Last time I was at the book store I noticed an interesting cultural history sort of book called Rats: Observations on the History and Habitat of the City’s Most Unwanted Inhabitants. The “city” is, of course, New York City and the book uses rats as a vehicle to explore the New York’s intricacies and tribulations. The author of the book, Robert Sullivan, is known for his quirky, narrative-based non-fictions, The Meadowlands and A Whale Hunt. If you’re into the whole rat thing check out this Newsday journalist’s account of an evening spent “ratting” with Sullivan. From rats to elephants: during my daily travels the other day I caught an interview with the author of an interesting-sounding book on one of the local public radio shows. Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear is a history of the magic act written by a master magician, Jim Steinmeyer. The book describes the origins of tricks that have become magic cliches, like sawing a lady in half. He also seeks to describe the interesting blend of mystery, showmanship, and hucksterism that embodied the turn of the century magic show. Finally, I mentioned the other day the centennial of the birth of Dr. Suess. It turns out that there is a sturdy coffee table book to commemorate this event. It displays his life and work and bears the somewhat dubious title: The Seuss, the Whole Seuss and Nothing But the Seuss.
I have discovered these past few days that there are two types of people: those who like daylight saving time, and those who do not. The folks who like daylight saving are like me. They are optimists who look forward to a long summer of sun-drenched evenings, where you can spend the evening hours outside in the warm, lingering dusk. Those who don’t like daylight saving moan about losing a single hour on one weekend of a year of weekends. These people’s lives are mercilessly scheduled, and they apparently find no way to derive joy from the extra daylight, they instead cling to that lost hour as an example of the many ills that befall them. I don’t like those people.
Last week I posted about the Gather.com contest to get into Amazon Shorts, and yesterday I got a note about another opportunity for writers that sounds interesting. This one is from the very cool online literary magazine Narrative:For any of you who may have overlooked the Editors’ Note in our most recent issue, we’re writing to let you know that we are looking for short short stories. In conjunction with Robert Shapard and James Thomas, who edit the popular anthologies Sudden Fiction and Flash Fiction, we’re planning a feature in Narrative to coincide with the publication of New Sudden Fiction, which will be forthcoming from Norton in January 2007. Our feature will present a collection of short short stories by both well-known and newer writers, and we’re inviting submissions of stories that run between seven hundred and fifty and two thousand words, or no less than three and no more than five pages in manuscript length.Concurrently, Narrative is also seeking book-length manuscripts for serialization in the magazine. The details are available on their Submission Guidelines page (You’ll need to register before you can see this page).There’s also a catch – isn’t there always? – Narrative charges a reading fee: $5 for the short shorts and $30 for book-length works. Not being particularly well-versed in the world of literary magazines, I don’t know how prevalent such fees are (feel free to enlighten me on this one), but for what it’s worth, my understanding is that Narrative uses such fees to pay contributors, fund a prize, and make the magazine free for all.
Michael Chabon has posted some news on his infrequently updated and often cryptic blog. Here’s the latest:His forthcoming novel The Yiddish Policemen’s Union is “completed and headed for copy-editing.” The book will come out in May of 2007 – really looking forward to this one, by the way. You’ll recall that late last year the book was postponed until “winter 2007.”Chabon talks about a project with the working title “Jews with swords,” which is “a projected 16-part serialized novel,” or perhaps a graphic novel, since he indicates that it will run in the NY Times Magazine Funny Pages section in January following the Michael Connelly/Seth collaboration (That sounds cool, too). No word on who will provide the art.Update: Obviously I haven’t looked at the NY Times Mag lately. It turns out that these comics and serialized novels are separate things that have been running in the magazine. So “Jews with swords” will most likely just be a straight up serialized novel… See the comments of this post for more details.He also provides some movie updates. On the film version of The Mysteries of Pittsburgh, he writes: “About to enter the magical estate known as ‘principal photography,’ in the great city of Pittsburgh.” We already knew that thanks to Pinky’s update from the scene. Of the film version of The Amazing Adventures of Kavalier & Clay, he gives us this update: “Status: Complying With Polite Request To Stop Posting About It On This Website, Already.” I guess he got in trouble for his post about it in June.There is also reference to a project called “Snow and the Seven.” In July, The Guardian wrote about the project saying, “Snow White is about to be transformed into a martial arts epic with Shaolin monks replacing the seven dwarves of the original Grimm Brothers fairytale.” Chabon wrote the script apparently, but it sounds like it’s not going very well. “‘They love you, but they want to go in another direction.’ ‘What kind of dir–‘ ‘More of a fun direction.’ ‘Oh.'” IMdB still lists him as one of the writers, along with two other scribes, but not for long it seems.Finally, Chabon adds some books to his “Reading Ten Books At Once” list:The Cossacks by Leo TolstoyThe Complete Western Stories of Elmore LeonardContingency, Irony and Solidarity by Richard RortyYou Don’t Love Me Yet by Jonathan Lethem (Hadn’t heard about this. Very cool. Comes out March 13, 2007)A Journey to the End of the Millennium by A.B. Yehoshua
In the New Yorker, Ian Frazier shares some stories about how the modern novel is threatening to bring down the American economy.Right now, it’s costing me forty-five dollars to fill up my 4Runner, which is about two novels. Tough decisions are going to have to be made. I’m used to having a newly released hardcover on the dash of my vehicle, another in the back seat for the kids. At home, we’ve got a novel in each bedroom, two in the family room, one in the laundry room for my wife when she’s down there, and a novella in the john. We go through a couple of dozen novels in a year without even noticing. I hate to say it, but this can’t go on.