that Chicago has its own very distinct identity, and being here makes me want to read some books that are about or set in the city. Some candidates: American Pharaoh by Adam Cohen, The Devil in the White City by Erik Larson, Crossing California by Adam Langer, and The Coast of Chicago by Stuart Dybek.
J.K. Rowling's slow, inexorable slide out of retirement continues. As we noted a couple of months ago, "For someone who's not writing any more books about Harry Potter, J.K. Rowling sure is doing a lot of dabbling."Earlier this year, we wrote about one of Rowling's post-retirement dabblings, the production of seven handmade copies of Beedle the Bard, a book of "wizarding fairy tales" referred to in the Harry Potter series. Amazon spent $4 million on a copy, and then used it to market a writing contest. Part of the prize, incidentally, was the opportunity "to spend a weekend with the rare and delightful book of fairy tales (security guards included, of course)."Now that prize doesn't look quite so exclusive, as Bloomsbury and Scholastic have made an edition the book available for the masses for just $7.59 and arriving in early December, just in time for the holidays. Amazon is going one further, offering up to 100,000 pricier facsimile "collector's editions," with "a reproduction of J.K. Rowling's handwritten introduction, metalwork and clasp, and replica gemstones," as well as various other accouterments.All net proceeds go to a charity co-founded by Rowling.
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We are leaving for Chicago very soon, and with no place to live as of yet, I do not know when I will be blogging again... not for a couple of weeks, probably. So, I will leave you with something, though not book-related in any way, that you may find quite useful:One of my favorite beverages is the Bloody Mary: vodka and spicy, peppery tomato juice poured over some ice cubes and garnished with celery and maybe a wedge of lime. It kind of makes you thirsty just thinking about it, doesn't it? Me too. It reminds me of college, in fact. At the University of Virginia daytime cocktail parties (especially on football weekends) are a mainstay. It was at these parties where I discovered my taste for the Bloody Mary. I also discovered that of the many adult beverages available to us, the Bloody Mary is one of the few that can't just be consumed anywhere, at any time. You will look silly if you order a Bloody Mary at your local pub on a Friday night and you probably won't enjoy it very much either. The peculiar thing about the Bloody Mary is that there is most certainly a time and place for them. Over the years, I set out to determine exactly what those times and places are. If you have been nearby while I've been drinking a Bloody Mary, you have probably heard my set of rules. Still, I worry that I might forget them one day, so I've decided to immortality them in this here blog. I submit now, for your consideration, The Bloody Mary Rules. Enjoy!The Rule of Thumb: No matter where you are, you may drink as many Bloody Marys as you like between dawn and noon. After noon, you may have Bloody Mary as your first drink of the day, but afterwards you must move on to other adult beverages. After sunset, you may not drink any Blood Marys.The Codicils (Or exceptions to The Rule of Thumb, if you like. At any rate, this is where things get interesting): Irrespective of the time of day, you MAY drink Bloody Marys (as many as you like):1. On airplanes1a. At the airport bar, but ONLY if your plane has been delayed2. At wedding receptions3. At horse races4. While bowling5. And, finally, on boats
This weekend, hurtling toward the conclusion of Charles Dickens' Little Dorrit, I took a pit-stop to thumb through Edgar Johnson's biography of the author. I was curious to see what had triggered Dickens' transformation from the showman of the early novels to the architect of the series of dizzying edifices that began with Dombey and Son. I didn't find the answer I was looking for. I did, however, discover the wonderful fact that Dickens was the victim of plagiarists, who during his lifetime published knockoffs like David Copperful, Nikelas Nickelbery, The Posthumous Papers of the Pickwickians, and - my favorite - Oliver Twiss.You may recall that a couple of years ago, there were newspaper reports about Chinese J.K. Rowling manqués, who authored such blockbusters as Harry Potter and Beaker and Burn and Harry Potter and the Filler of Big. Apparently, this was no late-capitalist aberration, but part of a venerable literary tradition. I'm now wondering what might happen if some Millions favorites were plagiarized. The Corruptions? Jilliad? Shabbat's Theatre? The Amazing Adventurousness of Caviller and Quai? The Short Wonderful Life of Oskar Wow? Your suggestions are welcome below.
Back in 1996, Imani Josey wrote a 60-page draft of a story she called “The Secret Cave,” about three girls who travel to an alternate universe and discover they are fairie princesses. Josey now cites this the first draft of The Blazing Star, a young adult fantasy novel about three black girls who time-travel to ancient Egypt that she self-published last fall. For years after that draft, though, Josey didn’t write publicly. She was busy being a student and a beauty queen—she was crowned both Miss Chicago and Miss Black Illinois USA—as well as a dancer. She still wrote, keeping journals, penning stories for her friends, and composing fan fiction that, she says will “never see the light of day.” She did her writing privately until, around 2011, she felt ready to dive back in. The story on her mind? That same one from 1996, the one that had stuck with her through all the years and would blossom into her debut novel in 2016. Josey has written before about the importance of black girl magic, and her novel features three black female protagonists, which, in 2017, is still unusual, even while books featuring black girls and women continue to prove themselves in the marketplace (Angie Thomas’s The Hate U Give, for example, has been on The New York Times bestseller list for 21 weeks now). Josey felt passionately that her girls’ stories deserved to be told. “It’s important to tell black girls’ stories with agency because it normalizes blackness,” she says. “These stories ensure we’re not ‘othered.’” She added that her parents surrounded her, in childhood, with images of black girls being normal, through dolls and books with black protagonists. “These images showed me that I could be a well-rounded, complex person with likes and dislikes and experiences that matter like anyone else’s, and who knew her black skin was beautiful just the way it was,” she said. “It was my parents’ mission to ground my normalcy in my agency, not in my proximity to whiteness.” So, in her book, Josey gives her girls agency. The Blazing Star is the first book in a projected trilogy, with each book written from the point of view of one of the main characters. The Falling Star, its sequel, will be released in February 2018. The book is published by Wise Ink, an self-publishing company. Josey said she originally tried to go the traditional publishing route, but was rejected by countless agents. Nonetheless, she believed in her story, her characters, and her mission, and says her confidence paid off: the book sold out on release day. “I was hell-bent on my book series doing what traditional pub is dragging its feet to do—fixing the representation gap—a major component of why I went indie,” she said. “I’m not sure how many other black girls are on the cover of YA fantasy book series, and I’m not sure how many lead their own stories as protagonists. But judging by Lee & Low’s annual research, the number is incredibly low.” In fact, Lee & Low wrote a blog post in March of this year revealing that, while the number of protagonists of color is increasing, the number of authors of color is not: last year, “Black, Latinx, and Native authors combined wrote just 6% of new children’s books published,” the post reports. Josey gave a bit of advice for white allies who wish to support the work of black creators: make use of their privilege to ensure black writers get their voices heard: “It means being vocal advocates, suggesting marginalized authors for mainstream events, giving their books as gifts and signal boosting crowdfunding projects,” she said, “as well as supporting marginalized traditional and independent authors.” Josey said she loves that self-publishing allowed her the “freedom to make [the book] exactly how I wanted,” but adds that the self-publishing road is hard. She said it’s been a struggle, especially when it comes to marketing and large-scale distribution. But she considers herself a fighter, a tough person, traits she partially attributes to her pageant history. “Pageants made me tougher,” she said. “[They] taught me about scrutiny and rejection...They taught me about marketing. They taught me about chasing big dreams, even when you don’t know if everything will turn out alright.”