This past weekend, I had the opportunity to see an amazing exhibit at UCLA’s Hammer Museum. I first read about Lee Bontecou in the New Yorker a month or so ago. The article described a young woman artist who had been poised to become a household name, but instead quietly excused herself from the art world for a secluded life in rural Pennsylvania. Now, more than 30 years later she has been coaxed out of hiding for a retrospective that includes the work that first brought her notoriety as well as everything she’s done since then, while working out of the spotlight. I had never heard her name mentioned in art history classes nor had I seen any of her work in New York galleries, yet the article made her work sound undeniably compelling. Having now seen these remarkable wall hangings, constructions, mobiles, and drawings in person, I can say quite frankly that I was truly amazed by her work. It is very difficult to describe Bontecou’s work since it only obliquely relates to the work of other artists of her generation. The intricately fashioned constructions and mobiles are somehow simultaneously emotional and technical, intricate and organic. I implore everyone to see this retrospective. It is a remarkable event. Here’s the deal: 10/5/03 to 1/11/04 at the UCLA Hammer Museum, Los Angeles; 2/14/04 to 5/30/04 at the Museum of Contemporary Art, Chicago; and 7/30/04 to 9/27/04 MoMA QNS, New York. Abrams has put out a lovely companion volume for the retrospective. Also in art, yesterday at the bookstore I noticed a good-looking new book by the whimsical architectural illustrator, Matteo Pericoli. In 2001 Pericoli put out a book called Manhattan Unfurled, a hard bound fold out drawing of the Manhattan skyline as viewed from the perimeter of the island. In a simple yet playful continuous line drawing, the whole of the city is captured from viewpoints across the Hudson and East Rivers. His new book Manhattan Within is another hard bound fold out drawing, but this time it takes an insider’s view of the city. In the same style as before, he draws the skyline of the city as seen from within the confines of Central Park. Both books include journals full of Pericoli’s musings and observations as he trekked inside and outside of the city trying to capture its spirit with pen and paper. Taken together, the two books are a refreshingly new take on an old and much used subject. Visit Matteo Pericoli’s website to see his work.
This morning I read this bittersweet story in the New York Times about the auctioning of Vladimir Nabokov’s personal effects by his son Dmitri. As Dmitri has no heirs, it was agreed before the elder Nabokov’s death that it would be best to sell the collection before the death of the younger Nabokov. Reading the story, with its descriptions of invented butterfly drawings for Nabokov’s wife Vera — “They have variegated colors, delicate artistry and fanciful names. Only on these pages appear the blue ‘Colias verae’ or the dark ‘Maculinea aurora Nab.'” — reminded me of how much I enjoyed reading Nabokov’s lyrical memoir, Speak, Memory, when I was in college. I read it for a class called Transatlantic Identities, taught by the dandyish Professor Tucker (who was most of all devoted to John Ruskin). We read a dozen or so memoirs penned over the last 150 years on either side of the Atlantic. Among these, Speak, Memory, was transcendent, inspiring an interest both in lepidoptery and Nabokov’s expressive prose. As I read the book, Nabokov, in my mind, was transformed from the scurrilous author of the scandalous Lolita to the quiet emigre with a fascination for butterflies, and whose expertise with these brightly- winged insects landed him the curatorship of the butterfly collection at the Museum of Comparative Zoology at Harvard. Now that these butterflies have been scattered throughout the world, one can only hope that the hands that now hold them will cherish the butterflies as much as the hands that created them.
Dan Wickett is putting together the first (that I know of) blog-hosted short story contest. Dan will collect the entries and pass on the finalists to guest judge Charles D’Ambrosio. The winner will be published on Dan’s blog and in the Spring 2007 issue of Frostproof Review. What are you waiting for? Send something in.
Nick Hornby, the British novelist and professional music fan who folks love to hate will have a new novel out in the US in June. Though Songbook is good bathroom reading, Hornby’s books are just too fluffy for me. At Yossarian’s Diary they’ve already had a look at the new book, and the prognosis isn’t good:April brings A Long Way Down, a new novel from Nick Hornby, and sadly I don’t think the showers will wash it away. Yossarian so wants to like Hornby’s fiction, but each book seems to be so much poorer than the last (although his non-fiction is always enjoyable to read)–and How to Be Good was a very poor work from such a high profile author. However, if you liked that book, then you’ll undoubtedly like this tale (known around here as The Pizza Suicides) of four strangers who meet on a roof as they all decide to end it all by jumping off. One of them, a pizza delivery boy, is an American. You can tell this by the way he says “man” a lot. Hmmmm.
The boy wizard isn’t gay, but apparently his beloved professor is. J.K. Rowling “outed” Dumbledore at a Carnegie Hall reading, inspiring “gasps and applause” as well as wire stories. Over the years, Rowling hasn’t been particularly aggressive about being a self-promoter; she hasn’t had to as the Harry Potter books have made her rich and famous without her having to occupy too much of the spotlight. Still, this seems like an all too easy way to gin up a little controversy and keep Harry Potter in the headlines now that the series is over.Now I won’t deny that it makes plenty of sense for writers to flesh out the lives of their characters in their minds. Many writers take this a step further and put these fictional biographies on paper. And it’s quite probable that in writing Dumbledore over the years, Rowling decided that he was gay.As the creator of perhaps the most beloved set of characters in literary history, Rowling has a tremendous amount of power. This sort of power can be easily abused. Knowing they will get no more books from Rowling, fans will take each new tidbit about Harry and the gang like the starving might savor a crumb. Meanwhile, each of these out-of-thin-air details will be folded neatly into the growing pantheon of Potter companion literature.To me, though, there’s something terribly spare and arbitrary about these post-publication revelations. What are we as readers supposed to do with these out of context details? Can we ignore them? Should we?As a side note, have there been other examples of similar, post-publication, extra-textual revelations related to famous books? I tried to think of some, but came up empty.
I’d noticed that over the last few months, John McPhee’s articles in the New Yorker have been somewhat thematically linked, and it occurred to me that his next book would probably be about that theme, transportation. Based on the contributor’s notes from last weeks issue, it appears as though this is indeed the case: “This piece” – about coal trains – “is part of a series about freight transportation that will be published as a book, Uncommon Carriers, in May.” None of those articles are available online, but off-hand I recall ones about river barges, UPS’s gargantuan shipping operation and riding along in a tanker truck. In an interview at the New Yorker site, McPhee talks a little bit more about the book, which he says grew out of his work on Looking for a Ship – which Emre and I both read recently. He also discusses the enormity of his twenty year undertaking, the Pulitzer Prize-winning book about American geology, Annals of the Former World.
Gather.com, the folks who put together a chat with Jonathan Safran Foer not too long ago, have announced a new writing contest. Online writing contests are a dime a dozen, but the cool thing about this one is that the four winning short pieces (fiction or non-fiction) will be “published and sold on Amazon Shorts,” which would undoubtedly be a terrific venue for any aspiring writer. In fact, it’s along the lines of what I hoped Amazon would do with its Shorts program.