I’m a map person. There are random maps all over the walls of my house, mostly freebies that my coworkers at the book store, knowing my interest, have passed along to me. Looking around right now I can see a “Rail Map of Europe,” “World Terrorism: a Reference Map,” and this odd, black and white, line drawing map of Illinois, among several others. When I live somewhere with enough room, I intend to have several atlases. Thus, I was excited to find today a book called You Are Here by Katharine Harmon. It’s sort of a popular history of maps with heavy focus on amateur maps, folk art maps, and maps that are related to popular culture. She is especially interested in what maps can tell us about the way we see the world. I’m looking forward to getting this one.
Now the much-vaunted “Oprah effect” has hit Britain, where a brief mention of Joseph O’Connor’s Star of the Sea on a popular daytime show caused sales to go through the roof. Stunned by the response, the hosts claim that they will once again press their producers to allow them to start a book club. It’s amazing to me that the TV book club phenomenon did not actually originate in England, where the world of books is far more integrated into popular culture. In fact, last summer’s “Big Read,” a sort of all time greatest books countdown show on the BBC, was wildly popular and apparently bumped book sales in England noticeably. Meanwhile, Star of the Sea, a book that received decidedly mixed reviews gets a boost that points to the power of the television in the world of books. Here’s the original “Oprah effect” story.To anyone who has read Dan Brown’s mega-blockbuster The Da Vinci Code, here’s an interesting article from the Fort Lauderdale Sun Sentinel that tries to separate the facts from the fiction.The Pulitzer Prizes will be announced in a couple of months and I’ve been thinking about who might win. I’ve lately been favoring Random Family: Love, Drugs, Trouble, and Coming of Age in the Bronx by Adrian Nicole LeBlanc in the General Non-Fiction category. I’ll probably muse over who I favor for the next several weeks, and stay tuned for the First Annual Millions Pulitzer Pool (complete with prizes!). Details to come.
Jack Kerouac’s On the Road is known as much for its content as for the story surrounding its creation: Kerouac wrote in a frenzied three weeks, typing furiously on a continuous scroll of paper, or so the story goes. The truth is though, while there is indeed a scroll – it has toured the country for years, stopping at various museums and libraries – On the Road’s creation is more complicated than that, as a recent NPR segment discussed.In fact, On the Road wasn’t written in a three week rush, it was half formed in Kerouac’s notebooks before ending up on the scroll and went through many drafts afterward. Furthermore, the version on the scroll isn’t what we’ve read, as the novel evolved in future drafts and was fairly heavily edited before Viking finally published the book in 1957. Not only that, the end of the scroll is missing – eaten by a dog supposedly – so it’s not entirely clear what Kerouac’s original intention was for the end of the novel.Still, the On the Road scroll is a powerful thing symbolically, and it may be closer to what Kerouac intended the novel to be than what was published originally. In recognition of that, for the 50th anniversary of the book’s publication, Viking (now a part of Penguin) is publishing the scroll (in book form, of course) with an ending taken from other early drafts of On the Road.For those who prefer the On the Road that we grew up reading (watered down though it may be), a standard 50th Anniversary edition is on its way as well. You can shelve it alongside the 40th Anniversary edition you bought ten years ago.
Confirming some rumors that have been floating around the Internet, Amazon unveiled a new design for its product pages today. This may not be of interest to many, but I am fascinated by the way Amazon evolves, adding features and slowly reinventing itself over time. Most striking about the new pages is the huge photo of the book cover that now gets prominent placement. This seems like a good thing for shoppers. When you’re buying books over the Internet, it’s hard to assess the more tangible aspects of a book, so the big photo seems like a good move. At first glance the pages are much longer as well with editorial reviews and then customer reviews stretching well down the page. The sidebar(s) are gone too, giving the pages a more spare look. I guess the idea here is that Amazon is pushing for the impulse buy… maybe trying to make readers more likely to buy the book without reading the reviews below. Here is a look at one of the new pages. Any thoughts?Update: Whoa, they’ve added other features, too. Check this out. You can see the “the 100 most frequently used words in this book,” and see other stats like number of characters (444,858 in Gilead) and words (84,830), which amounts to 5,424 words per dollar… not a bad deal, I guess.Update 2: Now all this new stuff is gone. I wonder if the new features and look will come back or if Amazon was just performing some cruel experiment on us.
Not to be a shill for Amazon, but for those who like to save money on books, you can get a fourth book free after buying three books under ten dollars. They’ve got lots of paperback classics that fit the bill.
The Rake is underwhelmed by a Lily Tuck reading, but nonetheless manages to put together a characteristically amusing recap of the event. Now that’s dedication.Ed visits used bookstore run by the cranky and paranoid and lives to tell the tale.CAAF on good vs. bad protagonists.McSweeney’s fans: I couldn’t help but notice that Amazon is shilling issue #14 for the low, low price of 6 bucks. Get ’em while they’re hot.
Following the lead of powerhouses Bookforum and The New York Review, the interdisciplinary magazine BOMB appears to be in the middle of a major project to make a lot of its content available free, online. This should be a boon to highbrow bibliophiles. For years, BOMB‘s author interviews have offered deep perspective on the state of the art, while its monthly publication schedule has indemnified it against the faddishness that characterizes so much cultural coverage. Visitors to the new version of www.bombsite.com can browse interviews with the likes of Peter Nadas and Roberto Bolano (archived from 2001)… as well as the current cover-story: a conversation with Kate Valk, my favorite actor in New York and “a national treasure.” Be sure also to peruse the BOMB’s excellent literary supplement, First Proof.