I’m a map person. There are random maps all over the walls of my house, mostly freebies that my coworkers at the book store, knowing my interest, have passed along to me. Looking around right now I can see a “Rail Map of Europe,” “World Terrorism: a Reference Map,” and this odd, black and white, line drawing map of Illinois, among several others. When I live somewhere with enough room, I intend to have several atlases. Thus, I was excited to find today a book called You Are Here by Katharine Harmon. It’s sort of a popular history of maps with heavy focus on amateur maps, folk art maps, and maps that are related to popular culture. She is especially interested in what maps can tell us about the way we see the world. I’m looking forward to getting this one.
This weekend, hurtling toward the conclusion of Charles Dickens' Little Dorrit, I took a pit-stop to thumb through Edgar Johnson's biography of the author. I was curious to see what had triggered Dickens' transformation from the showman of the early novels to the architect of the series of dizzying edifices that began with Dombey and Son. I didn't find the answer I was looking for. I did, however, discover the wonderful fact that Dickens was the victim of plagiarists, who during his lifetime published knockoffs like David Copperful, Nikelas Nickelbery, The Posthumous Papers of the Pickwickians, and - my favorite - Oliver Twiss.You may recall that a couple of years ago, there were newspaper reports about Chinese J.K. Rowling manqués, who authored such blockbusters as Harry Potter and Beaker and Burn and Harry Potter and the Filler of Big. Apparently, this was no late-capitalist aberration, but part of a venerable literary tradition. I'm now wondering what might happen if some Millions favorites were plagiarized. The Corruptions? Jilliad? Shabbat's Theatre? The Amazing Adventurousness of Caviller and Quai? The Short Wonderful Life of Oskar Wow? Your suggestions are welcome below.
Miguel de Cervantes' Don Quixote has been on my reading list for a long time. Upon Max Magee's suggestion I picked up the recent translation by Edith Grossman sometime in January 2004. It took me a good 11 months to work up the appetite, desire and guts to indulge in this phenomenal piece of writing. Described by many as the beginning of modern novel, Don Quixote relates a crazed Alonso Quixano's sallies from his native La Mancha to various provinces of Spain. Beyond the usual adventures of the windmills, freeing of the slaves, and fair Dulcinea - all of which are a part of every child's introduction to fairy tales and literature - lies the second part of the novel. Cervantes published two Don Quixote novels, and whereas the first one colors our imaginations as children, the Part II - published ten years after Part I, in 1615 - brings forth Cervantes as a witty author who employs Don Quixote's insanity to illustrate the genius of his loyal servant Sanco Panza; the trivial entertainments of the Duke and the Duchess, whose cunning knowledge of the first novel, which is referred to numerous times in Part II, provide for the creative and chivalric plots that the nobles employ to ridicule Don Quixote; and a grand finale of sobriety that settles for once and all the history of Don Quixote. Cervantes ends the illustrious misadventures of Don Quixote to prevent new issues of fake Don Quixote novels from appearing. Cervantes' answer to authors who attempted to profit on the first Don Quixote's success, one Alonso Fernandez de Avellaneda in particular, is derisive and rash - bordering on self flattery through his diatribe on other authors. Don Quixote opened a new window in my mind with its accessible language - thanks mostly to Grossman's spectacular translation - and cunning use of word plays, romantic approach to the bygone days of knight errantry, mockery of social dogmas, integration of tangent plots - oh yes, you read at least 3 unrelated short stories in the novel - and eternally modern style. The novel's mix of fantasy and reflections on society definitely place it in the pile of books the are must re-reads, albeit not in the short term - it will certainly take me a while to put aside another chunk of time for the second serving.I was distracted at times from reading Don Quixote by Oscar Wilde's The Picture of Dorian Gray and Other Writings. Matt Clare, a close friend and literary fiend, was kind enough to present me with this magnificent work that captures a unique time period in British society. Clare's inscription on the cover reads "no Baron [on the Trees, by Italo Calvino, which I had presented to him earlier] to be sure, [but] the Lord may still have something to teach us." Indeed, Lord Henry Wotton quickly became a new idol of mine, decadent and lost, with no particular interest in anything that the London high society of the 1880s held dear, nor any high aspirations that provided for the chatter at tea parties. The Jekyll and Hyde nature of The Picture of Dorian Gray presents vain struggles and trivial issues in an intentionally serious tone, which mocks the core of British culture at the time. There is much to be said about the twists and turns of The Picture of Dorian Gray, which keep the reader on his toes and makes the story an amazing, insightful and philosophical page turner. What follows in the 4 plays and final ballad also collected under the same volume (Lady Windermere's Fan, Salome, An Ideal Husband, The Importance of Being Ernest, and The Ballad of Reading Gaol) is not as intense as the opener, but nevertheless very entertaining and universal. Oscar Wilde's only drawback is the limited nature of his subjects, but he does a phenomenal job in conveying the stuck up nature of the crowd that he once was a part of.Related: Max's thoughts on Don Quixote
Michael J. Arlen's 1958 humor piece "Are we losing the novel race?" (which can be found in the New Yorker's anthology of humor writing) starts out thusly: "As if things weren't bad enough already, word has just reached me that the Russians have recently published a 1,600 page novel." The amusing little piece, published at the height of Cold War hysteria, spoofs both the nation's fear of an impending nuclear war and the literary world's longtime obsession with heft. The Cold War is over now, but people are still fascinated by really big books.The latest really big book is a 1,360 page debut novel called Hunger's Brides: A Novel of the Baroque by a Canadian named Paul Anderson. An article in the NY Times - which includes this quote from Anderson's publisher: "I told him, 'You can't not go there.' And that's how it got longer." - is dutifully descriptive on the subject of the book's size: "It weighs 4 pounds, 9 ounces, equivalent to two and a half copies of The Da Vinci Code, and it is thicker than Verizon's Manhattan telephone directory (either the white or yellow pages)." Luckily, the author seems to have a sense of humor about having published such a, shall we say, weighty book: his official Web site includes a slideshow of "safe reading positions". And if you're really curious, there are several excerpts up as well.
Last week I wrote a brief post about football books and wondered why there aren't more of them, especially compared to baseball. In yesterday's Baltimore Sun, reporter Childs Walker takes that same idea and runs with it much farther than I did in his comprehensive article. Walker's impetus for writing the piece is a trio of recently released football books: John Feinstein's first pro football book, Next Man Up, David Halberstam's book about Bill Belichick, The Education of a Coach, and Allen Barra's bio of Bear Bryant, The Last CoachWalker cites many compelling theories as to why baseball books dominate the sports literature landscape even though football is the more popular sport (at least in terms of TV ratings)."It's funny how few good books get written about the passions of people who don't read books," Michael Lewis wrote in the New Republic. "There are vast tracts of human experience that, because of the sort of humans having the experience, go ignored by talented writers. Football is one of them."Baseball is the older game, having risen to popularity at a time when the written and spoken word were the only ways for many fans to experience players and games. Football, by contrast, found much of its audience through television, and its early history feels cut off.Walker goes on to run through several football books that are worthy of the mantle "sports literature," starting with the two books I mentioned last week, George Plimpton's Paper Lion and Instant Replay by Jerry Kramer, a guard for the Green Bay Packers in the 1960s, and Dick Schaap. Also mentioned are a pair of novels - progenitors of the Oliver Stone film Any Given Sunday, it seems - North Dallas Forty by former Cowboys receiver Peter Gent and Semi-Tough by Sports Illustrated writer Dan Jenkins. And finally several non-fiction books about football: H.G. "Buzz" Bissinger's book "of a Texas town's obsession with high school football" in Friday Night Lights (also recently a movie); Mark Bowden's study of the Philadelphia Eagles, Bringing the Heat; When Pride Still Mattered, David Maraniss' bio of Vince Lombardi and Mark Kriegel's bio, Namath. These books all sound like a great way to pass the time for those six days between Sundays.
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C.S. Forester's fictional naval hero, Horatio Hornblower (of the Hornblower series of adventure novels), has one of the more memorably silly names in literary history. So, British researchers were quite surprised when they found a real life Hornblower in centuries old census records. Other silly names uncovered: Boadicea Basher, Philadelphia Bunnyface, Faithful Cock, and many more.
Faced with a stark choice - where to buy books in New York congressional district 8 - I have decided to endorse my new employer, the Housing Works Used Bookstore & Cafe. As any American who's attended a reading or browsed the shelves at HWUBC's SoHo location knows, the store is a home away from home for bibliophiles. Better still, all of the store's profits go to Housing Works, a nonprofit that supports homeless New Yorkers living with HIV. Recently, Housing Works has entered the online book business. So this election season, if you want a candidate who will protect your pocketbook while working for social change, look no further than the Housing Works page at half.com. I'm Garth Risk Hallberg, and I approved this message.