Hello Everyone…. Welcome to my new home… Lovely isn’t it. This is just phase one of the many changes that will be coming to The Millions, so please stay tuned….
Some new books that are getting lots of praise, and some excerpts from those books:Natasha and Other Stories by David Bezmozgis -- review, excerptLittle Black Book of Stories by A.S. Byatt -- review, excerptYou Remind Me of Me by Dan Chaon -- review, excerptCrossing California by Adam Langer -- reviewAlso of note: the creation of the Man Booker International Prize has been announced. From the press release, "Worth £60,000 to the winner, the prize will be awarded once every two years to a living author who has published fiction either originally in English or whose work is generally available in translation in the English language. The first winner will be announced in mid 2005." Now Americans will finally be able to get their hands on a Booker.
In the world of Google, we are all aware of our doppelgangers. These people share our names, but we never meet them except to rub elbows in search engine results. In pre-Internet days, however, fewer of us felt the odd sensation of sharing your identity with another person. In order for this to happen, you either needed serendipity or a very common name, or you needed to share a name with someone notable.My parents aren't big football fans so when they named me, they had no way of knowing that the name they gave me was effectively identical to the man who scored the first touchdown in the first Super Bowl.Max McGee was a tight end for the Green Bay Packers, and it didn't seem to matter to football fans that our names are off by a letter (like me, he also went by his middle name). My whole life, people, upon hearing my name have asked me if I knew about him. It wasn't long before I knew by heart the story of that first Super Bowl. I'll let Wikipedia recount it:In his final two seasons, injuries and age had considerably reduced his production and playing time. Ironically, these two seasons would be the ones for which his career is best remembered. In the 1966 season, McGee caught only four passes for 91 yards and a touchdown as the Packers recorded a 12-2 record and advanced to Super Bowl I against the Kansas City Chiefs. Because McGee didn't expect to play in the game, he violated his team's curfew policy and spent the night before the Super Bowl out on the town. The next morning, he told starting receiver Boyd Dowler, "I hope you don't get hurt. I'm not in very good shape."However, Dowler went down with a separated shoulder on the Packers' second drive of the game, and McGee, who had to borrow a teammate's helmet because he had not even brought his own out of the locker room, found himself thrust into the lineup. A few plays later, McGee made a one-handed reception of a pass from Bart Starr, took off past Chiefs defender Fred Williamson and ran 37 yards to score the first touchdown in Super Bowl history. By the end of the game, McGee had recorded seven receptions for 138 yards and two touchdowns, assisting Green Bay to a 35-10 victory.I bring this up because I've just heard the news that McGee died at the age of 75. Tragically, it happened following a fall from his roof, where he'd been clearing leaves. Since I've talked about McGee with people regularly for my whole life, it seemed strange not to mention his passing. I suspect people will still note the name we (almost) share, but probably less and less as his gridiron feats recede into history.
Brian, one of my more well read and more ebullient friends, sent me this email emoting about one of the more underappreciated writers of the 20th century, Joseph Roth. Roth's reputation and body of work were recently addressed in a New Yorker piece by Joan Acocella. Here's Brian's reaction:took the advice of the New Yorker and started reading Joseph Roth's collection of short stories and am totally overwhelmed. read "Stationmaster Fallermayer" from the collection on your next break. amazing. i just ordered Radetzsky March from amazon (along with seamus heaney's translation of Beowulf) --j. roth is one of those writers that was meant to write as we are all meant to breathe and move and sleep -- his prose is beautiful: perfect constructions and his sentences convey much human truth -- one of those guys who writes a line and immediately we 'know' it as we have felt it a million times but have never been able to articulate it the way he does... i look forward to pillaging his oeuvre.... He makes it sound pretty great. Unfortunately I didn't get to read "Stationmaster Fallermayer" during my break at work yesterday, but I certainly intend to soon.
The plight of the literary magazine and the demise of the short story are often bemoaned here in the US, but compared to the state of things in Britain, America is paradise for short story writers and readers. So says a recent essay in the Guardian, which hopes that a newly announced short story prize - worth 15,000 pounds, the world's richest - will ignite a passion for short fiction in that part of the world. According to Aida Edemariam, who penned the essay, in Britain, size matters: The British attitude to the short story - that it is somehow lesser, a practice space for the real thing, which is, of course, the novel; that you can perhaps start out writing a collection of stories, but you have somehow failed if you don't graduate to a minimum of 200 pages - has always baffled me. I cannot comprehend the underlying assumption that a particular kind of stamina is somehow better, of more value. It's like privileging the marathon, or the 1,500m, over the 100m.After citing several examples of the form, Edemariam goes on to write: "I know these are North American examples, but it is there where, as (Dave) Eggers points out in his introduction to The Best of McSweeney's Volume I, there 'are probably over a hundred high-quality literary journals,' that the short story is truly alive; disdain for the form is a British phenomenon."Who knew we had it so good?