Today, while I was driving, I caught a review of Triangle: The Fire That Changed America by David Von Drehle on Fresh Air. It was a very favorable review (in fact the book has been getting great reviews in most places). I would love to read the book and comment on it here, but I can’t forsee myself getting to it any time soon. And therefore, I won’t get to talk about it here. The stack of books is just too high. Yet I happen to have an advance copy of Triangle, and I hate to see it gather dust. So here is my idea: whoever among you would like to read this book and put together a little review or comment or whatever on it for this site, email me and I will send you the book. Then I was thinking, I am lucky enough to have access to advance copies of books from time to time, and wouldn’t it be great if I could pass them along to people so they can write a little something which I can then post on The Millions. It sounds like good fun to me. So… if you would like to review Triangle for The Millions email me and I will send you the book. (By the way Triangle is about the Triangle Shirtwaist fire, an unconscionable tragedy that proved to be a watershed event in improving working conditions [and especially working conditions for women] in America.) As I get other new books, I will offer them up for review as well. Also, if you happen to have access to review copies of books, and would like to help stock my guest review program, well, that would be really sweet.
A new book about a largely forgotten civil rights battle is getting good reviews. One Man’s Castle by Phyllis Vine tells the true story of an African American doctor in Detroit in 1925 named Ossian Sweet. The day he moved his family into a white neighborhood, his house was surrounded by an angry mob throwing rocks. Attempting to defend his family, Sweet fired on the crowd killing one of them. This AP review continues: “in a remarkable civil rights victory for the time, two all-white juries refused to convict them — recognizing the principle that a man’s house is his castle, regardless of race.” It sounds quite interesting.Everyone will be rushing out to see Troy this weekend, but you may want to flip through The Iliad if you want to get the real story.
It’s been over a decade since James Wood came on the scene to reclaim literary criticism as its own kind of literature, and though all his enthusiasts have a top-ten list of the Wood essays with which they most strenuously disagree, he comes by his reputation as “our best critic” honestly. Indeed, disagreeing with Wood can be an education in and of itself; if I had to choose one critic to pan my own work, it would be Wood. But what if I could choose a critic to praise it?For several years, Wyatt Mason of Harper’s has quietly been reinvigorating an even more recondite form than the critical essay: the literary encomium. As with Wood’s considered corrections, one can disagree with Mason’s glowing appraisals of Mary Gaitskill or Charles Chadwick (I wasn’t as enamored of It’s All Right Now as Mason was), while still being provoked to think – and feel – more deeply about literature.Congenially, Mason’s tastes are closer to mine than are Wood’s. (Witness his translation of Eric Chevillard’s wonderfully weird Palafox.) I’m particularly in his debt for introducing me to the fiction of Leonard Michaels, and at the end of the month, harpers.org will be offering the essay in question to non-subscribers. For the time being, one can check out a brief, but interesting enough, interview about Michaels.
HarperCollins, which has been more and more active in many facets of the online world, is rolling out a “virtual book tour” with the BlogHer Advertising Network and Community. With hundreds of blogs in the network, BlogHer represents an ample crop of writers and readers for HarperCollins, which is spurred on by BlogHer’s data that among women who read blogs in the network “32 percent spent at least $100 purchasing books online in the past six months.” The idea is that HarperCollins will make review copies of several books available for bloggers in the network to read and review “and participate in book title discussions on their own blogs and on BlogHer.org.”It all seems like a perfectly reasonable plan to build an Oprah-like grass roots phenomenon, but I have two reservations. First, Oprah doesn’t have a special arrangement with any specific publisher, and while there is likely some corporate horse-trading behind the scenes when she makes her picks, at least we know she isn’t limited to only talking about selections from a small subset of all the books out there. Secondly, BlogHer operates an ad network. From the press release, it doesn’t appear as though HarperCollins will be buying ads through the network, but if that does happen, then this initiative will have crossed a line. Obviously, I have no problem with advertising on blogs and/or getting review copies from publishers, but advertising shouldn’t be explicitly tied to an initiative like this.Update: Some of the concerns I raised have been addressed in a followup post.
Back in 1996, Imani Josey wrote a 60-page draft of a story she called “The Secret Cave,” about three girls who travel to an alternate universe and discover they are fairie princesses. Josey now cites this the first draft of The Blazing Star, a young adult fantasy novel about three black girls who time-travel to ancient Egypt that she self-published last fall.
For years after that draft, though, Josey didn’t write publicly. She was busy being a student and a beauty queen—she was crowned both Miss Chicago and Miss Black Illinois USA—as well as a dancer. She still wrote, keeping journals, penning stories for her friends, and composing fan fiction that, she says will “never see the light of day.”
She did her writing privately until, around 2011, she felt ready to dive back in. The story on her mind? That same one from 1996, the one that had stuck with her through all the years and would blossom into her debut novel in 2016.
Josey has written before about the importance of black girl magic, and her novel features three black female protagonists, which, in 2017, is still unusual, even while books featuring black girls and women continue to prove themselves in the marketplace (Angie Thomas’s The Hate U Give, for example, has been on The New York Times bestseller list for 21 weeks now). Josey felt passionately that her girls’ stories deserved to be told. “It’s important to tell black girls’ stories with agency because it normalizes blackness,” she says. “These stories ensure we’re not ‘othered.’” She added that her parents surrounded her, in childhood, with images of black girls being normal, through dolls and books with black protagonists.
“These images showed me that I could be a well-rounded, complex person with likes and dislikes and experiences that matter like anyone else’s, and who knew her black skin was beautiful just the way it was,” she said. “It was my parents’ mission to ground my normalcy in my agency, not in my proximity to whiteness.”
So, in her book, Josey gives her girls agency.
The Blazing Star is the first book in a projected trilogy, with each book written from the point of view of one of the main characters. The Falling Star, its sequel, will be released in February 2018.
The book is published by Wise Ink, an self-publishing company. Josey said she originally tried to go the traditional publishing route, but was rejected by countless agents. Nonetheless, she believed in her story, her characters, and her mission, and says her confidence paid off: the book sold out on release day.
“I was hell-bent on my book series doing what traditional pub is dragging its feet to do—fixing the representation gap—a major component of why I went indie,” she said. “I’m not sure how many other black girls are on the cover of YA fantasy book series, and I’m not sure how many lead their own stories as protagonists. But judging by Lee & Low’s annual research, the number is incredibly low.”
In fact, Lee & Low wrote a blog post in March of this year revealing that, while the number of protagonists of color is increasing, the number of authors of color is not: last year, “Black, Latinx, and Native authors combined wrote just 6% of new children’s books published,” the post reports.
Josey gave a bit of advice for white allies who wish to support the work of black creators: make use of their privilege to ensure black writers get their voices heard: “It means being vocal advocates, suggesting marginalized authors for mainstream events, giving their books as gifts and signal boosting crowdfunding projects,” she said, “as well as supporting marginalized traditional and independent authors.”
Josey said she loves that self-publishing allowed her the “freedom to make [the book] exactly how I wanted,” but adds that the self-publishing road is hard. She said it’s been a struggle, especially when it comes to marketing and large-scale distribution.
But she considers herself a fighter, a tough person, traits she partially attributes to her pageant history. “Pageants made me tougher,” she said. “[They] taught me about scrutiny and rejection…They taught me about marketing. They taught me about chasing big dreams, even when you don’t know if everything will turn out alright.”