My Landlord

I love repetition. I love doing the same thing at the same time and in the same place, day in and day out. I love it because something happens in repetition: Sooner or later, the heap of sameness, accumulated through all the identical days, starts to glide. That’s when the writing begins.

The view from my window is a constant reminder of this slow and invisible process. Every day I see the same lawn, the same apple tree, the same willow. It’s winter, the colors are bleak, there are no leaves, and then it’s spring, the garden is bursting with green. Even though I see it every day, I’m not able to notice the changes, as if they take place in a different time frame, beyond the range of my eye, in the same way high-frequency sounds are out of reach of the ear. Then the slow explosion of flowers, fruits, heat, birds, and insane growth we call summer is here, then there’s a storm, and the apples lie in a circle under the tree. The snowflakes melt the instant they touch the ground, the leaves are brown and leathery, the branches naked, the birds all gone; it’s winter again.

In my youth, I considered Cicero’s claim, that all a man needs to be happy is a garden and a library, utterly bourgeois, to be a truth for the boring and middle-aged, as far as possible from who I wanted to be. Perhaps because my own father was somewhat obsessed with his garden and his stamp collection. Now, being boring and middle-aged myself, I have resigned. Not only do I see the connection between literature and gardens, those small areas of cultivating the undefined and borderless, I nurture it. I read a biography on Werner Heisenberg, and it’s all there, in the garden, the atoms, the quantum leaps, the uncertainty principle. I read a book about genes and DNA, it’s all there. I read the Bible, and there’s the voice of the Lord God walking in the garden in the cool of the day. I love that phrase, “in the cool of the day,” it awakens something in me, a feeling of depth on sunny summer days that hold a kind of eternal quality, and then the winds from the sea come rushing in the afternoon, shadows grow as the sun sinks slowly on the sky, and somewhere children are laughing. All this in the cool of the day, in the midst of life, and when it’s over, when I’m no longer here, this view will still be. This is also what I see when I look out my window, and there’s a strange comfort in that, taking notice of the world as we pass through it, the world taking no notice of us.

Glemmingebro, Sweden

Excerpted from Windows on the World by Matteo Pericoli. Reprinted by arrangement with Penguin Press, a member of Penguin Group (USA) LLC, A Penguin Random House Company. Copyright © Matteo Pericoli, 2014.