This past weekend, I had the opportunity to see an amazing exhibit at UCLA’s Hammer Museum. I first read about Lee Bontecou in the New Yorker a month or so ago. The article described a young woman artist who had been poised to become a household name, but instead quietly excused herself from the art world for a secluded life in rural Pennsylvania. Now, more than 30 years later she has been coaxed out of hiding for a retrospective that includes the work that first brought her notoriety as well as everything she’s done since then, while working out of the spotlight. I had never heard her name mentioned in art history classes nor had I seen any of her work in New York galleries, yet the article made her work sound undeniably compelling. Having now seen these remarkable wall hangings, constructions, mobiles, and drawings in person, I can say quite frankly that I was truly amazed by her work. It is very difficult to describe Bontecou’s work since it only obliquely relates to the work of other artists of her generation. The intricately fashioned constructions and mobiles are somehow simultaneously emotional and technical, intricate and organic. I implore everyone to see this retrospective. It is a remarkable event. Here’s the deal: 10/5/03 to 1/11/04 at the UCLA Hammer Museum, Los Angeles; 2/14/04 to 5/30/04 at the Museum of Contemporary Art, Chicago; and 7/30/04 to 9/27/04 MoMA QNS, New York. Abrams has put out a lovely companion volume for the retrospective. Also in art, yesterday at the bookstore I noticed a good-looking new book by the whimsical architectural illustrator, Matteo Pericoli. In 2001 Pericoli put out a book called Manhattan Unfurled, a hard bound fold out drawing of the Manhattan skyline as viewed from the perimeter of the island. In a simple yet playful continuous line drawing, the whole of the city is captured from viewpoints across the Hudson and East Rivers. His new book Manhattan Within is another hard bound fold out drawing, but this time it takes an insider’s view of the city. In the same style as before, he draws the skyline of the city as seen from within the confines of Central Park. Both books include journals full of Pericoli’s musings and observations as he trekked inside and outside of the city trying to capture its spirit with pen and paper. Taken together, the two books are a refreshingly new take on an old and much used subject. Visit Matteo Pericoli’s website to see his work.
Using Amazon.com bestseller rankings as his data set, a physicist at UCLA, Didier Sornette, and his coauthors have just completed a study to investigate which phenomena lie behind the creation of best-selling books. While Sornette acknowledges that a big sales spike occurs after a book receives a prominent review or a mention on television, “the slower peaks tend to generate more sales over time.” He finds that word of mouth is — scientifically — the best way to sell books. Or, to put it another way, it appears as though the laws of physics decree that creative marketing will win out over the more aggressive variety. Here’s the abstract for the original study with all its scientific mumbo-jumbo.A Baseball Book MiracleAs Janet Maslin notes in her review of Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season, Stephen King and Stewart O’Nan couldn’t have picked a better year than this one to write a fan’s-eye-view book about their beloved Boston Red Sox. Maslin likes the book and I’m not surprised; passion for the subject matter often leads to inspired and entertaining writing.
This week is turning out to be a mini-family reunion for me. My parents and two of my brothers are in town as are some aunts and uncles and cousins. Yesterday evening at a family barbecue near Venice Beach I fell into a conversation with my aunt and uncle about the reading habits of my young cousin, Tim, who is 10. He’s a very precocious reader and has finished off nearly all of the highly recommended children’s series that are out there right now: Harry Potter, Lemony Snicket, and Brian Jacques’ Redwall Series (I recommended Phillip Pullman’s His Dark Materials Trilogy since he hasn’t gotten to that yet.) The thing is, there’s a limited amount of high quality young adult fiction out there, so what do you do if your kid has read it all? Since I started working at the bookstore I have occasionally been posed this question by parents. It’s actually a crucial moment in the life of a young a reader, the point where they could very easily lose some interest reading because they have read all the kids’ books and aren’t allowed to read adult books. What folks sometimes forget is that there are quite a few books that, though they are shelved in the adult fiction section, are perfect books to help segue strong, young readers into the wider world that lies beyond the young adult section. Some people call these books classics, but they are perfect for challenging kids and keeping them interested in reading: The Adventures of Huckleberry Finn, The Time Machine, 20,000 Leagues Under the Sea, and Journey to the Center of the Earth, to name just a few. I would also recommend that these children read the books in their original forms, not the abridged versions. I remember reading abridged versions of various classics when I was younger, and I think lots of other folks do as well, but looking back it just doesn’t seem necessary. In fact, as an eleven or twelve year old, I learned a lot of complex things about the world around me from the books I read, and these important details, the harsh language in Huck Finn, for example, seem to be just the things that are excised in order to create the kid friendly versions. We challenge kids in many aspects of their lives, why not challenge them to explore the big questions that arise from reading the classics. I hope that the children’s book industry continues to move in this direction, and a lot of the intelligent and challenging kids’ books that are out there indicate that it will. On the other hand, my friend Edan pointed out to me the other day the upcoming release of a “Student Edition” of Yann Martel’s international bestseller Life of Pi, from which, one can assume, the editors have removed anything that might distress, and therefore challenge, a young reader. Here’s hoping that this doesn’t kick off a new trend.
In 2007 and 2008, Frank Kovarik, who writes and teaches English in St. Louis, sent us a spreadsheet that he has used to catalog New Yorker fiction since 2003, and now, with another year of data included, we’re going to revisit it.Frank’s spreadsheet records not just the titles and authors of the stories published in the New Yorker, but things like gender, country of origin, and frequency of appearance. He also includes his own personal quality rating for each story (your mileage may vary; he writes about his favorites here).Frank has once again generously offered to make his spreadsheet available to Millions readers. If you’re interested, you can see it here.With seven years of data compiled, we can get some hard info on the New Yorker’s tendencies when publishing fiction.Frequency:
The first thing we always look at is if the New Yorker is bringing new writers into the mix or sticking with its old standbys. Just 10 writers account for 82 (or 23%) of the 358 stories to appear over the last seven years. Just 18 writers account for 124 (or 35%) of the stories. The New Yorker is sometimes criticized for featuring the same writers again and again, but it appears to be getting better on this front. The 18 “standbys” noted above and listed below accounted for only 7 of the 49 stories published in 2009 (or 14%). On the flip side of this argument, 15 writers appeared in the New Yorker for the first time in 2009 (at least since 2003).Gender:
Of the 358 stories in the New Yorker from 2003 through 2009, 131 or 36.6% were penned by women. (That’s down from 38.1% last year.)Nationality:
The fiction section of the New Yorker is a pretty multi-cultural place, but Americans still make up the bulk of the contributors. 184 of the stories, or 51% (up from 50% after 2008), are American (and this leaves off several writers who could be conceivably classified as both American and a native of another country). Coming in in second are the Brits at 29 stories and in third the Irish at 23 stories.Returning to the frequency question, below are all the writers who have appeared in the New Yorker at least five times over the last six years. These are the superstars of New Yorker fiction (stars indicate the number of stories, if any, they had in the New Yorker in 2009.):12:Alice Munro10:Tessa Hadley**William Trevor8:T. Coraghessan Boyle7:George Saunders**Jonathan Lethem**Louise ErdrichJohn UpdikeRoddy DoyleHaruki Murakami6:Antonya Nelson*Thomas McGuane5:Tobias WolffCharles D’AmbrosioEdward P. JonesRoberto BolañoLara Vapnyar
I am almost done reading a very remarkable book. Actually, it’s not really a book, it’s seven novellas about one man, a mysterious character by the name of Maqroll the Gaviero. He is too complex to really describe, but I suppose I might try: he is an adventurer first and formost, preferably by sea, but he is not in it for the excitment. His travels are constant because it is his compulsion. He is a lover of the world and ships and beautiful women. He is an excellent judge of character, though he is often drawn into disregarding his own judgements. He encounters many fascinating characters, and we follow as well the Gaviero’s companions and trusted friends, Abdul Bashur (Dreamer of Ships) and Ilona Rubenstein (the Nymph of Trieste).The Adventures and Misadventures of Maqroll by Alvaro Mutis is, dare I say it, on par with and even surpasses the work of Borges and Garcia Marquez. These novellas span the globe like no book ever has. Maqroll visits every continent and sniffs out schemes and companions in every port. This Maqroll, he is no vain adventurer, no hero. He is tortured by his restlessness. He is at the same time a most exceptional man, well-read and loyal, courteous and brave when bravery is required. And yet he is so fragile. I worry about Maqroll as he is blown about the globe by the whims of a strange fate. I am almost done with the 7th and final novella. I have almost reached the last of the 700 pages, but I am not ready to say good bye. This Maqroll, he can really get ahold of you. I have read some books, and though I am by no means an expert, I can say that this book will have to be a classic. It is just so good.